Girls Rock!: Fifty Years of Women Making Music / Edition 1

by Mina Carson, Tisa Lewis, Susan M. Shaw

Overview

With a foreword by Jennifer Baumgardner and Amy Richards

Girls Rock! explores the many ways women have defined themselves as rock musicians in an industry once dominated and controlled by men. Integrating history, feminist analysis, and developmental theory, the authors describe how and why women have become rock musicians—what inspires them to play and perform, how they write, what their music means to them, and what they hope their music means to listeners. As these musicians tell their stories, topics emerge that illuminate broader trends in rock's history. From Wanda Jackson's revolutionary act of picking up a guitar to the current success of independent artists such as Ani DiFranco, Girls Rock! examines the shared threads of these performers' lives and the evolution of women's roles in rock music since its beginnings in the 1950s. This provocative investigation of women in rock is based on numerous interviews with a broad spectrum of women performers—those who have achieved fame and those just starting bands, those playing at local coffeehouses and those selling out huge arenas. Girls Rock! celebrates what female musicians have to teach about their experiences as women, artists, and rock musicians.

Product Details

ISBN-13:	9780813123103
Publisher:	University Press of Kentucky
Publication date:	07/23/2004
Edition description:	New Edition
Pages:	272
Product dimensions:	6.00(w) x 9.00(h) x (d)
Age Range:	18 Years

About the Author

Susan M. Shaw is associate professor of women’s studies at Oregon State University. She is the author or coauthor of several books, including Girls Rock! Fifty Years of Women Making Music.

Table of Contents

	Foreword	ix
	Preface	xv
Chapter 1.	Girls with Guitars	1
Chapter 2.	Sex, Race, and Rock 'n' Roll	21
Chapter 3.	The Singer and the Song	42
Chapter 4.	The Girls in the Band	65
Chapter 5.	Imagine My Surprise! The Women's Music Movement	95
Chapter 6.	Who's That Girl? Women and Image in Rock 'n' Roll	115
Chapter 7.	The Business	135
Chapter 8.	Survival ("Pretty Good for a Girl")	157
	Notes	181
	Sources	215
	Index	223

Editorial Reviews

The stories are touching, personal, gritty, real, and political.... It gave me a sense of a legacy, that we have grandmas who've been building these bridges for us. It's a powerful thing to be written into being, to illuminate the hidden stories with joy.

Clamor

Treats female rockers with the depth and seriousness that they deserve and have all to often been denied.

Iola (WI) Goldmine

Sets out to find out how women develop identities as rock 'n' roll musicians. It's not a book about women and rock; rather, Girls Rock! Discusses women's relationship to rock.

Portland Oregonian

An exploration of women as musicians, their relationship to the music industry, and the way women construct their identities as girls who rock.

Corvallis (OR) Gazette-Times

Manages to avoid the conflation of popular music to pop stars and instead to incorporate lesser-known musicians into the history of rock.

Journal of Material Culture

Chosen for the 2005 Amelia Bloomer Recommended List of the American Library Association.

From the Publisher

Combines feminist analysis, history, and developmental theory to describe women's journey on the rock 'n' roll road.

Eugene (OR) Register-Guard

Carson, Lewis, and Shaw have written a book that fills a significant gap in the current discourse on women in popular music. They examine the connection between selfhood and music-making in a way that both validates and honors the unique experience of women in rock-and-roll. These girls rock!

author of The Holy Profane: Religion in Black Teresa Reed