This wide-ranging collection of romantic tales features an international array of authors, including Sherwood Anderson, Alexander Pushkin, Anthony Trollope, and Giovanni Verga. In addition to new translations, the anthology features less-familiar stories not routinely found in similar compilations.
Selections include "A Misfortune" by Anton Chekhov, in which a young wife attempts to end an affair; "The Earthquake in Chile" by Heinrich von Kleist, recounting a seventeenth-century romance; "The She-Wolf" by Giovanni Verga, a Sicilian tale of a mother and daughter in love with the same man; and Anthony Trollope's "Miss Ophelia Gledd," in which a Boston debutante must choose between two suitors. Additional stories include D. H. Lawrence's portrait of sexual jealousy in "The White Stocking"; a bayou tale by Kate Chopin, "Azélie"; and "The Other Woman" by Sherwood Anderson, in which a groom waxes nostalgic on the night before his wedding.
About the Author
Bob Blaisdell is Professor of English at the City University of New York's Kingsborough Community College and the editor of more than 20 Dover literature and poetry collections. His most recent Dover books include Civil War Letters: From Home, Camp and Battlefield, Great Speeches by Mark Twain, Essays on Teaching, and Humorous American Short Stories.
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Great Love Stories
By Bob Blaisdell
Dover Publications, Inc.Copyright © 2016 Dover Publications, Inc.
All rights reserved.
Chinua Achebe's greatest work, the novel Things Fall Apart (1958), describes the culture of a remote Nigerian village dividing against itself after Christianity arrives. "Marriage Is a Private Affair" is another tale of culture-clash, as the hero, a young teacher in metropolitan Lagos, breaks his home village's seemingly eternal tradition of parents arranging their children's marriages. Achebe was born in 1930 in an Ibo village in southern Nigeria. His father became a Christian, and Achebe was educated in schools modeled after those of the British. He graduated from the university in Ibadan, and then worked for the BBC in London and in Lagos. He was married in 1961 to Christiana Okoli, and they had four children. Achebe spent parts of the last few decades of his life teaching literature in American universities, and died in 2013.
Marriage Is a Private Affair (1952)
"Have you written to your dad yet?" asked Nene one afternoon as she sat with Nnaemeka in her room at 16 Kasanga Street, Lagos.
"No. I've been thinking about it. I think it's better to tell him when I get home on leave!"
"But why? Your leave is such a long way off yet — six whole weeks. He should be let into our happiness now."
Nnaemeka was silent for a while, and then began very slowly as if he groped for his words: "I wish I were sure it would be happiness to him."
"Of course it must," replied Nene, a little surprised. "Why shouldn't it?"
"You have lived in Lagos all your life, and you know very little about people in remote parts of the country."
"That's what you always say. But I don't believe anybody will be so unlike other people that they will be unhappy when their sons are engaged to marry."
"Yes. They are most unhappy if the engagement is not arranged by them. In our case it's worse — you are not even an Ibo."
This was said so seriously and so bluntly that Nene could not find speech immediately. In the cosmopolitan atmosphere of the city it had always seemed to her something of a joke that a person's tribe could determine whom he married.
At last she said, "You don't really mean that he will object to your marrying me simply on that account? I had always thought you Ibos were kindly disposed to other people."
"So we are. But when it comes to marriage, well, it's not quite so simple. And this," he added, "is not peculiar to the Ibos. If your father were alive and lived in the heart of Ibibio-land he would be exactly like my father."
"I don't know. But anyway, as your father is so fond of you, I'm sure he will forgive you soon enough. Come on then, be a good boy and send him a nice lovely letter ..."
"It would not be wise to break the news to him by writing. A letter will bring it upon him with a shock. I'm quite sure about that."
"All right, honey, suit yourself. You know your father."
As Nnaemeka walked home that evening he turned over in his mind the different ways of overcoming his father's opposition, especially now that he had gone and found a girl for him. He had thought of showing his letter to Nene but decided on second thoughts not to, at least for the moment. He read it again when he got home and couldn't help smiling to himself. He remembered Ugoye quite well, an Amazon of a girl who used to beat up all the boys, himself included, on the way to the stream, a complete dunce at school.
I have found a girl who will suit you admirably — Ugoye Nweke, the eldest daughter of our neighbour, Jacob Nweke. She has a proper Christian upbringing. When she stopped schooling some years ago her father (a man of sound judgment) sent her to live in the house of a pastor where she has received all the training a wife could need. Her Sunday School teacher has told me that she reads her Bible very fluently. I hope we shall begin negotiations when you come home in December.
On the second evening of his return from Lagos Nnaemeka sat with his father under a cassia tree. This was the old man's retreat where he went to read his Bible when the parching December sun had set and a fresh, reviving wind blew on the leaves.
"Father," began Nnaemeka suddenly, "I have come to ask forgiveness."
"Forgiveness? For what, my son?" he asked in amazement.
"It's about this marriage question?"
"Which marriage question."
"I can't — we must — I mean it is impossible for me to marry Nweke's daughter."
"Impossible? Why?" asked his father.
"I don't love her."
"Nobody said you did. Why should you?" he asked.
"Marriage today is different ..."
"Look here, my son," interrupted his father, "nothing is different. What one looks for in a wife are a good character and a Christian background."
Nnaemeka saw there was no hope along the present line of argument.
"Moreover," he said, "I am engaged to marry another girl who has all of Ugoye's good qualities, and who ..."
His father did not believe his ears. "What did you say?" he asked slowly and disconcertingly.
"She is a good Christian," his son went on, "and a teacher in a Girls' School in Lagos."
"Teacher, did you say? If you consider that a qualification for a good wife I should like to point out to you, Emeka, that no Christian woman should teach. St. Paul in his letter to the Corinthians says that women should keep silence." He rose slowly from his seat and paced forwards and backwards. This was his pet subject, and he condemned vehemently those church leaders who encouraged women to teach in their schools. After he had spent his emotion on a long homily he at last came back to his son's engagement, in a seemingly milder tone.
"Whose daughter is she, anyway?"
"She is Nene Atang."
"What!" All the mildness was gone again. "Did you say Neneataga, what does that mean?"
"Nene Atang from Calabar. She is the only girl I can marry." This was a very rash reply and Nnaemeka expected the storm to burst. But it did not. His father merely walked away into his room. This was most unexpected and perplexed Nnaemeka. His father's silence was infinitely more menacing than a flood of threatening speech. That night the old man did not eat.
When he sent for Nnaemeka a day later he applied all possible ways of dissuasion. But the young man's heart was hardened, and his father eventually gave him up as lost.
"I owe it to you, my son, as a duty to show you what is right and what is wrong. Whoever put this idea into your head might as well have cut your throat. It is Satan's work." He waved his son away.
"You will change your mind, Father, when you know Nene."
"I shall never see her," was the reply. From that night the father scarcely spoke to his son. He did not, however cease hoping that he would realize how serious was the danger he was heading for. Day and night he put him in his prayers.
Nnaemeka, for his own part, was very deeply affected by his father's grief. But he kept hoping that it would pass away. If it had occurred to him that never in the history of his people had a man married a woman who spoke a different tongue, he might have been less optimistic. "It has never been heard," was the verdict of an old man speaking a few weeks later. In that short sentence he spoke for all of his people. This man had come with others to commiserate with Okeke when news went round about his son's behaviour. By that time the son had gone back to Lagos.
"It has never been heard," said the old man again with a sad shake of his head.
"What did Our Lord say?" asked another gentleman. "Sons shall rise against their Fathers; it is there in the Holy Book."
"It is the beginning of the end," said another.
The discussion thus tending to become theological, Madubogwu, a highly practical man, brought it down once more to the ordinary level.
"Have you thought of consulting a native doctor about your son?" he asked Nnaemeka's father.
"He isn't sick," was the reply.
"What is he then? The boy's mind is diseased and only a good herbalist can bring him back to his right senses. The medicine he requires is Amalile, the same that women apply with success to recapture their husbands' straying affection."
"Madubogwu is right," said another gentleman. "This thing calls for medicine."
"I shall not call in a native doctor." Nnaemeka's father was known to be obstinately ahead of his more superstitious neighbours in these matters. "I will not be another Mrs. Ochuba. If my son wants to kill himself let him do it with his own hands. It is not for me to help him."
"But it was her fault," said Madubogwu. "She ought to have gone to an honest herbalist. She was a clever woman, nevertheless."
"She was a wicked murderess," said Jonathan who rarely argued with his neighbours because, he often said, they were incapable of reasoning. "The medicine was prepared for her husband, it was his name they called in its preparation and I am sure it would have been perfectly beneficial to him. It was wicked to put it into the herbalist's food, and say you were only trying it out."
Six months later, Nnaemeka was showing his young wife a short letter from his father:
It amazes me that you could he so unfeeling as to send me your wedding picture. I would have sent it back. But on further thought I decided just to cut off your wife and send it back to you because I have nothing to do with her. How I wish that I had nothing to do with you either.
When Nene read through this letter and looked at the mutilated picture her eyes filled with tears, and she began to sob.
"Don't cry, my darling," said her husband. "He is essentially good-natured and will one day look more kindly on our marriage." But years passed and that one day did not come.
For eight years, Okeke would have nothing to do with his son, Nnaemeka. Only three times (when Nnaemeka asked to come home and spend his leave) did he write to him.
"I can't have you in my house," he replied on one occasion. "It can be of no interest to me where or how you spend your leave — or your life, for that matter."
The prejudice against Nnaemeka's marriage was not confined to his little village. In Lagos, especially among his people who worked there, it showed itself in a different way. Their women, when they met at their village meeting were not hostile to Nene. Rather, they paid her such excessive deference as to make her feel she was not one of them. But as time went on, Nene gradually broke through some of this prejudice and even began to make friends among them. Slowly and grudgingly they began to admit that she kept her home much better than most of them.
The story eventually got to the little village in the heart of the Ibo country that Nnaemeka and his young wife were a most happy couple. But his father was one of the few people who knew nothing about this. He always displayed so much temper whenever his son's name was mentioned that everyone avoided it in his presence. By a tremendous effort of will he had succeeded in pushing his son to the back of his mind. The strain had nearly killed him but he had persevered, and won.
Then one day he received a letter from Nene, and in spite of himself he began to glance through it perfunctorily until all of a sudden the expression on his face changed and he began to read more carefully.
... Our two sons, from the day they learnt that they have a grandfather, have insisted on being taken to him. I find it impossible to tell them that you will not see them. I implore you to allow Nnaemeka to bring them home for a short time during his leave next month. I shall remain here in Lagos ...
The old man at once felt the resolution he had built up over so many years falling in. He was telling himself that he must not give in. He tried to steel his heart against all emotional appeals. It was a re-enactment of that other struggle. He leaned against a window and looked out. The sky was overcast with heavy black clouds and a high wind began to blow filling the air with dust and dry leaves. It was one of those rare occasions when even Nature takes a hand in a human fight. Very soon it began to rain, the first rain in the year. It came down in large sharp drops and was accompanied by the lightning and thunder which mark a change of season. Okeke was trying hard not to think of his two grandsons. But he knew he was now fighting a losing battle. He tried to hum a favourite hymn but the pattering of large rain drops on the roof broke up the tune. His mind immediately returned to the children. How could he shut his door against them? By a curious mental process he imagined them standing, sad and forsaken, under the harsh angry weather — shut out from his house.
That night he hardly slept, from remorse — and a vague fear that he might die without making it up to them.CHAPTER 2
Sherwood Anderson (1876–1941) was, before becoming one of America's short-story masters, an ad-writer in Chicago. With his first wife (Cornelia Lane, the daughter of a wealthy businessman), he had three children. After a nervous breakdown, and despite success running his own business, Anderson Manufacturing Company, Anderson took to writing full-time in 1912. "The Other Woman" was published after Anderson's second marriage and before his third and fourth marriages, the last of which was happy.
The Other Woman (1921)
"I am in love with my wife," he said — a superflous remark, as I had not questioned his attachment to the woman he had married. We walked for ten minutes and then he said it again. I turned to look at him. He began to talk and told me the tale I am now about to set down.
The thing he had on his mind happened during what must have been the most eventful week of his life. He was to be married on Friday afternoon. On Friday of the week before he got a telegram announcing his appointment to a government position. Something else happened that made him very proud and glad. In secret he was in the habit of writing verses and during the year before several of them had been printed in poetry magazines. One of the societies that give prizes for what they think the best poems published during the year put his name at the head of its list. The story of his triumph was printed in the newspapers of his home city and one of them also printed his picture.
As might have been expected he was excited and in a rather highly strung nervous state all during that week. Almost every evening he went to call on his fiancée, the daughter of a judge. When he got there the house was filled with people and many letters, telegrams and packages were being received. He stood a little to one side and men and women kept coming up to speak to him. They congratulated him upon his success in getting the government position and on his achievement as a poet. Everyone seemed to be praising him and when he went home and to bed he could not sleep. On Wednesday evening he went to the theatre and it seemed to him that people all over the house recognized him. Everyone nodded and smiled. After the first act five or six men and two women left their seats to gather about him. A little group was formed. Strangers sitting along the same row of seats stretched their necks and looked. He had never received so much attention before, and now a fever of expectancy took possession of him.
As he explained when he told me of his experience, it was for him an altogether abnormal time. He felt like one floating in air. When he got into bed after seeing so many people and hearing so many words of praise his head whirled round and round. When he closed his eyes a crowd of people invaded his room. It seemed as though the minds of all the people of his city were centred on himself. The most absurd fancies took possession of him. He imagined himself riding in a carriage through the streets of a city. Windows were thrown open and people ran out at the doors of houses. "There he is. That's him," they shouted, and at the words a glad cry arose. The carriage drove into a street blocked with people. A hundred thousand pairs of eyes looked up at him. "There you are! What a fellow you have managed to make of yourself!" the eyes seemed to be saying.
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Table of Contents
Chinua Achebe [Nigeria] Marriage Is a Private Affair (1952), 1,
Sherwood Anderson [U.S.A.] The Other Woman (1921), 8,
Anonymous [West and South Asia] The Thousand and One Nights ("Story of King Shahryar and His Brother" and "Conclusion") (c. 900), 16,
Giovanni Boccaccio [Italy] Seventh Day: Ninth Story ("Lydia, wife of Nicostratus, loves Pyrrhus") (c. 1353), 35,
Jorge Luis Borges [Argentina] Ulrikke (1975), 45,
Anton Chekhov [Russia] A Misfortune (1886), 50,
Kate Chopin [U.S.A.] Azélie (1894), 63,
Colette [France] White Night (1908), 72,
Géza Csáth [Hungary] Erna (c. 1910), 76,
Junot Díaz [Dominican Republic/U.S.A.] The Sun, the Moon, the Stars (2012), 81,
James Joyce [Ireland] Araby (1914), 95,
Heinrich von Kleist [Germany] The Earthquake in Chile (1807), 101,
D. H. Lawrence [England] The White Stocking (1914), 116,
Gabriel García Márquez [Colombia] The Handsomest Drowned Man in the World (1968), 139,
Guy de Maupassant [France] A Wife's Confession (1882), 145,
Yukio Mishima [Japan] The Priest of the Shiga Temple and His Love (1968), 151,
Alice Munro [Canada] How I Met My Husband (1974), 167,
R. K. Narayan [India] The Shelter (1985), 185,
Dorothy Parker [U.S.A.] A Telephone Call (1928), 189,
Alexander Pushkin [Russia] An Amateur Peasant Girl (1830), 195,
Max Schott [U.S.A.] The Old Flame (1978), 216,
Anthony Trollope [England] Miss Ophelia Gledd (1863), 231,
Lara Vapnyar [Russia/U.S.A.] Love Lessons — Mondays, 9 A.M. (2003), 251,
Giovanni Verga [Sicily] The She-Wolf (1880), 271,
William Carlos Williams [U.S.A.] The Knife of the Times (1932), 276,