She's blonde. She’s clever. She’s in his office. London based PI David Good doesn’t stand a chance.
South London. The 1980s. David Good, a morally confused and womanising private investigator, is hired by a ridiculously beautiful blonde to help her fend off the attentions of a serial blackmailer. But he's barely got to grips with the woman's keen sense of self-interest when he stumbles on to something far more unsavoury.
Never one to run a mile when a woman needs help, Good finds himself up to his neck in trouble, upsetting some unpleasant people with short fuses and their own self-interest to protect. This time his trade mark sense of humour might not be enough to see him safely out the other side, but the clock's ticking, so for once he ignores the obvious risk to his own carelessly maintained health and starts to unmask an illicit trade that's been causing a great deal of suffering.
Join David Good as he seeks to simultaneously unravel both the crime and the woman.
"Westerham’s writing is tight, smooth to read, carries great descriptions and all with a dry wit and wry humor." Amazon USA review of 'Good Girl Gone Bad'.
This book is part of the David Good, private investigator series, which can be read in any order you like.
|File size:||355 KB|
|Age Range:||18 Years|
About the Author
Ben grew up in the once rural county of Kent, spending as much time as humanly possible with his mates causing mayhem in the nearby countryside. Later he spent three years as an undergraduate in the altogether different environment of what was then the recovering metropolis of Manchester. A fabulous place for a student. It was as this idealic phase of life came to an end, and the depressing world of work began to take its place ,that Ben's urge to give vent to his creative side started to seep out in a growing stream of bits and pieces writing. A disjointed and eclectic mix for a long time, this eventually morphed in to complete pieces of work, covering novels, poetry, song lyrics, plays and even a few pieces of non-fiction. Having completed what felt like an excessively long apprenticeship, Ben chose to focus on the world of crime, in particular drawing on his experience of that whirlwind of a decade, the 1980s. Humour is an important and frequently present element of Ben's writing. Although primarily there to entertain the reader, it also helps Ben avoid the trap of taking himself and his writing too seriously.