From Marble to Flesh. The Biography of Michelangelo's David

From Marble to Flesh. The Biography of Michelangelo's David

by A. Victor Coonin

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Product Details

ISBN-13: 9788897696100
Publisher: The Florentine Press
Publication date: 06/03/2014
Sold by: StreetLib SRL
Format: NOOK Book
Sales rank: 703,074
File size: 5 MB

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From Marble to Flesh. The Biography of Michelangelo's David 4.7 out of 5 based on 0 ratings. 3 reviews.
Anonymous More than 1 year ago
C_A_Lajos More than 1 year ago
The gigantic marble statue of the biblical King David (c. 1501-1503) by the sculptor, painter, and architect Michelangelo Buonarroti  (1475-1564) indisputably is one of the most famous statues in the world. Originally intended to stand atop one of the spurs of the Cathedral of Santa Maria del Fiore in Florence, Italy, for more than three hundred years it stood on a pedestal in Florence’s Piazza della Signoria close to the door of the town hall known as the Palazzo Vecchio, where it became a political symbol of Florence and then of Italy. Now an artistic and popular icon of nearly worldwide import, David is acclaimed as a superlative example of Renaissance art created by  one of the most gifted artistic geniuses who ever lived. Inspiring millions of people over the course of its centuries- long existence, Michelangelo’s David also may be one of the most reproduced masterpieces the world has ever seen. In this publication, which was crowd funded and produced by means of the assistance of The Florentine Press, Coonin (James F. Ruffin Professor of Art History at Rhodes College, Memphis, TN; Ph.D, Art History, Rutgers University; the author of dozens of articles, essays, and catalogue entries as well as the editor of two books on Renaissance Art), a distinguished art historian who specializes in Italian Renaissance Art, writes the first ever “biography” of Michelangelo’s masterpiece, while attempting to answer the fundamental questions: What makes David so famous? Why does a 500-year-old statue of a religious figure continue to almost universally resonate with viewers? Examining his subject by means of a humanizing approach that adopts various methodologies and gives the statue and its history many lifelike qualities, the author covers the Origins, Adolescence, Maturity, Midlife Crises, and Golden Years of David. Beginning his story of the colossus long before Michelangelo secured its commission and continuing it into the 21st- century, Coonin recounts how what started  simply as a monumental block of marble from a quarry in the mountains near Carrara, Italy, became in Michelangelo’s hands an embodiment of human accomplishment, perfection, magnificence, and beauty. Before and following the death of the artist in 1564, the statue endured a precarious existence on the Piazza della Signoria in Florence until it was moved to Florence’s Accademia Gallery of the  Accademia delle Belle Arti during the summer of 1873, at which time it occupied what would become a specially- built space called the  Tribune. During the 19th and 20th centuries, David came to be widely copied and reproduced. It appeared as and in various forms and  media including casts, statutes, advertisements, body tattoos, and other commodities. Its imagery was appropriated, adapted, and/or  modified by various groups, causes, and contemporary artists. Today while Michelangelo’s statue has achieved iconic status, it still remains threatened by environmental, physical, social, and other phenomena. Retelling the complete history of Michelangelo’s David up to present times, Coonin discusses all aspects of David's life and many topics, not limited to the statue’s predecessors, symbolism, and naturalism as well as the cultural, political, and social contexts in which it was viewed. He addresses many subjects about David and Michelangelo that still may be considered controversial such as their sexualities and the statue’s nudity. The author also sets forth  a considerable amount of information about David’s restorations and the perils that he continues to face into the future. Scholarly yet very  accessible and engaging, this noteworthy, well-presented, cleverly- conceived, first publication of its kind to consider Michelangelo’s masterpiece over the course of many centuries and in terms that humanize the statue and consider it as a living art object will be of significant interest to art lovers, students, scholars, and others. It is very highly recommended for many academic, special, and public libraries--C. A. Lajos, Art History, Architecture, Decorative Arts, Museum, and Visual Studies Book Review Blog
Anonymous More than 1 year ago
I wanted to know more about the making of the statue of David by Michelangelo. This book delivers. The author wanted to provide detailed information that is more than a coffee table book, and more approachable than a technical research paper. He succeeds in the middle ground. The book covers what appears to be the entire history of the Statue. I liked the Renaissance-era sections more than the more recent Pop Culture aspects based on my personal interests. I appreciated the fine detail of information. I'm still looking, however, for even more information on the everyday aspects of Michelangelo's life at the time of the making of David. For example, who was the real David in the year 1501?