Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves

God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves

4.1 9
by Paul Asay

See All Formats & Editions

What do God and the Caped Crusader have in common? While Batman is a secular superhero patrolling the fictional streets of Gotham City, the Caped Crusader is one whose story creates multiple opportunities for believers to talk about the redemptive spiritual truths of Christianity. While the book touches on Batman’s many incarnations over the last 70 years in


What do God and the Caped Crusader have in common? While Batman is a secular superhero patrolling the fictional streets of Gotham City, the Caped Crusader is one whose story creates multiple opportunities for believers to talk about the redemptive spiritual truths of Christianity. While the book touches on Batman’s many incarnations over the last 70 years in print, on television, and at the local Cineplex for the enjoyment of Batman fans everywhere, it primarily focuses on Christopher Nolan’s two wildly popular and critically acclaimed movies—movies that not only introduced a new generation to a darker Batman, but are also loaded with spiritual meaning and redemptive metaphors.

Product Details

Tyndale House Publishers
Publication date:
Product dimensions:
5.50(w) x 8.20(h) x 0.70(d)

Read an Excerpt




Copyright © 2012 Paul Asay
All right reserved.

ISBN: 978-1-4143-6640-1

Chapter One


One may understand the cosmos, but never the ego; the self is more distant than any star. —G. K. Chesterton, Orthodoxy

IT TAKES A SPECIAL PERSON to dress up like a flying rodent. And when I say special, I mostly mean weird.

And when I say weird, I mean weird for grown-ups. My son used to wear a homemade bat outfit around the house when he was four, flapping its sewn-on wings in a desperate effort to fly around the living room. But were he still doing so today, at age twenty, I'd sit him down and encourage a less eclectic sense of fashion. It's one thing to wear a bat costume to bed; it's another to wear one to job interviews.

Granted, Bruce Wayne—Batman's moneyed alter ego—doesn't need a job. Gotham City's prominent playboy billionaire has more money under his sofa cushions than most of us have in our checking accounts. And if he ever wanted a job for some inexplicable reason, he owns a whole corporation full of middle managers who'd be falling all over themselves to hire him. Rich folk have more license than the rest of us to engage in, shall we say, eccentric hobbies. If Lady Gaga can dress up in meat for the occasional award ceremony, who's going to begrudge Bruce a cowl and cape?

But Bruce's eccentricity—if we can call it that—goes far deeper. When he puts on his mask and straps on his utility belt, he's not playing dress-up. In his case, clothes really do make the man. What he wears is in some critical, half-understood way more reflective of the real Bruce Wayne than his billionaire playboy facade is or could ever be. When he wears this dark guise, Bruce shoots past eccentricity and reaches beyond weird. As Batman, he flies into a dangerous, dreamlike world that at times can resemble an acid trip gone terribly awry. And he has the almost unthinkable impression that he can somehow make this nightmare landscape better.

This is more than a mere oddity. It's a psychosis.

Or ... a calling.


Whatever you call it, Batman's been doing it for a long time. He began his career in Detective Comics No. 27 in May 1939, when the country was still mired in the Great Depression and the planet was speeding toward World War II. He was a dark vigilante then, suitable for those uneasy times when gangsters and crooks sometimes seemed beyond the reach of the law. For more than seventy years, he's been fighting crime and wrestling with evildoers in comics, newspapers, television, and movies, and in the imaginations of eight-year-old boys wearing tied-on capes and forty-year-old men with too much time on their hands. And while he hasn't always been the grim character he was in the beginning, he's always had a bit of an edge. Even in the colorful, campy ABC television show that popularized the character in 1966, Adam West's Caped Crusader never laughs. For him, crime fighting is serious business ... and that's the joke.

Now, of course, West's straight-faced superhero is long gone, replaced in popular culture by Christian Bale's brooding Batman in Christopher Nolan's trilogy (Batman Begins, The Dark Knight, and The Dark Knight Rises). The DC Comics character is often complex and conflicted. For seventy-plus years, we've called him a hero.

But is he? And if he is, what makes him so? We've grown so used to the guy that we sometimes forget how disturbing his persona is, how disturbing it was designed to be. He's no cookie-cutter crime fighter with a Dudley Do-Right dimple or a Superman smile who will tell children to mind their studies, mind their parents, and always, always floss. From the very beginning, Batman has been a dark character, more at home in Gotham's shadows than its light.

So as we dive into a book that attempts to use Batman as some sort of spiritual instructor, a shadowy guide who may help us walk better in the light, it's best to remember not just who we want Batman to be but who he is. If we saw Batman on the street and didn't know who he was, we'd run away from, not toward, the guy. If we saw something like him in medieval art, we'd think he was more demon than angel.

Before the lessons begin, we must meet our instructor; we must see if this guy has anything to teach us, anything to share. Can we trust him? What if there's something not quite right underneath that cowl of his? What if he's not a superhero at all?


We all know what superheroes are supposed to be about—how they look and talk and act. Batman may arguably be the most popular superhero around these days, but when we think of a generic superhero, there's still a pretty good chance that we envision another DC Comics creation—that big dude from Metropolis with the S on his chest. "Now that's a superhero," we might say. Superman defined the word, and we know that if Superman and Batman tangled in a mixed martial arts ring, the Man of Steel would clean Batman's belfry. The guy's a rock 'em, sock 'em demigod, graced with extraterrestrial super strength, speed, and good manners. And from the very beginning, he was presented as a savior.

Superman, as we know the story today, was born Kal-El (a Hebrew-inflected name interpreted by some to mean "the voice of God") on a faraway planet destroyed in a tragic cataclysm. His parents shipped him off to Earth just before things got really nasty—not just to save the boy's life, but to send him to a world that Kal-El, in turn, could save.

"They can be a great people, Kal-El, if they wish to be," his father, Jor-El, tells Superman in the 2006 film Superman Returns. "They only lack the light to show the way. For this reason above all, their capacity for good, I have sent them you ... my only son." Powerful, good, and incorruptible, Superman seems both Greek god and Christian saint. And in case anyone missed the metaphor up to that point, in Superman Returns we see him sacrifice himself for the world ... and yet return, as it were, from the dead.

Batman, conversely, is no smiling, superhuman alien sent to save humanity. He shares very little in common with the Man of Steel. We call Batman a superhero, but he has no special abilities to speak of, no talents born of Krypton or gamma ray showers, no gifts garnered through mysterious spider bites or medical experiments gone wrong. He's a self-made man—fully human, just as we are. He's not all-powerful. He's not, as we shall see, altogether good. He is a product of our fallen world even as he strives to rise above it. He holds the seed of God's perfect creation, and yet that seed is embedded in the dirt of tragedy, temptation, sin, and corruption.

And he knows it.

"Deep down, Clark's essentially a good person," Batman admits of his super pal in the DC Comics saga Hush. "And deep down, I'm not."

"You either die a hero, or you live long enough to see yourself become the villain," we're told in The Dark Knight. In real life, we've seen countless heroes—athletes, actors, politicians, pastors—fall and crash, and Batman is complex enough, enigmatic enough, damaged enough for us to fear that he could fall too. Batman's weakness isn't kryptonite, silver, or some otherworldly thing: it's his own, very human nature. And that's part of what makes him so compelling.

Sure, Batman sometimes acts as a savior stand-in. But for the most part, he's not a Messiah figure.

He's us.


Those of us who have been to Sunday school at least twice (and didn't sneak out during the songs) know at least a little about the character of Jesus—how he is the Son of God who came to Earth as a puny mortal to teach us stuff and save us from, essentially, ourselves. Jesus was both completely God and completely human, and since he was a normal guy (in a sense), he experienced most of what we normal guys and girls do: hunger, thirst, pain, sleepiness, that sort of thing.

But some of the stuff we humans do as just part of being human is, at least to my way of thinking, incompatible with the nature of being God.

Take, for instance, the concept of inconsistency. You can't accuse Jesus of being inconsistent. Granted, he had his moments and moods. He could be angry or gentle or sad or even a little exasperated. But while we might read about him telling stories in one chapter and turning over tables in the next, he was always Jesus, if that makes sense. Nothing he did was ever out of character, outside the mold of who we know Jesus to be.

We, on the other hand, are wildly inconsistent.

Oh, sure, we try to convince ourselves that we know who we are. We tell our friends that we're this type of guy or not that sort of girl. We tell everyone what great senses of humor we have or how much we care for the poor—traits that we feel get down to the core of what we're all about (or who we'd like to be). And if we're not so sure about who we are, we have a whole slew of personality tests designed to tell us.

For instance, the folks at Myers & Briggs tell me I'm an INFP, which means I'm a shy, artistic, touchy-feely type—the kind of person who might write a book about the spirituality of superheroes. But they'd be shocked if they knew I was nearly thrown out of one of my son's soccer games for getting, shall we say, overly enthusiastic. My math teachers, who knew me as the guy who'd doodle all over my notes, would be surprised to know that I regularly crunch a whole bunch of wonky stats while trying to compile a fantasy football team.

Truth is, I'm not always an INFP. Sometimes I might be a more gregarious ENFP or a more judgmental INFJ, and sometimes I can go totally against my character and do a good impression of an ESTJ. On really bad days, I resemble an ICBM. Sure, we might have an inkling of who we are and how we'll react. Those personality tests can be pretty revealing. But all those Myers-Briggs letters can't convey the whole story, and all the rules and inclinations and character types we set for ourselves are littered with exceptions. I think I have a great sense of humor but sometimes don't get obvious jokes. I run three hours, then grab a Sausage McMuffin at McDonald's.

And we're all like that. The most patient among us can snap at a barista. The most cautious among us sometimes take up hang gliding. We have more faces than the Rolex factory, more personas than the cast of Saturday Night Live. Sometimes it would seem that we're not one person but several—forever flexing from one to the next, changing colors like a Las Vegas fountain.

Batman fits right in with the rest of us. Sometimes he seems hardly the same superhero. One decade he's a dark loner, the next he's a veritable family man, surrounded by batwomen, batgirls, and batpets. In one graphic novel, he's a wreck, torn asunder by compulsion and neurosis. In another, he's a rock, a pillar of goodness and virtue. You're never quite sure what you're going to get with Batman—just like us.


Batman's inconsistencies aren't just born of outside influences—the writers, artists, actors, and directors who have all had a hand in shaping the superhero's mythic arc over the years and the demands of the readers and viewers who consume his stories. He's a complex, often contradictory character within these various works too—at one turn the billionaire playboy, at another the dark vigilante, at still another a man unsure, seemingly puzzled by who he is and what he's become, still searching for his parents' approval.

"What am I doing, Alfred?" he asks in 1993's Batman: Mask of the Phantasm, one of countless times he's turned to his loyal, ever-present valet for advice. Having fallen in love, he's in anguish over whether it's okay to be a masked vigilante and a significant other. "This isn't part of the plan!" he says.

It's not the first time Batman has surprised even himself. No wonder we're not always sure of him either. He's an enigma to us—just as, in some ways, we all are to each other.

It's interesting how he sometimes uses his cowl to find a level of consistency in himself. Push back the mask and Bruce Wayne seems lost and unsure. Slip it on and he becomes someone else, more confident in action, more definitive in deed. On the inside maybe Bruce Wayne is not that much removed from a little boy who lost his parents so very long ago. But Batman—the guy Bruce becomes when he's in costume—can't afford to express doubts or insecurity. His mask doesn't just hide his features: it helps define them.

Like Batman, all of us hide behind our masks and use them to help define ourselves for others. We all have secret identities of a sort, hidden behind our smiling social-networking profiles or our happy church faces. They're not lies, really. They're just not the whole truth, because we know that most of the people we encounter day-to-day couldn't handle the truth (or perhaps we couldn't handle giving it to them). Most of us are like those Russian nesting dolls, presenting a slightly different visage to the world depending on which world we're dealing with at the time. The outermost doll isn't a lie: mine still offers part of who I am, but it's not all of who I am. As I get closer to people, the nesting dolls open and the masks change. But it's a rare person whom I allow to see what's at my core: my innermost thoughts and fears, my dreams and desires, my pettiness and peevishness. Most of us know that if we threw ourselves open to the whole world, what would be revealed isn't always that attractive. It can be silly or ugly or off-putting, and so we only shed our masks a bit at a time.

The masks we wear aren't lies. They are, in a strange way, a critical part of who we are. Batman's not unusual in wearing one: his is just a little more obvious.

In Batman's case, though, it's harder to determine what his "mask" really is—and perhaps he's not even completely sure. He wears one when making the rounds in Gotham to bring down the bad guys. But there's another he wears, far more like the ones we show people at work or school or at the latest party: his Bruce Wayne mask, the playboy billionaire visage that he pastes on for dinners and charity balls. Lots of folks would argue that Bruce hides behind his perfectly coiffed hair and ever-easy smile far more than Batman does underneath his cowl.

In the ultra-creepy graphic novel Arkham Asylum: A Serious House on Serious Earth, the Dark Knight finds himself virtually imprisoned in Gotham City's most notorious locale for the criminally insane—at the mercy of the madmen he put there. Unconscious, Batman is momentarily helpless, and Arkham's inmates—led by Batman's personal demon, the Joker—can pretty much have their way with him.

"I say we take off his mask," says one loon in the gloom. "I want to see his real face."

"Oh, don't be so predictable!" Joker says. "That is his real face."

That's one of the interesting things about Gotham: it can be difficult to figure out just what constitutes a mask. It's not just Batman who wears one.

In Batman Begins, who is the real Dr. Crane: the apparently mild-mannered psychiatrist or the nightmare called Scarecrow? What's the true face of Two-Face in The Dark Knight? And what about the Joker's ghastly white face? Is that a mask? Is that who he truly is?

The answer to these questions may be yes, oddly enough. Gotham City is a place where masks reveal as much as they obscure—perhaps not unlike our own. And using this curiously paradoxical construct, it's satisfying to me that Joker's two most recent cinematic appearances give us two opposite, and yet somehow complementary, looks at his unforgettable visage.


Excerpted from GOD ON THE STREETS OF GOTHAM by PAUL ASAY Copyright © 2012 by Paul Asay. Excerpted by permission of TYNDALE HOUSE PUBLISHERS, INC.. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Customer Reviews

Average Review:

Post to your social network


Most Helpful Customer Reviews

See all customer reviews

God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves 4.1 out of 5 based on 0 ratings. 9 reviews.
libraryboy More than 1 year ago
As you can tell by my previous posts, non-fiction books are not my normal cup of tea. I've joined a couple of "blogging" websites, though, that are helping me to expand my horizon of books that I read. So as I looked over a list of books available to be reviewed, I thought it would be a no-brainer for me to pick this one for my review. The books starts out with a nice history of Batman over the years and his rise through print, to TV and ultimately on the bigscreen. The author begins by describing Batman in some generic terms; Being called from birth, the love of the Father, called by choice and then called by searching. He then brings in characters that battled against Batman to show struggles that he dealt with: Nemesis - Scarecrow - Fear, Two-Face - Despair; Joker - Annihilation. With each chapter, he builds off of the characteristics that we've seen in Batman and weaves them back to a comparison of the life of Jesus. I'd say that I was skeptical of this book at first. It really didn't grab me the way that fiction does, simply because alot of the comparisons that the author makes are subject to interpretation. I guess that's what has always caused me to shy away from reading too much fiction. I didn't see anything scriptually wrong with the book. Again, I'm sure that another author could take the same information and make it say something totally different, but Mr. Asay did a great job with his book. I enjoyed that he didn't make this solely about Batman, but also the surroundings and influences that make up the character of Batman. Is it a "man's book"? Sure, why not. It is a good read, has some good theories and talks about Batman. How many other times in life will you be able to read a book that combines two of a man's most talked about topics, God and superheroes. I received this copy from the publisher in exchange for my honest opinion.
Heart2Heart More than 1 year ago
In light of all the recent summer blockbusters coming to the big screen, I thought I would share with you an incredible book, I had the privileged to get to read and review. It's Paul Asay's debut book, God on the Streets of Gotham, What the Big Screen Can Teach Us About God and Ourselves. I have to say if you're a Christian and love super heroes, then you will LOVE this one. Here's just a sample of the synopis from the rear cover: "For more than seventy years, Batman has captured the imagination of millions of people worldwide. First created in the 1930's, Batman has become a cultural icon in comics, television, and films. Why does the story of Batman continue to fascinate? Why does this dark hero inspire millions of us?" I think Paul does a fabulous job at walking through all the different media aspects in search of these answers and holds them up to the light of God's word. Here are just some of the incredible passages I highlighted in my reading: "Batman is no lunatic. He is no villain. He is a hero, pressed into service by a source he may be only dimly aware of. He believes in goodness even if he doesn't call it God. Perhaps he's like the disciple Thomas, who heard the call to follow, but didn't quite understand who he was really following. But because Batman perhaps doesn't perfectly understand his calling or the implications thereof, he can sometimes get a little lost. He can grow confused in his role and sometimes his values can get a little scrambled. He is prone, like most of us can be at times, to place his trust in the wrong things and his faith in the wrong people. We all lose sight of God and sometimes chase after the nearest approximation. And sometimes he literally follows the wrong guy." (pg 18). "He is not much like Superman, but he is something like Moses, David and Peter. The Bible doesn't sugarcoat our heroes for us or tell us they're anything but pretty sorry, flawed folks. And yet God takes them and makes them special, even great, just as he does with us. God takes badness and makes it good. He takes shadow and shines a light - if not on it, at least in it. He transforms us not from the outside but from within. Is it surprising, then, that Batman would see some light and hope in Gotham as well? The place may be bad, filled with all manner of corruption, but there's goodness to be found underneath the grime. It isn't Sodom, without even ten righteous people. It can still be saved. It can still be redeemed - if only someone would care enough to help the cause along. Someone with a little faith. " (pg. 15). This is just a small sampling of the fine work that Paul Asay does in dissecting all the parts that make up both the man, Bruce Wayne, but Batman as well. He analysis the villains, his partners, his tools of the trade and what it all means through comic books, movies and the television series and why we all need to believe in a hero. Not just in Jesus, but that a hero lies within us all to seek out to be a better person and to care for those in need. I received God on the Streets of Gotham by Paul Asar compliments of Tyndale House Publishers for my honest review and highly recommend this to any one who loves super heroes, both young and old alike. Paul Asay is the associate editor at Plugged In, a ministry that reaches more than six million people with movie reviews that help people understand popular cultural trends and how they intersect with spiritual issues. I easily award this book a 5 out of 5 stars in my personal opinion and for me as a parent, this book makes a great resource for balancing things out in the world and what God would want us to see. I think this does nothing more than point us to Jesus Christ in all the things we do today. There is a light within the darkness if we but only are willing to search for it. For now, I'm off to enjoy watching Batman Begins again with a greater sense of purpose.
BWG1968 More than 1 year ago
I've been a Batman fan since I was a boy, and liked to think I knew the caped crusader pretty well. After reading this book I have a much deeper understanding of the man behind the mask. Asay delves deep to reveal his better angels and shines a light on the demons that haunt the man and his alter-ego, and he makes it pretty clear that more is going on in Gotham than meets the eye! This book will make a great gift for a lot of people I know. I highly recommend this book to any Batman fan, and to anyone who enjoys finding God in unexpected places.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
AlaskanTebowFan More than 1 year ago
From the time I first watched "Batman Begins," I saw so many analogies and parallels to both Christ and the Christian, so I was very excited when I saw this book. Paul Asay covered all that I had picked up on, as well as so many other "hidden gems" in the movies and books. Speaking of which, since I've only seen the movies, I found it extremely helpful and insightful for Mr. Asay to have included many anecdotes from the books, especially since this book came out before this most recent installment of the "Dark Knight" trilogy. :) Without going too much into what the book covers, one of my favorite chapters was when Mr. Asay covered the different Nemesis of Batman and correlated them to the "demons" and temptations we Christians face, and how the movies are a great tangible picture of our spiritual world. Generally I would recommend "God on the Streets of Gotham" to fans of the Batman franchise, but Mr. Asay does a great enough job of giving background info, that even a non-fan could get a quite a bit out of it.
Obi-Wan-L More than 1 year ago
With the upcoming third release in Christopher Nolan’s popular Batman movie series this summer, author Paul Asay is clearly capitalizing on the popularity and timing of Christian Bale on the big screen. And who can blame him? Batman is an American icon. And for good reason. He’s a superhero with no special powers. He lets us imagine that any of us (with a few billion dollars) could crusade for justice and right wrongs in our spare time. In God on the Streets of Gotham: What the Big Screen Batman can Teach Us about God and Ourselves, Asay uses images and stories of Batman from comic books, the early television show, and the movies (including the well-done recent ones) to look at the Christian faith in light of Batman. Asay reiterates several times that Batman is not a Christian figure, but simply that he can teach us about following God.
DSaff More than 1 year ago
Batman has been popular throughout many generations for a reason. His exploits have captured our imagination and kept us wanting more. In his new book, "God on the Streets of Gotham: What the Big Screen Batman Can Teach Us About God and Ourselves," Paul Asay takes us for a walk down memory lane, touching on the history and life of Batman. But, Mr. Asay does more here. He also shows comparisons between the life of a pretend superhero with our real life superhero - Jesus. What type of comparisons can there be? you might ask. Well, there were/are villains to defeat, people to save, and goodness to find and nurture; there was also persecution and love. Come take a walk on the streets of your town and see how the message of this book can illuminate your thinking. I selected this book because the title intrigued me, and I have to say that I really enjoyed it. So many times we forget the power we have on our side as Christians, but we do have power. This book helps to remind us that with God on our side, evil will be defeated. It was fun reliving the history of Batman, and it brought back many great memories. If you enjoy books that will help you think outside the box, and encourage you, this book is right for you. I received my free review copy from Tyndale House Publishers for an honest review.
GlenBarry More than 1 year ago
Smart, interesting book. I wish there'd been more to it, especially more from the comics because it sticks pretty heavily to the Nolan movies. The author knows plenty more about Batman obviously, so I wish he'd gotten into more of the long history and characters outside the Nolan films. All that said, it still made a great read. I'd never seen what now seems like an obvious association between Christ's sacrifice of his life to pay for the sins or others and Batman's sacrifice of his rep in The Dark Knight to protect the people from the sins of Harvey Dent.