The Girl Who Sang Rose Madder

The Girl Who Sang Rose Madder

by Elizabeth Bear

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In art as in life, you’ve got to change in order to live. Even when your audience—and maybe your friends—thinks it would be great if you stayed the same forever.  In some cases, literally forever.

The author of over seventeen SF and fantasy novels published over the last half-decade, Elizabeth Bear won the John W. Campbell Award for Best New Writer in 2005, and the Hugo Award and the Sturgeon Award in 2008 for her short story “Tideline.”

Product Details

ISBN-13: 9781429952705
Publisher: Tom Doherty Associates
Publication date: 07/20/2010
Series: Tor.Com Original Series
Sold by: Macmillan
Format: NOOK Book
Pages: 32
Sales rank: 415,834
File size: 335 KB

About the Author

Elizabeth Bear was born on the same day as Frodo and Bilbo Baggins, but in a different year. This, coupled with a childhood tendency to read the dictionary for fun, led her inevitably to penury, intransigence, the mispronunciation of common English words, and the writing of speculative fiction. She is the author of seven previous sf/f novels, including A Companion to Wolves with Sarah Monette.

Elizabeth Bear was born on the same day as Frodo and Bilbo Baggins, but in a different year. This, coupled with a childhood tendency to read the dictionary for fun, led her inevitably to penury, intransigence, the mispronunciation of common English words, and the writing of speculative fiction. She is the author of seven previous sf/f novels, including A Companion to Wolves with Sarah Monette.

Read an Excerpt

The Girl Who Sang Rose Madder

By Elizabeth Bear, Brad Holland

Tom Doherty Associates

Copyright © 2008 Sarah Wishnevsky
All rights reserved.
ISBN: 978-1-4299-5270-5


A real backstage mostly resembles the opening tease of The Muppet Show: dust, bustle, and unflattering light. Em had gotten over her delusions of glamour pretty fast, though the delusions of grandeur took a little longer to kick her off the ledge. Now, she dodged a costume trolley, sidestepped a roadie, and managed to find a corner that wasn't immediately in use. She rose on tiptoe, craning her neck to look for Ange. Maybe over by the service table, although Em thought it possible that her sister hadn't consumed anything more solid than gin and protein shakes since the early eighties.

Someone touched Em's shoulder, and she spun, heartbeat drowning out whatever he said. A side of beef in a SECURITY shirt loomed from the shadows, and Em instinctively drew herself up in her boots. Her flight reflex had been broken for years. She made it up with housecat bravado.

"Your pass." He poked at her chest. She glanced down, pretty sure that he wasn't copping a feel — Ange got all the looks, and if Em was feeling like a shit, she'd say it was an even trade for brains and talent — and realized that her all-access pass had twisted under her leather vest. "Sorry." She hauled it out.

He studied it until he was satisfied, even breaking out his flashlight, and only then glanced at her face.

The double take was gratifying. "Shit. You're Emma Case. What are you doing at a Trial show? You used to be great!"

Em ... was feeling like a shit. She blinked at him, slowly, and let herself smile.

"I mean —" he backpedaled. "I'm a fan. I just mean I'm a fan. You're amazing. Number 19 on the Rolling Stone top 100 guitarists of all time —"

"Yeah," she said. "Joni Mitchell is better. It's a crime she didn't make the list any higher than number seventy-two, but it was a total boy's club anyway. Maybe they got her confused with Jack White when they were putting things in order."

He was already backing up. Em pushed up the sleeve of her henley and scratched the pad of scar tissue in the crook of her right arm with uncallused fingers. She really ought to get her ink touched up; if it faded any more and if she got any grayer, people were going to start mistaking her for Johnny Winter.

Hah. She'd be lucky to live long enough to go gray.

But he wasn't done gushing. He bounced in place and tried again. "You were a Warlord. I have all your albums from the seventies. On vinyl. I used to play the first two every damn day after high school. Madder Rose. And Stick It In."

"Class of '89?"

He blushed. "'87."

"Let me guess. You loved the Who, the Pretenders, Led Zeppelin, and the Rolling Stones."

He shrugged. "You know? Never so much the Stones. They had started to suck so much by then ..." And then he recollected himself and stuck out a hand. "I'm Earl."

She took it. What the hell. "Em."

He held onto her hand too long, but the handshake wasn't too creepy otherwise. Em risked a smile. And then he put his foot in it for good. "So what happened?"

"Seth Savage got completely fucked up on heroin and hanged himself from a hotel room shower rod in Las Vegas six years ago," Em answered, in practiced staccato. She turned her face away. "It kind of sank our chances of getting the band back together. Look, have you seen my sister around? I kind of need to find her."

* * *

Yeah. She used to be a Warlord. Some days, she got up, showered, walked the dogs, made scrambled eggs and was on her second or third mimosa before she remembered.

It was one of the reasons she lived alone. She'd had enough of fucking rock stars for two lifetimes, and the last thing she needed was some doe-eyed young creature padding across her terrazzo floors barefoot in silk pajama bottoms, looking at her like she used to be Emma Case before she'd had time to drink a pot of coffee and tie a good buzz on.

Easier to keep a couple of borzoi, if you needed somebody around to yell at once in a while who was big enough to take it. Anyway, it could have been worse. Thank God for small mercies and all that. She could have used to be a Beatle.

Earl had said Ange was in Graham's dressing room. The opening act, Objekt 775, was just coming off, which meant he could still be fucking around in there for a good fifteen minutes yet while the stage got cleared. But if Ange could stand him, Em guessed she could do it too.

She tapped on the door. "Ange? It's Em."

The door wasn't locked; it swung right open. Em leaned around an even bigger side of beef and peered under his arm. All she saw was the size-two ass of Graham's hairdresser, lacquered into a turquoise leather skirt. "Ange?"

"Mike, let her in," Ange said, appearing from the corner. She hooked a finger at Em, and Em — holding her breath — ducked under the security guy's arm and strode across the room to her sister. Smooch smooch, air kiss, click of high heels and the carnauba wax smell of too much red lipstick. Powder caked in the creases beside Ange's eyes was obvious when you got close, and she was wearing enough mascara and black liquid eyeliner for a cheerleading squad, but Em had to admit she'd kept her figure.

"Hey, Graham," Em said.

Shirtless, naked except the black leather trousers she was glad she'd never seen him without, he waved at her in the mirror. A sterling skull glinting heavily on the back of his left hand. "Hey, Em."

Ange might be mutton dressed as lamb, but Graham's face looked like it was about to wilt off his skull. Hard to believe he was only sixty.

Hard to believe he was even sixty, if you just looked at his abs. The chesticles were terrifying enough to make up for it, though. Still, Em poked herself in the gut through her T-shirt and winced. Fifty-seven, and she hadn't had a belly like that since 1982. More crunches.

God, what did it matter? She had her money. It wasn't like she ever needed to climb up on a stage again.

It wasn't like she was ever going to have a chance.

Ange dragged her over into the corner behind the guitar stands. The teal-green Strat made Em's hands itch, but her fingers were soft. She'd cut them to ribbons on the strings. Instead, she fumbled for a match and a cigarette.

"It was good of you to stop by while we're in San Diego. Are you staying for the concert?" Ange asked, steadying Em's hand on the match. She bummed a cigarette from the open pack without asking, and Em lit it for her. Once upon a time, it had been lines of coke all night.

She'd quit because it was bad for her. It wasn't easy, getting old. She shook the match out and dropped it in an ashtray. Thank God half of rock and roll still smoked.

"I might." She let the smoke stream out in lazy snakes, and smiled. The trick was to hold off long enough so the cigarette tasted really good. Delayed gratification was the best sort.

She touched Ange's hand. The diamonds on the left one hadn't changed, though Graham must have bought her that bigger canary-yellow rock for their anniversary. But on the right one Ange wore a skull much like his, and Em wanted to look at it. "That's gorgeous work," she said. It didn't look like a head-shop model. "You know, Keef has one of those. And, shit —" She scratched her head with the hand with the cigarette in it. "Jim wears one, doesn't he? Is it the eighties already again?"

"Yeah," Ange said, and pulled her fingers out of Em's grip, but not before Em felt her start to shake. What the fuck? "It must be; I've been wearing that ring since '81 and you never noticed it before." She frowned at Em astutely. "Intimations of mortality getting you down?"

Em managed to divert the reflexive gesture of her hand toward her temple into a drag on her cigarette. She shrugged.

And Ange was already off on a more pressing topic. "Oh, one sec. Graham? Your call —" A half-second before the tap came on the door.

He jammed his feet into buckle boots and stood, nipple ring sparkling against graying chest hair. The hairdresser jumped out of the way. For the life of her, Em couldn't see what the woman had accomplished, but maybe she was worth her salary for the tight skirt and the scalp massage.

Graham knew better than to cheat on Ange these days. And Em hadn't even minded the cite for drunk and disorderly and for disturbing the peace. He'd been man enough to drop the assault charges. If the secret monster growing in Em's head kicked her over dead in the shower tomorrow, she'd accomplished that.

That, and three platinum and four gold records.

"Hey, Em," he said, practicing his rock-star glower at her over the bridge of a nose that might have been knocked down from Frank Zappa's spare. He gave her shoulders a quick squeeze; she slung her arm around his waist and squeezed back. He smelled like wax and camphor, too, and his skin was clammy; she gritted her teeth to hide a reflexive cringe at his touch. It seemed to be her day to make a closer acquaintance with tall men's armpits.

Hound-dog ugly as he was, his face twisted around to something fascinating when he smiled. "I saw you eyeing that Strat. You sure I can 't bend your arm to come out and play a couple in the first half? It'd be on YouTube by the time you got home tonight, I promise."

Em punched him lightly. "Not a chance. Don't trip over your leads, man."

"I won't trip over my leads, man," he said, and reached past her to pick up the Stratocaster. Holding it wide, he bent down and kissed Ange on the mouth. Then he turned, and the entourage outside the door extended a pseudopod, enfolded him, and pulled him away.

Em jammed the cigarette between her lips and her hands into her pockets and told herself that she didn't miss it at all.

"Shit," she said. "Ange, is he back on smack? He looks like shit."

Ange ground out her cigarette. "Look who's talking."

"Hey, I'm just saying —"

"No," Ange said. "You know what? I know you can't stand him. But I appreciate you trying to hide it when he's in the room."

"I'm just saying, you oughta find the egg he hid his death in."

Ange snorted, unladylike as hell, and all of a sudden Em could see the wild girl of 1971, bell bottoms and a knotted shirt. Back when they both still played guitar — though, to be fair, Ange had quit long before Em had. About when she quit eating, too. "I'm just saying. Maybe you should think about taking the cure yourself."

"I'm clean," Em said. She shook her head. "Just not sober."

Ange shot her a sidelong glance, and Em thought she almost smiled. "Come on," she said. "We've got seats."

"You got me a ticket?" Em slapped Ange's biceps with the back of her left hand. "Aw. Sweet."

* * *

Their seats were row three, stage center. Em kept her face tucked behind her collar until she was seated, then let her head slide down between her shoulders. They barely made it in time; the amphitheatre was already full, and the lights dimmed as she dropped her butt into the rickety folding chair. Trial opened with a three-song run off the new album, and Em thought the audience was restless. Not settling in; not giving up their energy. Most of them wouldn't have heard the new material yet, except the single. It wouldn 't have had the time to wear the groove in their psyche that the back catalogue had.

And honestly, Em didn't think the new songs were as good. They were mostly colorless, and it might have been uncharitable, but they sounded to Em like flat, juiceless versions of the sort of thing the band had done better decades before. And only the third one, a thumping antiwar number in which Dagan Kennedy dropped his vocals for a harmonica solo on the bridge, got anybody on their feet. Fucking baby boomers, too goddamned middle-class and entitled these days even to get up on their chairs and dance.

It wasn't that Graham was phoning it in, Em decided. It was that he was dead up there; the energy wasn't flowing. There was no spark, no contact.

But then Graham handed the Strat to a roadie and took an electric/acoustic Breedlove in exchange, and Dagan swapped out for a mandolin. Em didn't realize she'd rocked forward in her chair until Ange put a gentling hand on her arm. "You should have taken him up on it," she said, twisting her neck to yell in Em's ear. "Anybody can see sitting down here is killing you."

Ange was right, and she was wrong at the same time. Those days were over for good, unless Em wanted to find herself doing endless half-assed fifteen-minute versions of "Road Too Far" with some thirty-year-old bassist that would never be one-tenth the musician or the lay that Seth had been.

Em dropped her head, pressed her palms over her ears, and wished she were home in the hot tub with a bottle of Bordeaux and the Bad Seeds cranked up really loud.

She'd bet a platinum record there weren't ten people in this audience who would know Nick Cave if he gave them a lap dance. 1976 was thirty fucking years ago, and none of the fat shuffling zombies in the chairs around her wanted to hear anything newer.

And that was a reason to hang up her guitar.

Ange squeezed Em's arm, about to say more, and Em just shook her head hard, harder, until the opening strains of a deeply surreal cover of Dylan's "The Changing Of The Guard" blotted out whatever her sister might have been about to say.

"AOR is dead," Em muttered under her breath. "Long live Jack FM."

* * *

Afterparties weren't what they used to be. Em found herself perched on a hotel suite window-ledge, legs draped over the air conditioner, a glass of adequate too-sweet red wine in her left hand and a succession of cigarettes in her right. The window didn't open, which was a pity, because within an hour the whole room reeked of sweat and perfume. But she had her back to a wall and a place to sit, and she wasn't about to abandon that advantage to wander over by the television where Ange and Graham were holding court.

She was in the middle of a reasonably entertaining conversation with a Rolling Stone reporter (ah, Rolling Stone, another shuffling instance of the living dead) when someone touched her sleeve. She took a drag on her Marlboro and turned, finding herself eye to kohl-smudged eye with a pale-skinned bleach-blonde whose matted white-girl dreads had been twisted into thick, clumpy ponytails over each ear. She wore black, collarbones like knifeblades over a mesh top and tank. And she was holding up a fresh glass of wine.

Bemused, Em let her make the exchange. The girl had no chin to speak of and a nose that took off across her face with a Gypsy spirit of adventure, as if it would know its destination when it found it. "Thank you," she said. "Is this a roofie?"

"No." And the girl plucked that glass from Em's hand and exchanged it with her own, and then drank down half the glass.

Well, Em thought girl, but the woman might have been thirty. Or twenty-five under a lot of makeup. Women spend our whole lives trying to look older or younger. What is that shit?

Why was it, indeed, that no matter what you were it was never good enough? Did men get that too, or was it a feminine affliction?

Seth's death-fouled body, twisting from a noose improvised from telephone wire. No, she rather thought intimations of lethal inadequacy were a human condition.

"I'm Sanya Poe," the blonde said. "I'm the keyboardist and singer for the opening act."

"Objekt 775."

"You remembered. Impressive."

Em rummaged in her pocket for a handful of supplements, and washed them down with the wine. "I never forget a band name," she said. "The High Numbers, The Small Faces, Objekt 775 —"

The blonde laughed hard. "Oh, from your lips to God's ears."

"Don't say that too loud. He might hear you. Are you here to receive my blessing? Because I left my sack of indulgences in the car." Em was, apparently, drunk enough to let herself sound smart. Always a surprise when that happened, though why it should be, she was never certain.

"No," the blonde said. "I just wanted to say thank you, actually. This is a shitty business to be a girl in, and you were an inspiration to me when I was a kid. I mean, you were just as good as the guys, and just as hard as the guys —" She shook her head. "You made it okay for chicks to be rock stars first and chicks second. And you had the sense to walk away at the top instead of taking the long slow spiral down. It's more important than you'd think."

Em stuck the wine glass in her left hand and stuck her right one out. "Pleased to meet you, Sasha Poe."

"Sanya," she said, and grabbed Em's hand. "Seriously. You rock. You always rocked ... but I kind of wonder what you'd do if you picked up an axe again."

"Same old shit," Em said, and Sanya laughed warmly. "It's not like I've learned anything this decade."


Excerpted from The Girl Who Sang Rose Madder by Elizabeth Bear, Brad Holland. Copyright © 2008 Sarah Wishnevsky. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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