From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the 20th Century
Brahmins named Iftikar, Buddhist rites in Hindu Shiva temples, Indian maidens dressed like Arabian harem girls - right from the birth of cinema, international movies have been wildly inventive in their fantastical imagining of India. In fact, images of India in these films have always said more about the filmmakers than they have about India. From the early 20th century, when India was imagined as the fabulous, exotic, oriental Other, site for all sorts of fantasies; to the imperial and colonial mindset of the middle decades of the 20th century; to postcolonial films and auteurs like Jean Renoir and Louis Malle who genuinely strove to understand a different culture and its values; to the globalized worldview with which the century ended - India as seen on the international screen has changed in intriguing ways, as this pioneering study describes and analyses.

Allowing us access to rare short films from the 1900s, British Durbar films, the precursors of the newsreel genre, and Empire adventure movies, this book also explores Méliès, Lumiere, Louis Malle and Jean Renoir, moving on to the Raj films of the 80s and international cinema of the late 20th century. In the process, a wide range of movies is examined and discussed, and a trajectory of changing images of India abroad is traced over the course of the last century.

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From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the 20th Century
Brahmins named Iftikar, Buddhist rites in Hindu Shiva temples, Indian maidens dressed like Arabian harem girls - right from the birth of cinema, international movies have been wildly inventive in their fantastical imagining of India. In fact, images of India in these films have always said more about the filmmakers than they have about India. From the early 20th century, when India was imagined as the fabulous, exotic, oriental Other, site for all sorts of fantasies; to the imperial and colonial mindset of the middle decades of the 20th century; to postcolonial films and auteurs like Jean Renoir and Louis Malle who genuinely strove to understand a different culture and its values; to the globalized worldview with which the century ended - India as seen on the international screen has changed in intriguing ways, as this pioneering study describes and analyses.

Allowing us access to rare short films from the 1900s, British Durbar films, the precursors of the newsreel genre, and Empire adventure movies, this book also explores Méliès, Lumiere, Louis Malle and Jean Renoir, moving on to the Raj films of the 80s and international cinema of the late 20th century. In the process, a wide range of movies is examined and discussed, and a trajectory of changing images of India abroad is traced over the course of the last century.

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From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the 20th Century

From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the 20th Century

by Vijaya Mulay
From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the 20th Century

From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the 20th Century

by Vijaya Mulay

Overview

Brahmins named Iftikar, Buddhist rites in Hindu Shiva temples, Indian maidens dressed like Arabian harem girls - right from the birth of cinema, international movies have been wildly inventive in their fantastical imagining of India. In fact, images of India in these films have always said more about the filmmakers than they have about India. From the early 20th century, when India was imagined as the fabulous, exotic, oriental Other, site for all sorts of fantasies; to the imperial and colonial mindset of the middle decades of the 20th century; to postcolonial films and auteurs like Jean Renoir and Louis Malle who genuinely strove to understand a different culture and its values; to the globalized worldview with which the century ended - India as seen on the international screen has changed in intriguing ways, as this pioneering study describes and analyses.

Allowing us access to rare short films from the 1900s, British Durbar films, the precursors of the newsreel genre, and Empire adventure movies, this book also explores Méliès, Lumiere, Louis Malle and Jean Renoir, moving on to the Raj films of the 80s and international cinema of the late 20th century. In the process, a wide range of movies is examined and discussed, and a trajectory of changing images of India abroad is traced over the course of the last century.

Product Details

ISBN-13: 9781905422968
Publisher: Seagull Books
Publication date: 05/15/2010
Pages: 350
Product dimensions: 6.30(w) x 9.30(h) x 1.60(d)

About the Author

Vijaya Mulay has been closely involved with the growth of cinema in India. A pioneer of the film society movement (she was the first joint secretary of the Federation of Film Societies of India), she has served on the Central Board of Film Censors, helped introduce educational film and TV through SITE and UGC, taught film appreciation at FTII and even made documentary films herself. She has been an active participant in the Indian cinema scene since the 1940s.

Table of Contents

Foreword by Thomas Waugh

Acknowledgements

Introduction: My Pather Panchali—Story of the Road

Chapter 1: Short Films of the Silent Era

Chapter 2: Rajahs and Yogis

Chapter 3: Empire Films of the Colonial Era

Chapter 4: Empire Films of the Postcolonial Era

Chapter 5: Seekers I

Chapter 6: Seekers II

Chapter 7: Insider-Outsiders

Chapter 8: New Trends: From Gandhi to the Diaspora

Chapter 9: Gender Roles and Relations

Chapter 10: Conclusion: Perception, Reality and Interdependence

Appendix 1: Letters from Louis Malle and His Crew

Appendix 2: A List of German Films: 1913–1922

Appendix 3: Synopses of Selected Films

Index


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