Fundraising the Dead (Museum Mystery Series #1)

by Sheila Connolly

Overview

At The Society for the Preservation of Pennsylvania Antiques, fundraiser Eleanor "Nell" Pratt solicits donations-and sometimes solves crimes. When a collection of George Washington's letters is lost on the same day that an archivist is found dead, it seems strange that the Society president isn't pushing for an investigation. Nell goes digging herself, and soon uncovers a long, rich history of crime.

Product Details

ISBN-13:	9780425237441
Publisher:	Penguin Publishing Group
Publication date:	10/05/2010
Series:	Museum Mystery Series , #1
Pages:	336
Product dimensions:	4.10(w) x 6.70(h) x 1.00(d)
Age Range:	18 Years

About the Author

Sheila Connolly is the New York Times bestselling, Anthony and Agatha award nominated author of the Orchard Mysteries, the Museum Mysteries, and the County Cork Mysteries. She has taught art history; structured and marketed municipal bonds for major cities; worked as a staff member on two statewide political campaigns; and served as a fundraiser for several nonprofit organizations. Sheila also managed her own consulting company, providing genealogical research services. In addition to genealogy, she loves restoring old houses, visiting cemeteries, and traveling. Now a full-time author, Sheila thinks writing mysteries is a lot more fun than any of her previous occupations. She is married and has one daughter and three cats.

Editorial Reviews

Old families, old papers, and the old demons of sex and money shape Connolly's cozy series launch, which will appeal to fans of her Orchard and (as Sarah Atwell) Glassblowing mysteries. The venerable and cliquish Pennsylvania Antiquarian Society has a security problem. Documents worth millions are missing, and the staffer who uncovers the losses is found dead in the stacks. Nell Pratt, the society's director of development, is instructed by board member Marty Terwilliger to account for the absence of Marty's ancestor's correspondence with George Washington. It's a rare improbability--why ask the fund-raiser and not the director of collections or the board itself?--in an otherwise sturdily constructed plot. There are no real surprises, but the archival milieu and the foibles of the characters are intriguing, and it's refreshing to encounter an FBI man who is human, competent, and essential to the plot. (Oct.)

Publishers Weekly