“Law and Pinnington have put together an edition that takes into account what the contemporary (and especially, the non-British) reader needs in order to appreciate the novel. All in all, this is an excellent edition.” Sally Mitchell, Temple University
About the Author
A literary phenomenon in his lifetime and renowned as much for his journalism and public speaking as for his novels, Charles Dickens now ranks as the most important Victorian writer and one of the most influential and popular authors in the English language. His memorable and vividly rendered characters and his combination of humour, trenchant satire and compassion have left an indelible mark on our collective imagination.
Date of Birth:February 7, 1812
Date of Death:June 18, 1870
Place of Birth:Portsmouth, England
Place of Death:Gad's Hill, Kent, England
Education:Home-schooling; attended Dame School at Chatham briefly and Wellington
Read an Excerpt
My father's family name being Pirrip, and my christian name Philip, my
infant tongue could make of both names nothing longer or more explicit than
Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone
and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw
my father or my mother, and never saw any likeness of either of them (for
their days were long before the days of photographs), my first fancies
regarding what they were like, were unreasonably derived from their
tombstones. The shape of the letters on my father's, gave me an odd idea
that he was a square, stout, dark man, with curly black hair. From the
character and turn of the inscription, "Also Georgiana Wife of the Above,"
I drew a childish conclusion that my mother was freckled and sickly. To
five little stone lozenges, each about a foot and a half long, which were
arranged in a neat row beside their grave, and were sacred to the memory of
five little brothers of mine – who gave up trying to get a living exceedingly
early in that universal struggle – I am indebted for a belief I religiously
entertained that they had all been born on their backs with their hands in
their trousers-pockets, and had never taken them out in this state of
Ours was the marsh country, down by the river, within as the river wound,
twenty miles of the sea. My first most vivid and broad impression of the
identity of things, seems to me to have been gained on a memorable raw
afternoon towards evening. At such a time Ifound out for certain, that
this bleak place overgrown with nettles was the churchyard; and that Philip
Pirrip, late of this parish, and also Georgiana wife of the above, were
dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and
Roger, infant children of the aforesaid, were also dead and buried; and
that the dark flat wilderness beyond the churchyard, intersected with dykes
and mounds and gates, with scattered cattle feeding on it, was the marshes;
and that the low leaden line beyond was the river; and that the distant
savage lair from which the wind was rushing, was the sea; and that the
small bundle of shivers growing afraid of it all and beginning to cry, was
"Hold your noise!" cried a terrible voice, as a man started up from among
the graves at the side of the church porch. "Keep still, you little devil,
or I'll cut your throat!"
A fearful man, all in coarse grey, with a great iron on his leg. A man with
no hat, and with broken shoes, and with an old rag tied round his head. A
man who had been soaked in water, and smothered in mud, and lamed by
stones, and cut by flints, and stung by nettles, and torn by briars; who
limped, and shivered, and glared and growled; and whose teeth chattered in
his head as he seized me by the chin.
"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it,
"Tell us your name!" said the man. "Quick!"
"Once more," said the man, staring at me. "Give it mouth!"
From the Paperback edition.
Table of Contents
A Note on the Text
Charles Dickens: A Brief Chronology
- Volume I
- Volume II
- Volume III
Appendices: Contemporary Documents
Appendix A. The Composition of the Novel
- Dickens’s Working Memoranda
- Dickens’s Letters
Appendix B. Contemporary Responses to the Novel
- Athenaeum (13 July 1861)
- Examiner (20 July 1861)
- Saturday Review (20 July 1861)
- Atlantic Monday (September 1861)
- The Times (17 October 1861)
- British Quarterly Review (January 1862)
- Rambler (January 1862)
- Blackwood’s Magazine (May 1862)
- Temple Bar (September 1862)
Appendix C. On Class and Language
- Charles Dickens, “Hard Experiences in Boyhood” in John Forster, The Life of Charles Dickens (1872-74)
- Charles Dickens, “Travelling Abroad” The Uncommercial Traveller (1861)
- Alexis deTocqueville, The Old Regime and the French Revolution (1856)
- Sir James Fitzjames Stephen, “Gentlemen” Cornhill Magazine (1862)
- William Sewell, “Gentlemanly Manners” Sermons to Boys at Radley School (1854-69)
- John Ruskin, “Of Vulgarity,” Modern Painters (1860)
- J.H. Newman, “Liberal Knowledge Viewed in Relation to Religion,” The Scope and Nature of University Education (1859)
- Thomas Carlyle, “Labour,” Past and Present (1843)
- Samuel Smiles, “Character: The True Gentleman,” Self Help (1859)
- Mrs. Craik, John Halifax, Gentleman (1856)
- Thomas Hughes, Tom Brown’s Schooldays (1857)
- Reports on the State of Popular Education in England (1861)
Appendix D. On Crime & Punishment
- Mrs. Trimmer, The Charity School Spelling Book (1818)
- Charles Dickens, “Criminal Courts,” Sketches by Boz (1839)
- Charles Dickens, “A Visit to Newgate,” Sketches by Boz (1839)
- Report from the Select Committee on Transportation (1838)
- Henry Savery, Quintus Servinton (1830-31)
- Marcus Clarke, His Natural Life (1870-72)
- “The Autobiography of a Convict,” The Voices of Our Exiles (1854)
- John Binny, “Thieves and Swindlers,” in London Labour and the London Poor (1861)
- Thomas Carlyle, Model Prisons (1850)
- Thomas Beard, “A Dialogue Concerning Convicts,” All the Year Round (1861)
- Charles Dickens, “The Ruffian,” The Uncommercial Traveller (1868)
Maps and Illustrations Showing Settings
Map A: Estuaries of the Thames and Medway
Map B: City of London
Map C: Pip’s London
Illustration A. Smithfield Market
Illustration B. Barnard’s Inn
Illustration C. The River Front at Hammersmith
Illustration D. Covent Garden Market
Illustration E. The Royal Exchange
Illustration F. The Temple Stairs
Illustration G. London Bridge
Illustration H. Billingsgate Market
What People are Saying About This
Observe how finely the narrative is kept in one key. It begins with a mournful impessionthe foggy marshes spreading drearily by the seaward Thamesand throughout recurs this effect of cold and damp and dreariness; in that kind Dickens never did anything so good.... No story in the first person was ever better told.
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Great Expectations is the first novel I read that made me wish I had written it; it is the novel that made me want to be a novelistspecifically, to move a reader as I was moved then. I believe that Great Expectations has the most wonderful and most perfectly worked-out plot for a novel in the English language; at the same time, it never deviates from its intention to move you to laugher and tears.
Reading Group Guide
Pip, a poor orphan being raised by a cruel sister, does not have much in the way of great expectations between his terrifying experience in a graveyard with a convict named Magwitch and his humiliating visits with the eccentric Miss Havisham's beautiful but manipulative niece, Estella, who torments him until he is elevated to wealth by an anonymous benefactor. Full of unforgettable characters, Great Expectations is a tale of intrigue, unattainable love, and all of the happiness money can't buy. Great Expectations has the most wonderful and most perfectly worked-out plot for a novel in the English language, according to John Irving, and J. Hillis Miller declares, Great Expectations is the most unified and concentrated expression of Dickens's abiding sense of the world, and Pip might be called the archetypal Dickens hero.
From the Trade Paperback edition.
Most Helpful Customer Reviews
If you are into Nineteenth-Century literature, or Dickens in general, this is a must have. This version of Great Expectations is combined with fantastic scholarly writing, to provide the best insight and exploration of the timeless tale.