Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

Hansel and Gretel

Hansel and Gretel

4.5 4
by Brothers Grimm, Anthony Browne, Wilhelm K. Grimm, Wilhelm Carl Grimm, Jacob Ludwig Carl Grimm

See All Formats & Editions

Once upon a time there was a poor woodcutter who lived near a great forest with his wife and his two children. The little boy was called Hansel, and the little girl’s name was Gretel.

So begins this classic Grimm tale of two innocent children, abandoned in the forest by their cruel mother, who happen upon the enchanting gingerbread house of a wicked witch. Hansel’s


Once upon a time there was a poor woodcutter who lived near a great forest with his wife and his two children. The little boy was called Hansel, and the little girl’s name was Gretel.

So begins this classic Grimm tale of two innocent children, abandoned in the forest by their cruel mother, who happen upon the enchanting gingerbread house of a wicked witch. Hansel’s cunning and little Gretel’s courage foil the witch’s evil plan to fatten them up and eat them, and in the best fairy tale tradition, they and their loving father live happily ever after.

Dorothee Duntze’s elegant, stylized illustrations provide an intriguing new interpretation of this childhood favorite, a satisfying story of evil punished and goodness rewarded.

Author Biography: Dorothee Duntze was born in Reims, France. She studied art at the Ecole des Beaux Arts in Reims and the Ecole des Arts Decoratifs in Strasbourg. Among the other books she has illustrated for North-South are The Twelve Days of Christmas, The Emperor’s New Clothes, The Princess and the Pea, and The Twelve Dancing Princesses.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Working from a faithful translation of the original text, Zwerger has created rosy-cheeked, appealing children who look as if they have just descended the Alps. The witch, by contrast, is a shapeless, fiery-eyed ghoul with real scare potential, but the illustrations never take advantage of that; the pictures show passive moments and have an ephemeral quality because there is almost no background for the figures on the page. For example, on one page of text, the stepmother kindles a fire and leaves Hansel and Gretel alone, the birds come and eat the trail of bread crumbs, the children walk for 24 hours without much food, sleep and walk again. Opposite is a picture of the siblings, looking melancholy but not appearing to be in dire straits. The design of the book falters: some of the artwork is horizontal and bleeds, other paintings are vertical, with wide gutters and margins; the text is set in light type without paragraph indentations and so readability suffers. Zwerger's artistic gifts are not wholly in evidenceeven simple details like Hansel's hair color, which varies, are overlooked. For once, her version of a popular story is extraneous, and Hansel and Gretel, so often done and redone, seem lost. Ages 6-up. (June)
Children's Literature
It's only a story...it's only make believe...This re-telling of the classic Grimm tale is not for the very young, and in this day and age of child abuse, neglect and terrorism could be considered just plain frightening. Readers need to carefully explain to their listeners that good ALWAYS triumphs over evil, even if it is uncomfortable, painful and a long process. A woodcutter and his wife are bemoaning their plight of hunger¾there is not enough money to feed a family of four. The woodcutter's wife venomously plans to lose their children in the woods—hopefully to be free of them for good. Reluctantly, the woodcutter agrees, unaware that their children have heard the whole conversation. Hansel and Gretel obligingly follow their parents into the woods. Hansel cleverly drops white pebbles that glisten in the moonlight, ensuring a path home for two lonely, frightened children. Again, their mother insists "We must get rid of the children!" and again, their father gives in. Again, all four obedient children set out for the forest. This time, Hansel drops breadcrumbs to find their way home, but all are eaten by the birds. Now the children are alone. A white bird leads them to a house in the forest made of gingerbread, cakes and clear sugar. Immediately the children begin to eat. Noticing someone nibbling on her home, an old woman invites the children inside, assuring them no harm. However, the next day, she erupts as the evil witch, making plans to eat Hansel and Gretel. Still, the brother and sister keep their wits and manage to outsmart their captor. As the oven is being prepared for baking, Gretel feigns ignorance and asks the witch how to know if it is ready. As the witchdemonstrates, she is pushed into the oven and the door is bolted. Now Hansel and Gretel can once again find their way out of the forest. They return to their father's house, bringing treasure from the gingerbread house. As their mother has died (coincidence?), the children are now safe and sound. While this tale has a happy ending for some, getting there could be quite traumatic for some readers. Well-placed comfort words and Hansel's admonition of "God will not forsake us" are necessary if this story is being read aloud, especially to younger children. The illustrations, though exaggerated at times, help convey the disparity of the family as well as the sense of wilderness in the forest and the tenderness of the children coming home. A nice/unique addition to a fairy tale collection, but certainly not unequaled. 2001, North-South Books, $15.95 and $15.88. Ages 4 to 8. Reviewer: Elizabeth Young AGES: 4 5 6 7 8
Children's Literature - Naomi Williamson
In this translation by Elizabeth D. Crawford, Zwerger's beautifully rendered and powerful illustrations provide the backdrop for the sadness of poverty upon which this tale is based. They also show the wistfulness of two children sent away from their home by their father during hard times, upon their stepmother's insistence that they need not all be forced to starve. Zwerger's full-page ink-and-wash illustrations are amazing in portraying the drama that plagues the lives of the two children. The innocence of Hansel and Gretel mixes with the tragedy of their lives and the dangers of the unknown to make this a true Grimm's fairy tale. The witch is a large, colorless and shadowy figure whose claw-like fingers are very prominent as she goes slyly about her wicked deeds. The drama of the story's "happy ever after" ending will cause children everywhere to listen to this tale over and over. Reviewer: Naomi Williamson
School Library Journal
Gr 1-4-A brooding, surrealistic version of the classic fairy tale. Wallace modernizes the Grimms' story, turning the stepmother into the more ambiguous "the woman"; making Gretel into Hansel's equal partner (eliminating her crying); and omitting all mention of God. Otherwise, the text follows the original pretty faithfully. The illustrations, done in pastel pencils on black paper, have an eerie gloominess and iridescent quality. The witch's face is only shown on the cover, but the pictures inside are scary enough. When the children are alone in the forest, they are tiny figures in an alien, threatening landscape. What looks like a giant, half-submerged face seems to threaten them at one point; a huge hourglass next to Hansel's cage underlines the urgency of his danger; and the siblings' reunion with their father takes place near a graveyard. At the end, the text proclaims the traditional litany of "...they lived in perfect happiness from then on," but a turn of the page reveals an ominous rebirth of the witch. Somewhat surprisingly, there are not many good picture-book versions of this tale in print. James Marshall's (Dial, 1990) is excellent for the very young-the witch is not scary and a sense of humor pervades the text; Susan Jeffers's (Dial, 1980) is traditional and beautiful. Wallace's is unusual and emphasizes the dark side of the tale. It is definitely a distinguished book to savor; independent readers will pore over its pages and scrutinize its details.-Judith Constantinides, East Baton Rouge Parish Main Library, LA
Hazel Rochman
Sinister but not gruesome, this retelling, first published in Canada, of one of the scariest of all fairy tales gives the story a contemporary setting. There's one basic change: the stepmother of the original is the mother this time, which is something many children may have always felt anyway. The pictures show a dark forest on a stormy shore. Times are hard; the mother is a scold with her hair in rollers; the father is too weak to stand up to her when she insists they abandon their children. Done with pastel pencil on black paper, the illustrations have a brooding, surreal fearfulness; and though the words say that the story ends happily, the pictures remain scary, the witch always a threat. Use this version with older readers who know the story.

Product Details

Random House Children's Books
Publication date:
Dragonfly Bks.
Age Range:
4 - 8 Years

Meet the Author

Lisbeth Zwerger lives in Vienna, Austria.

Brief Biography

Place of Birth:
Hanau, Germany
Place of Death:
Berlin, Germany

Customer Reviews

Average Review:

Post to your social network


Most Helpful Customer Reviews

See all customer reviews

Hansel and Gretel 4.5 out of 5 based on 0 ratings. 4 reviews.
Anonymous More than 1 year ago
Hansel and grettle have been replaced by the hunger games and harry potter and such now that you can read them on a nook the story seems more interesting and real ; )
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Great book love it just got it good buy
Anonymous More than 1 year ago