Table of Contents
Foreword Sharon Levy ix
Explanatory Note xiii
Introduction: Animal Magnetism: Lee Breuer and the Search for an American Classicism xv
The Theatre and its Trouble (Excerpt 1) 3
Chapter 1 Happy Just to Keep My Edge (2007) 5
Chapter 2 The Animation of Asher Leopold (1970/2004) 17
The Theatre and its Trouble (Excerpt 2) 35
Chapter 3 The Avant-Garde Kid (2001) 37
Chapter 4 Down and Out in Paris and London (and the Netherlands and Berlin …) (2004) 41
Chapter 5 Mabou Mines: How We Work (1976) 45
The Theatre and its Trouble (Excerpt 3) 50
Chapter 6 Between Art and Performance (1998) 51
Chapter 7 An Actor Evolves (1977) 55
The Theatre and its Trouble (Excerpt 4) 59
Chapter 8 A Sense of Direction (2001) 61
Chapter 9 The Avant-Garde Is Alive and Well and Living in Women (1982) 71
The Theatre and its Trouble (Excerpt 5) 77
Chapter 10 Prelude to Prelude (1980/2009) 79
Chapter 11 Working with Wood (2010) 83
The Theatre and its Trouble (Excerpt 6) 87
Chapter 12 Synthesis (2007) 89
Chapter 13 Mabou Mines Lear, a Critical Detour (2014) 97
Chapter 14 Adapt or Perish (1999) 105
The Theatre and its Trouble (Excerpt 7) 117
Chapter 15 The Funding Game (1980) 119
Chapter 16 The Two-Handed Gun (1991) 125
The Theatre and its Trouble (Excerpt 8) 134
Chapter 17 Dog Days at Mabou Mines, a Critical Detour (2002) 135
Chapter 18 The Emergent Martyr (2001) 145
Chapter 19 Comedy and the System (2009) 153
Chapter 20 Why Dramatize? (2005) 159
The Theatre and its Trouble (Excerpt 9) 164
Chapter 21 On Hajj, Ruth Maleczech, and the Myth of Mabou Mines (2015) 165
Chapter 22 The Fifth Voyage 179
Conclusion 189
Chronology of Work 195
List of Photographs 215
Acknowledgements 217