The Greenstone Grail

The Greenstone Grail

by Amanda Hemingway


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A desperate mother spirits away her infant son, seemingly drawn (chased, perhaps?) to the small English village of Thornyhill. She ends up on the doorstep of old Bartlemy, a curious man who has lived on the forested land for as long as anyone can remember–and who comes to believe that the child is destined for great things. . . .

While growing up under Bartlemy’s protective eye, Nathan Ward senses something else watching him, a shift of shadows in the surrounding Darkwood. Then pieces of his dreams begin to come to life. A man he saved from the ocean washes ashore on the television news. A greenish stone cup set with jewels that has haunted his visions sounds eerily like one lost by the Thorn family centuries ago–a cup that has recently made its way back into the hands of the village’s last living ancestor.

Yet when Nathan learns the chalice may have come from another world, a land with bloodstained moons and a toxic sun, he knows he is destined to play a part in something beyond his most vivid imagination. But why is the cup here, and what could it possibly want with a teenage boy and a sleepy town of villagers full of tall tales? With the help of his best friend, Hazel, Nathan must figure out why he’s been chosen–and for what purpose. Even if it means traveling deeper each night into dreams, into lands, into legends that both terrify and mesmerize him.

The Greenthorn Grail is the first novel of a thrilling new trilogy, tracing a boy’s journey–a quest rife with magic, wonder, and forces as dark as midnight.

Product Details

ISBN-13: 9780345460790
Publisher: Random House Publishing Group
Publication date: 12/27/2005
Series: The Sangreal Trilogy Series
Edition description: Reprint
Pages: 384
Product dimensions: 5.56(w) x 8.22(h) x 0.83(d)
Age Range: 14 - 18 Years

About the Author

AMANDA HEMINGWAY has already lived through one lifetime–during which she traveled the world and supported herself through a variety of professions, including that of actress, barmaid, garage hand, laboratory assistant, journalist, and model. Her new life is devoted to her writing.

Read an Excerpt

The Fugitives

At the dark end of a winter's afternoon early in 1991 a young woman climbed down from a truck on the road through Thornyhill woods.

"Are you sure?" said the driver. "I can take you on to Eade."

"I'm sure." He had placed a hand on her knee. That was enough. She had insisted on being set down.

"It's a lonely stretch of road," he said, hefting her bags out of the cab, too slowly for her taste. She reached up, tugging her suitcase from his grasp and stumbling under the sudden weight. The baby suspended in a sling about her neck woke at the jolt but didn't cry, only staring about him with wide-open eyes. They were very dark, the irises so large they seemed to have almost no whites, like the eyes of some small nocturnal animal. But the truck driver wasn't watching the child. He thought the woman looked very young to be a mother, little more than a girl, her round face unmade-up and somehow vulnerable, framed in a soft blur of hair, her coloring far paler than her baby. He wanted her to stay in his cab for all sorts of reasons, some kindly, some less so. "I thought you were going on to Crawley."

"I know where I'm going." Her determination belied her softness. She didn't know, but it didn't matter. She slammed the door, hooking the strap of her carryall over her shoulder and dragging the suitcase behind on inadequate wheels. After a few minutes, the truck drove off.

They were alone now. It was a relief the truck had gone, but one fear was swiftly replaced by others. She had been going to Crawley—she had a contact there, a babysitter, the friend of a friend, and the possibility of a job—but instead here she was, miles from anywhere, with little hope of another lift even if she had the courage to accept one. The baby was quiet—he cried so rarely it worried her—but she knew he would soon be hungry, and it was growing darker, and the road was lonely indeed. The suitcase trundled awkwardly at her heels, swaying from side to side, regularly banging against her leg, and the woods seemed to draw closer on either hand, squeezing the road into a narrow slot between thickets of shadow. She was a country girl with no real fear of the night, but she thought she heard a whisper of wind on the windless air, the crack of a twig somewhere nearby, strange stirrings and rustlings in the leafmold. Since the birth of her child she had been subject to nervous imaginings that she had not dared to confide in anyone, dreading to be called paranoid. There were footsteps pattering on empty streets, doors that shifted without a draft, soft murmurings just beyond the reach of hearing. And now the woods seemed to wake at her presence, so she thought the branches groped, and shreds of darkness slithered from tree to tree. They were there, always following, getting closer, never quite catching up . . .

When she saw the lights, she thought they, too, must be an illusion, and she was becoming genuinely unbalanced. Twin gleams of yellow, twinkling through the trees, the yellow of firelight, candlelight, electric light. As she drew nearer she feared they would vanish, but they grew clearer, until she could make out the source. Windows, windows in a house, and the yellow glow between half-drawn curtains. The house appeared to be set in a clearing among the trees: she could see gables pointing against the sky, and the dim suggestion of half-timbering crisscrossing the facade. It looked a friendly house, even in the dark; but she wasn't sure. "What do you think?" she whispered to the baby. "Shall we ask for help? Maybe they'll offer us tea . . ." Maybe it was a witch's cottage, made of gingerbread, and the door would be opened by a hook-nosed crone who would show them the shortest way to her oven.

Footsteps. Footsteps on the empty road. She looked around but could see nothing. Yet for a moment they were quiet and clear, soft-shod feet, or padded paws. And in the gloom there was a deeper dark, like a ripple running through the woods, and the sound of breathing, very close by, as if the wind itself had a throat and was panting on her neck . . . Her suitcase bounced and lurched as she tugged it up the path to the door. There was a knocker, and an old-fashioned bellpull that dangled. She tried both.

The door opened, and there was no hook-nosed crone but a large, comfortable-looking man with a looming stomach, shoulders to match, and very graceful hands. His hair was pale, his complexion a faded pink. His face wore an expression of vague benevolence, or maybe the benevolence was in the arrangement of his features, since his manner was initially hesitant, almost guarded. His eyes were periwinkle blue between fat eyelids.

"We're lost," the young woman began, uneasily, "and I wondered . . ."

He was looking beyond her, into the night, where the footsteps were, and the breathing of the wind. For a fleeting instant she imagined that he, too, heard or saw, though what he saw she didn't know; she didn't look around. Then his gaze came back to her, and he smiled. "Perhaps you'd like to come in. It's getting late, and I was just making tea. If you need to feed the little one . . ."

"Thank you so much!"

She stepped into the hallway, and the closing of the door shut out the dark and its phantoms. Long afterward, she knew she had trusted him without thinking, on instinct. Maybe it was because he was fat, and benevolent looking, and she was desperate and alone, or because the blue twinkle of his eyes had worked a charm on her, but in the end she realized it was because he had looked behind her, and seen something, seen them. He showed her into a room with oak beams, shabby capacious chairs, firelight. A large dog was sprawled on the hearth rug, a dog with shaggy fur and waggy tail, plainly a mongrel. It got up as they came in, stretching its forelegs, rump in the air, tail waving. "Why don't you leave the child by the fire?" the man said. "Hoover will look after him. I call him Hoover for obvious reasons: he cleans up the crumbs. My name is Bartlemy Goodman."

"Annie Ward." She lifted the baby out of the sling and set him down on the hearth rug, which was as shaggy as the dog and so similar they might have been related. "This is Nathan."

Baby and dog surveyed each other, wet black nose almost touching small brown one. Then suddenly Nathan laughed—something as rare as his tears—and she imagined they had formed a bond that transcended any differences of species or speech. "I'd like to heat his milk," she said. "Would—would you mind watching him for me?"

"Hoover will take care of it. He's like Nana in Peter Pan. The kitchen's this way."

Looking back, doubtfully, she saw the dog gently nudging the child away from the fire with his muzzle. "He must be awfully well trained," she said.

"He's very intelligent," said her host. Afterward, she thought it wasn't really an affirmation.

The kitchen was heavily beamed and flagstoned as she might have expected, with an old-fashioned cooking range on which something that resembled a small cauldron was simmering. A drift of steam came from under the lid, bringing with it a rich, meaty, gamy, spicy smell that made her mouth water. She had eaten nothing but a sandwich at lunchtime, and it occurred to her that she was very hungry; but the baby came first. Bartlemy provided a saucepan and she heated milk while he made tea and set out a tray with earthenware mugs, pot and jug, fruitcake. She longed to ask what was in the cauldron but was afraid of sounding too greedy, or too desperate. The room was of irregular shape and there were many small shelves on every angle of wall, bearing hand-labeled bottles and jars containing pickled fruits, chutney, strange-looking vegetables in oil. Herbs grew in pots and dried in bunches. There was a bowl of onions, white and purple, and another of apples and clementines. No dirty dishes stocked the sink, and the drain board was very clean.

Back in the living room, she gave Nathan his bottle and some bread and butter with no crusts that her host had prepared. "You're being very kind," she said. "You must think . . ."

"I think only that it's dark outside, and cold, and you seem to be in difficulty. You can tell me more when you're ready, if you wish to."

She drank the tea, bergamot-scented, probably Earl Grey, and ate a large slice of the cake. Perhaps because she was famished, it seemed to her the nicest cake she had ever tasted.

"Do you feel you can tell me now where you're going?" Bartlemy asked.

"I was heading for Crawley," she said. "There are jobs there—at least I hope so—and a friend of mine knows a good babysitter. Before, we . . . we were staying with one of my cousins, but things got awkward—I felt I was imposing—and she didn't really want the baby. So . . . I thought it was time to move on. Be independent." She didn't mention the pursuing shadows, or the whispers in the night. In this warm, safe haven they seemed almost unreal.

If it was safe. If it was a haven. She trusted him, but that very trust disturbed her, and she feared her own weakness, her cowardice—she feared to go back into the dark.

"What about your parents?"

"They're in the West Country. I don't see them much since my—my husband died."

"I'm sorry."

He asked her nothing more, nor did she volunteer any further information. They watched the child on the hearth rug, romping with the dog, pulling his floppy ears. "Do you want to continue your journey tonight?" Bartlemy said. "You can stay here if you wish: I have plenty of space. There's a bolt on the bedroom door, if that would make you feel more comfortable."

She opened her mouth to say that she couldn't, she couldn't possibly, but all that came out was: "Thank you." And: "I'm not worried." And she knew that, for a little while at least, she wasn't.

For supper he filled a mug from the cauldron—it was some kind of broth, with so many mingled flavors she couldn't identify them—and it flooded her whole body with warmth and ease. She slept side by side with her son, on a mattress that was both firm and soft, sliding the bolt because she knew it was a sensible precaution, though she didn't really feel it was necessary. And somehow they stayed the next night, and the next, and she forgot to bolt the door, and Hoover woke them in the morning, plumping his forepaws on the quilt so he could lick Nathan's face.

The Goodmans had lived at Thornyhill for as long as anyone could remember. In the village of Eade, about two and a half miles down the road, the most venerable residents claimed they could recall Bartlemy's grandfather, or even his great-grandfather, but people were vague as to which generation was which: they were all called Bartlemy, or some similar name, and they all looked alike, fat and placid and kindly. None of them ever seemed to be very young, or to grow very old. It was assumed that womenfolk and childhood were details that happened somewhere else, and they gravitated to Thornyhill in middle age. They had money from some unspecified source, and they appeared to live retired, reclusive but not unfriendly, mixing little in local affairs. They were regarded as mildly and acceptably eccentric, part of the scenery, arousing no curiosity, subject to no prying questions. The dog, too, was said to be one of a succession, all mongrels, strays perhaps, rescued from dog homes. If they had been asked, the villagers might have said that one had been part retriever, another part wolfhound, a third had shown traits of Alsatian or Old English sheepdog; but no one would have been sure. Hoover had a retriever's brown soulful eyes, the long legs of a hound, a coat shag-headed, maned, tufted like anything from an Afghan to a husky. He chased cats from time to time to prove his doghood and slobbered a good deal over friend and stranger alike. It was inferred that the present generation of both dog and master had been at Thornyhill for some twenty years, doing little, staid and respectable as hobbits in a hobbit-hole, aloof from the workaday world. If twenty years was a long time for a dog to live, nobody remarked on it.

Once, Thornyhill had been the property of the Thorns, a family that was ancient rather than aristocratic, tracing their line back long before the Normans. Local historians said there had been a house on the hillside where now the Darkwood grew, a house that dated from Saxon times with a sunken chapel where Josevius Grimling Thorn, called Grimthorn, had traded with the Devil, though what he had traded, or why, remained a mystery. But the tales about him were confused and confusing, stating he had lived nearly two thousand years ago yet died around a.d. 650, and the house had been razed, and the chapel was lost, and Josevius faded into legend, and the Darkwood had grown over all. In the Tudor age later Thorns had built the surviving house, where the woodland was lighter and greener, and bluebells carpeted the ground in spring, and there were woodpeckers and warblers, and deer in the thickets, and squirrels in the treetops. The house was crisscrossed with half-timbering, showing glimpses of plaster and brickwork in between, and cloaked in creepers that turned fire red in autumn; tall chimneys jutted higgledy-piggledy from the pointed roofs. There the family had lived for centuries, keeping their secrets, until the eldest son died in the First World War, and his brother in the flu epidemic that followed, and presumably it was then the Goodmans came, though none could be found to remember clearly. There were still offshoots of the family in and around the village: the Carlows were known to be descended, on the wrong side of the blanket, from a black sheep of the Jacobean era, and the widowed Mrs. Vanstone, now in her late fifties, was invariably called Rowena Thorn in acknowledgment of her antecedents. She would visit Bartlemy from time to time and talk about the past, and she was always impressed by how much he knew, in his unassuming way, about her more distant ancestors. It occurred to her, once or twice, that his residence there seemed to be a kind of guardianship, though what he was guarding, or for whom, she could not imagine, and she put it down to imagination.

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