Geoffrey G. O’Brien’s second collection documents the “remorse of the senses” that attends each moment of experience, the pain and pleasure of not exiting a world in which injustice and distraction secure every sensual event. Attempting to reestablish experience as something other than complicity, these poems insist on “desiring that which is as if it were not,” making poetry out of neighborhood flyers, the Patriot Act, and the poverty of presidential speech. Given this mandate to stay within limited resources, Green and Gray makes a virtue of refusing to abandon them, often relying on an emphatic recirculation of words and phrases to generate its own system complexities. These are poems whose materials remember their former use: the gray of the city and the green it used to be.
About the Author
Geoffrey G. O’Brien is a Lecturer at the University of California, Berkeley, and the author of The Guns and Flags Project (UC Press).
Table of Contents
AcknowledgmentsSome Versions ofParaphrase of AragonThree SeasonsThe NewThe Bulletin of LyonA Difficult SummaryIn Re OthersLogic of ConfessionRealiaUrMan of JoyFountainRevaluation of PurpleOn the Phantom EstateObjects in PortraitsTo Be out of Sweden andAlieniloquyAmorous PoemBeginnings of RoundsDeer IsleAt the Changing VillaA Word with a Poem around ItSeveral Endless StatementsAjarFalse NeutralA Little ObjectSpring StruggleHow a Cat ReturnsIn Gardens Where Saints MeetSent Past ExhibitsPrior to AssentA CalendarWritten on a ColumnMixed ModeThey Met Only in the EveningsWall of Men and WomenThe Nature of EncountersThis Partly Imaginary TaleHysteron ProteronTo Classes