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Good Fairies of New York
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Good Fairies of New York

4.2 18
by Martin Millar

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When a pair of Scottish thistle fairies end up in Manhattan by mistake, the Big Apple is in for some unusual times. This is anything but a typical fairy fantasy.


When a pair of Scottish thistle fairies end up in Manhattan by mistake, the Big Apple is in for some unusual times. This is anything but a typical fairy fantasy.

Editorial Reviews

From the Publisher
“Read it now, and then make your friends buy their own copies. You’ll thank me someday.”—Neil Gaiman

“The funniest writer in Britain today.”—GQ

“Millar offers fiercely funny (and often inebriated) Scottish fairies, a poignant love story, cultural conflicts, and the plight of the homeless in this fey urban fantasy.”—Publishers Weekly (starred review)

“Undeniably brilliant.”—The Guardian (UK)

Publishers Weekly
British author Millar offers fiercely funny (and often inebriated) Scottish fairies, a poignant love story as well as insights into the gravity of Crohn's disease, cultural conflicts and the plight of the homeless in this fey urban fantasy. Due to the machinations of the obnoxious Tala, Cornwall's fairy king, only a few humans can see the 18-inch-tall fairies who alight in Manhattan: Magenta, a homeless woman who thinks she's the ancient Greek general Xenophon; Dinnie, an overweight slacker; and Kerry, a poor artist/musician who hopes her Ancient Celtic Flower Alphabet will win a local arts prize. Fairies Heather MacKintosh and Morag MacPherson scheme to put Dinnie and Kerry together, rescue fairy artifacts and prove that in love or war, music is essential. Neil Gaiman provides an appreciative introduction. (Dec.) Copyright 2006 Reed Business Information.
Library Journal
An underground U.K. fan base and ringing endorsements from writer Neil Gaiman (Anansi Boys) have brought this early 1990s comic fantasy novel by Millar (Love and Peace with Melody Paradise) to the United States for the first time. Buzz is high, fueled by Gaiman's effusive introduction, but Good Fairies doesn't live up to the hype. The novel's structure is disjointed, switching rapidly among multiple groups of characters with no transition. The plot is contrived, seeming to shy away from the denouement several times in an effort to make the story longer. Characters are one-dimensional and-as ridiculous as it may sound in describing fairies and ghosts-completely unbelievable. Only the disgusting Dinnie, who seems modeled after Ignatius J. Reilly of John Kennedy Toole's A Confederacy of Dunces, undergoes any change at all, and even that seems unrealistic. Purchase, if at all, to meet demand from Millar and Gaiman fans. [As Martin Scott, Millar writes the "Thraxas" fantasy series.-Ed.]-Karl G. Siewert, Tulsa City-Cty. Lib. Copyright 2006 Reed Business Information.
Lindsay Throm
When Heather and Morag, two Scottish thistle fairies, stumble through the fourth-floor window of Dinnie's illegally rented New York apartment and vomit on his carpet, he does not believe what he sees. This is the opening scene of "The Good Fairies of New York", and in addition to introducing the characters and the situation, it raises the question of belief, which is of central importance to both the story and what it leaves readers asking. Heather and Morag's adventures in the city introduce them to homeless people who die on the street unnoticed by those who have homes, to loneliness in crowds, and to phone sex, wasting diseases, and senseless bureaucratic rules and regulations. Although fairy society is marked by its own ego-fueled feuds, greed, and territorial domination, Millar's paralleling of fairy and human societies illustrates how primitive so-called civilized life is, for through it Millar points up the intriguing, unbelievable realities of modern urban life. This story-with-a-punch entertains as it shakes us awake.

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Tom Doherty Associates
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THE Good Fairies of NEW YORK

By Martin Millar

Soft Skull Press

Copyright © 2006 Martin Millar
All right reserved.

Chapter One

Dinnie, an overweight enemy of humanity, was the worst violinist in New York, but was practicing gamely when two cute little fairies stumbled through his fourth-floor window and vomited on the carpet.

"Sorry," said one.

"Don't worry," said the other. "Fairy vomit is no doubt sweet-smelling to humans."

By this time, however, Dinnie was halfway down the stairs, and still accelerating.

"Two fairies just came through my window and were sick on the carpet!" he screamed on reaching Fourth Street, not fully realizing the effect that this would have on the passers-by till the men sweating with sacks round a garbage truck stopped to laugh at him.

"What'd you say?"

"Upstairs," gasped Dinnie. "Two fairies, with kilts and violins and little swords ... green kilts ..."

The men stared at him. Dinnie's monologue ground to a halt.

"Hey," called the foreman, "leave that dumb homo alone and get back to work. C'mon, let's get busy!"

"No, really," protested Dinnie, but his audience was gone. Dinnie stared hopelessly after them.

They didn't believe me, he thought. No wonder. I don't believe myself.

On the corner, four Puerto Ricans kicked a tennis ball back and forth. They looked pityingly at Dinnie. Chastened by the public ridicule, Dinnie slunk back into the old theater on the ground floor of his building. His room was right at the top, four flights up, butDinnie was unsure whether he wanted to climb them or not.

"I like my privacy," he grumbled. "And my sanity."

He decided to buy some beer from the deli across the street.

"But if I find two fairies in my room when I get back, there's going to be trouble."

Five more fairies, all suffering from massive confusion due to beer, whisky and magic mushrooms, were at that moment fleeing in drunken terror from the chaos of Park Avenue to the comparative shelter of Central Park.

"What part of Cornwall is this?" wailed Padraig, narrowly escaping the wheels of a honey-roasted peanut vendor's trailer.

"The Goddess only knows," replied Brannoc, and tried to help Tulip, who had become entangled in the dangling reins of a sightseer's horse and trap.

"I think I'm still hallucinating," whimpered Padraig as a tidal wave of joggers trundled down the path towards him. He was saved by Maeve, who hurried them on, deep into the undergrowth.

They flopped down to rest on a quiet patch of land.

"Are we safe?"

Noise still surrounded them, but no people were in sight. This was a relief. They were invisible to most humans, but so many hurrying feet were a terrible danger.

"I think so," replied Brannoc, oldest fairy present and something of a leader. "But I'm beginning to suspect we're not in Cornwall anymore."

A squirrel hopped over to join them.

"Hello," said Brannoc politely, despite his terrible hangover.

"What the hell are you?" demanded the squirrel.

"We are fairies," answered Brannoc, and the squirrel fell on the grass laughing, because the New York squirrels are cynical creatures and do not believe in fairies.

Meanwhile, back on Fourth Street, Dinnie swallowed a mouthful of Mexican beer, scratched his plump chin and strode confidently into his room, convinced that he had imagined the whole thing.

Two fairies were sleeping peacefully on his bed. Dinnie was immediately depressed. He knew that he did not have enough money to see a therapist.

Chapter Two

Across the street, Kerry was just waking up in her soft bed of old cushions. Kerry, as well as being wondrously lovely, could pick up some tattered old piece of material and make it into a beautiful cushion, or maybe a hat or waistcoat, with ease.

She was also a talented painter, sculptor, singer and writer, a dedicated shoplifter and a serious collector of flowers. And she was a keen guitarist, but her technique was dreadful.

Most people loved her, but despite this, she was not happy this morning. Her unhappiness stemmed from four main sources. The first was a news report on television about terrible floods in Bangladesh, with pictures of bodies, which upset her badly, and the second was the chronic wasting disease she was suffering from. The third was her lack of skill on the guitar. Despite hours of practicing, she still could not play Johnny Thunders' guitar solo from "Pirate Love."

The fourth, far outweighing these at the moment, was her complete inability to make up her mind as to what looked best pinned in her hair: carnations or roses. Kerry's hair was based loosely on a painting by Botticelli and the right flowers were essential.

She sat gloomily in front of the mirror, trying first one then the other, reflecting bitterly that it was no use at all dyeing your hair to a beautiful silvery blue when you still had problems like this to face up to.

The flower alphabet was coming on well and she now had fifteen out of the thirty-three flowers she required.

Across the street the fairies were waking up.

"Where are our friends?" muttered Heather, brushing her golden hair away from her beautiful eyes.

Dinnie stared balefully at her.

"I don't know what you are," he said, "and I don't care. But whatever you are, get the hell out of my room and leave me alone."

Dinnie MacKintosh was not noted for his politeness. He was not really noted for anything except his rudeness, intolerance and large appetite.

"My name is Heather. I am a thistle fairy. And this is Morag. Could I have a glass of water, please?"

"No!" thundered Dinnie. "You can't. Get out of here!"

"What sort of way is that to speak to us?" demanded Heather, propping herself up on a tiny elbow. "Where we come from, anyone would be honored to bring us a glass of water. They'd talk about it for years if we so much as appeared to them. We only appeared to you because we heard you playing a Scottish violin tune."

"Extremely badly," interjected Morag, wakening slightly.

"Yes," agreed Heather, "extremely badly. The violin had an interesting tone, but frankly it was the worst rendition of the 'Reel of Tulloch' I have ever heard, and that is saying something. It was worse than the playing of the blacksmith's son back home in the village of Cruickshank, and I wouldn't have thought that was possible."

"My playing is not that bad," protested Dinnie.

"Oh, it is. Really terrible."

"Well no one invited you here to listen to it," said Dinnie angrily.

"But don't worry," continued Morag, fingering her tiny violin. "We will show you how to do it properly. We are good fairies, and always happy to help. Now kindly bring us some water."

"Hi," purred a naked woman on the TV, rubbing her breasts with a phone. "We're the cream team and we give ass, head and pussy so well it's a fucking crime. Call us at 970 T-W-A-T."

"I must still be hallucinating," said Morag. "I swear I will never touch another magic mushroom. Except possibly for medicinal purposes."

Dinnie strode up to the bed and loudly requested that Heather and Morag leave immediately as he did not believe in fairies. The fairies burst out laughing.

"You are funny," chortled Heather, but the action of laughing upset her precarious hangover and she threw up again, all over Dinnie's arm.

"Well, he certainly believes in us now!" screamed Morag.

"Don't worry," said Heather. "Fairy vomit is no doubt sweet-smelling to humans."

They both went back to sleep and no amount of abuse from Dinnie could wake them.

Chapter Three

The homeless clustered everywhere in New York. Every street corner had its own beggar with dull eyes who asked passers-by for change with little hope of a response. Every park was laced and ribboned with makeshift plastic tents and stinking blankets rolled up as sleeping bags. These homeless had the most hopeless of lives. No government scheme would ever give them a fresh start. No charity would ever be rich enough to house them. No employer would ever give them work without their having a place to live, or at least some clean clothes, and clean clothes were never going to appear to anyone who sweated all day in a swelteringly hot park. All they could do was get by the best they could until they died, and this did not happen nearly quickly enough as far as the decent citizens of New York were concerned.

One homeless old man sat down for a rest on Fourth Street, sighed, closed his eyes, and died.

"Another one dead," muttered Magenta, arriving on the scene. Magenta herself was a homeless beggar, though a fairly young one.

"At this rate I'll have no troops left."

She saluted the fallen warrior and toiled her way along to Broadway, keeping a wary eye out for Persian cavalry divisions. Even though she was still some way from the army of Antaxerxes and was not expecting trouble, she knew that being this deep inside enemy territory she had to be careful.

Back in England, in Cornwall, Tala the King was most upset at the flight of Petal and Tulip. As his children and rightful heirs they were already being whispered of by rebels as suitable replacements for himself.

"Find them," he instructed Magris, his Chief Technician, "and bring them back."

Of course, the Fairy King of Cornwall could not know that at this moment two of the fugitives were waking in an empty room on Fourth Street.

They immediately began to argue.

"I feel terrible."

"Well, it's your own fault," said Morag. "The way you were throwing back mushrooms and whisky."

"What do you mean? You were the one who vomited over your new kilt."

"I did not. It was you. You can't take your drink. Just like the well-known saying, never trust a MacKintosh with a glass of whisky or a fiddle."

"That's not a well-known saying."

"It is in my clan."

"Morag MacPherson, you will be the death of me. And if you insult the MacKintoshes' fiddle playing one more time, I will be the death of you."

"There is no fiddle playing to insult."

They glared at each other.

"What happened to the others?"

"I don't know. We lost them after you fell unconscious and I had to help you."

"I did not fall unconscious, you did. No MacPherson fairy can hold her whisky."

"Any MacPherson can hold it better than a MacKintosh."

The argument intensified until it became too much for their hangovers. Heather swore an obscure Scottish oath and stumbled off the bed, rubbing her temples. She approached the window. The wings of a thistle fairy are only useful for short flights at the best of times and now, weakened by mushrooms, whisky, beer and jetlag, Heather had a hard time fluttering up to the window-sill.

She finally made it and looked down on East Fourth Street. She gasped. To a Scottish thistle fairy, used only to hills, glens and the quiet village of Cruickshank, it was an amazing sight. Cars and people everywhere, children, dogs, noise and at least ten shops within twenty yards. In Cruickshank, there was only one shop, and very few cars.

"What is this place? Where are we?"

Morag joined her. Her first sober sight of their new environment made her forget the argument and she clutched Heather's hand.

"I think it must be a city."

"What's a city?"

"Like a big town. Like lots of villages put together. I think we must be in Glasgow."

"But we were in Cornwall," protested Morag. "Cornwall isn't close to Glasgow, is it?"

Heather shook her head. She did not think so, but her geography was as shaky as Morag's. Since leaving Scotland neither of them had had much of an idea of where they were most of the time.

They peered down at the street where a ragged man with a shopping bag tramped forcefully along the sidewalk, spilling small children out of the way.

This ragged man was Joshua. He was in pursuit of Magenta who had made off with his recipe for Fitzroy cocktail, a drink consisting of shoe polish, methylated spirits, fruit juice and a secret concoction of herbs.

After pursuing her down First Avenue, he had lost sight of her when she dodged down the subway. She was a cunning adversary but he would never give up the hunt for his recipe, the most precious thing he had ever had in his possession.

"What happened to our friends? Where are Brannoc and Maeve and Padraig and Petal and Tulip?"

It was impossible to say. They could be anywhere in this city. Neither of them could remember much except waking up in a huge bumpy machine and being tossed into the street in a beer crate. Their friends had presumably been carried off by the machine. They started to argue again about whose fault it was.

"Right you two," said Dinnie, stomping back into the room. "Get out of here immediately and don't come back."

"What is the matter with you?" demanded Heather, shaking her golden hair. "Humans are supposed to be pleased, delighted and honored when they meet a fairy. They jump about going, 'A fairy, a fairy!' and laugh with pleasure. They don't demand they get out of their room immediately and don't come back."

"Well, welcome to New York," snarled Dinnie. "Now beat it."

"Fine," said Heather. "We'll go. But don't come crying to us if your lineage is cursed to the seventh generation."

"Or even the thirteenth."

They stared at each other. Acockroach peered out from behind the cooker, then went about its business.

Morag, generally the more rational of the two fairies, tried to calm the situation.

"Allow me to introduce myself. I am Morag MacPherson, thistle fairy, from Scotland."

"And I am Heather MacKintosh, thistle fairy. And greatest fiddler in Scotland."

"What?" protested Morag. "I am the greatest fiddler in Scotland."

Heather fell about laughing.

"How dare you laugh at my fiddle playing. I am Morag MacPherson, champion of champions," continued the dark-haired fairy.

"Well I'm Dinnie MacKintosh and you two can just beat it."

Now Morag burst out laughing.

"What's so funny?"

"He's a MacKintosh," chortled Morag. "No wonder his fiddle-playing is so bad. The MacKintoshes never could carry a tune."

Heather looked uncomfortable.

"He's only a beginner," she said, but Morag continued to laugh uncontrollably. She was greatly amused at this turn of events. In her eyes she had won the argument.

"How dare you laugh at a fellow MacKintosh," raged Heather, who could not bear to see her clan belittled in any way. "Even a human MacKintosh is worth more than a lying, cheating MacPherson."

"How dare you call the MacPhersons lying and cheating," screamed Morag.

The fairies' green eyes blazed.

"Look-" said Dinnie, but he was ignored.

"You are lying and cheating. Lying, cheating, thieving, no good-"

"Heather MacKintosh, I hope I never see you again!" shouted Morag, and hopped out the window.

There was a silence.

Heather looked glum. Shouts drifted up from the soccer players on the corner below.

"Call 970 C-L-I-T for the hottest phone sex in New York," whispered a naked woman on the television screen.

"I'm lost in a strange city and now my friend's gone away and it's all the fault of your stupid violin playing," said Heather, and began to cry.

Chapter Four

"Yes," admitted Kerry, tucking a pair of gloves underneath her waistcoat. "I do shoplift compulsively."

"Why is this," enquired Morag. "Is it kleptomania, which I once read about in a human newspaper?"

"No, it just burns me up the way there are nice things everywhere and I can't afford to buy them."

"Are you poor?"

Kerry was.

"And often depressed. But I have been much more cheerful since you appeared." Outside in the street, Kerry tried on her new gloves with satisfaction.

The fairy, after arguing with Heather, had flown across the street and there had the good fortune to meet Kerry, one of the very few humans in New York who could see fairies.

Anyone who knew Kerry, with her long silvery blue hair, her hippie clothing, her flower alphabet and her quixotic quest to play New York Dolls guitar solos, would not have been surprised to learn she could see fairies. They would only have been surprised that she had never seen one before.

She had made friends with Morag immediately and now they regularly went shoplifting together. Kerry fed Morag, found her whisky and listened to her fiddle-playing and her stories. She also explained the intricacies of her flower alphabet and the reasons why she loved the New York Dolls and why she was determined to be revenged on Cal, a faithless and treacherous lead guitarist who rehearsed with his band across the street in the old theater.


Excerpted from THE Good Fairies of NEW YORK by Martin Millar Copyright © 2006 by Martin Millar. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Martin Millar was born in Glasgow, Scotland, but has lived in London, England, for a long time. He has written a lot of things—novels and plays and short stories and articles. Miller has written seven other novels—Lonely Werewolf Girl; Love and Peace with Melody Paradise; Milk Sulphate and Alby Starvation; Lux the Poet; Dreams of Sex and Stage Diving: Suzy, Led Zeppelin and Me, and Ruby & the Stone Age Diet.

Martin Millar likes Jane Austen novels, and wrote a stage play of Emma. He even wrote the novelization of the Tank Girl movie.

Last, but not least, as Martin Scott, Millar writes the Thraxas series of books. There are eight so far, and he won the World Fantasy Award for the first one.

When he’s not writing, Millar likes to watch Buffy the Vampire Slayer and read ancient history.

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The Good Fairies of New York 4.2 out of 5 based on 0 ratings. 18 reviews.
Guest More than 1 year ago
I heard of Martin Millar from Neil Gaiman's blog. Neil Gaiman praised Martin Millar's wisdom, wit and solid writing in 'The Good Fairies of New York' -- and mentioned it a few more times. I loved the premise of punk rock fairies and wanted to check it out, but couldn't afford it. Finally, when (August 23, 2003, in the blog) Neil's assistant Lorraine was cited as claiming that Millar's as-of-yet unpublished book 'Lonely Werewolf Girl' might be the best book ever written, and then (Novemeber 2003, at Sequential Tart) Neil namechecked him again, I made it my mission in life (I'm a writer, bookseller and rare book scout) to track down a damaged copy. They wanted $54 for a scrunched copy of the Collected with a bite out of the back cover and the title page torn out. (I paid $38 plus $4 shipping, but -- at this point, rabid -- I really needed it.) I've only read 'The Good Fairies of New York' and have two entire Millar novels to go. It's ingenious. He ambles between traditional fairy motifs and the Gods of Punk Rawk. Deftly and cheerfully, he spins the stories of characters that mainstream bestsellers tend to skip. Millar's favorite writer, according to his website, is Jane Austen. It shows. Whimsically and precisely, with a fun plot that turns corners on a dime, all sorts of delicious mayhem ensue. If you've ever wanted Johnny Thunders of The New York Dolls to come back from heaven to find his lost guitar, or if you've ever wondered why reels can be so tricky on the fiddle, or if you've tired of some of the more traditional types of fantasies, the book's for you. If you're as poor as I am, get Kelly Link's 'Stranger Things Happen' or Matt Ruff's 'Set This House in Order' or Jonathan Carroll's 'White Apples.' They're all in print in paperback. But if you've read those (and Gaiman and Kiernan and Mieville and the others pushing things forward), then treat yourself to 'The Good Fairies of New York.' It's wrong that it's out of print and so expensive, but it's oh so worth it.
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BookedUp More than 1 year ago
Um... what? This seemed promising in a quirky, imaginative way. I was looking forward to a fantasy adventure that would make me smile and spread the word about what fun this strange little book was. Yeah, not so much.

This was the first Millar book I picked up and during the first few chapters I held onto hope that somewhere along the line it would pull me in and a wonderful story would emerge. But more than half-way through the characters still mean very little to me, the fairies are immature, self-centered, and rude, and the human characters not much better.

There are so many different fairies and fairy affiliations (no, really, it's a little fairy world in there) that it would be difficult to keep track of under the best of circumstances, but when the names are not easily pronounced, even in your head, and the characters are not developed enough to even care who they are or why they're doing what they're doing, it just leaves the reader with a lot of jumbled, winged creatures flapping around the brain.

Millar seems to have a lot of talent, but for some reason it doesn't work in this book. At least not for me. I cannot finish it. Life is too short and my book stack too tall with more promising journeys awaiting.

Let the record show that I do believe in Millar though - I have his book, Lonely Werewolf Girl and am still looking forward to reading it.
Anonymous More than 1 year ago
Guest More than 1 year ago
I just finished this book, and actually set aside two other reads to get through it. I thought it'd just be a light read, for it's not very long, but it was an amazing roller coaster. I loved how things got worse and worse, but it wasn't as negative as it could've been. I thought they'd never get that Welsh Poppy! I'd reccomend it to anyone that didn't get easily offended 'there are some f words tossed around and a lot of dirty commercials..which I think is hilariously realistic but perhaps a little more dirty then your average american broadcasting'. I actually gave my copy away on a plane after I was done, because this book needs to travel well.
Guest More than 1 year ago
This is one of the funniest, and most clever books I have read. Millar is smart and sophisticated with a fast paced story that reminds me of a book form of Lock Stock and Two Smoking Barrels. Take Neil Gaiman's advice 'Read it now, and then make your friends buy their own copies'
Guest More than 1 year ago
I finished this book very reluctantly because I wanted to push to see any redeeming qualities in it. It has such a cute plot but has totally been ruined by random TV sex commercials that are so gross its pretty annoying and totally throw the whole book off. It's so freaky that this isn't in the adults section instead of young readers! I'm a teenager myself and this irritated me to no end.
Guest More than 1 year ago
Ok, so I read the book. Pushed myself to finish it, thinking it might have gotten better....nope! If Miller would have concentrated more on the bulk of the story, it could have been better. The fairies were interesting, but it was the weird sex commercials and the Chrone's disease descriptions that bored and disgusted me. Basically, I think I should have just put it down and read something better or never bought it in the first place.