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Happy Birthday to Me [Bonus Tracks]

Happy Birthday to Me [Bonus Tracks]

by The Muffs The Muffs
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The Muffs spent a lot of time on the road after the release of 1995's Blonder and Blonder, and you can hear how that live work paid off on the band's third album, 1997's Happy Birthday to Me. This edition of the Muffs sounds noticeably tighter and tougher, while still maintaining the sense of snarky fun that's always been at the heart of their music. Kim Shattuck's guitar work is big and bold enough to comfortably carry the hooky melodies, and bassist Ronnie Barnett and drummer Roy McDonald play with enough muscle to get the job done, but with a swing that keeps the tunes light on their feet. Happy Birthday to Me sounds leaner and more elemental than the Muffs' first two albums, thanks in part to the succinct tunes Shattuck brought to these sessions (six of them don't even crack the two-minute mark). But more than any of their studio albums, Happy Birthday to Me captures the buzz of a good live show, with the musicians bounding through the set with a sense of fun and a powerful focus. And like much the Muffs' best work, Happy Birthday to Me is engaging and exciting while dealing with some of the less appealing aspects of life and love; Shattuck displays a heart, soul, and point of view here that's honest and adult, acting as a solid complement to the teen appeal of the melodies. The Muffs produced Happy Birthday to Me themselves (with an engineering assist from Sally Browder and Steve Holroyd), and the results speak to their smarts about knowing what works for them. (And the fact Shattuck cut her vocals at home may have a lot to do with why her singing here has more nuance than on their first two LPs). Happy Birthday to Me failed to live up to sales expectations and proved to be the Muffs last album for a major-label, but if there was a poppy punk band that deserved to grab the brass ring in the late '90s, it was this one, and this album captures them in excellent form. [In 2017, Omnivore Recordings reissued Happy Birthday to Me in an expanded and remastered edition. The new version includes "Pacer," a Breeders cover that appeared as a non-LP B-side, as well as six previously unheard demos. The demos are lo-fi and may appeal to obsessive fans, but on their own terms they're not that special. But the new mastering of the album sounds fine, and the liner notes from all three bandmembers are a fun read and make clear how much this album still means to them.]

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Product Details

Release Date: 03/03/2017
Label: Omnivore Recordings
UPC: 0816651014194
catalogNumber: 101419
Rank: 85494


  1. Crush Me
  2. That Awful Man
  3. Honeymoon
  4. All Blue Baby
  5. My Crazy Afternoon
  6. Is It All Okay?
  7. Pennywhore
  8. Outer Space
  9. I'm a Dick
  10. Nothing
  11. Where Only I Could Go
  12. Upside Down
  13. You and Your Parrot
  14. Keep Holding Me
  15. The Best Time Around
  16. Pacer
  17. Till You Walk Away From Me (Crush Me)
  18. That Awful Man
  19. Honeymoon
  20. My Crazy Afternoon
  21. Outer Space
  22. The Best Time Around

Album Credits

Performance Credits

Muffs   Primary Artist
Roy McDonald   Drums,Vocals,Sounds,Hollers,Group Member
Kim Shattuck   Guitar,Vocals,Sounds,Group Member
Ronnie Barnett   Bass,Vocals,Sounds,Hollers,Group Member
Kristen Shattuck   Background Vocals,Sounds,Hollers

Technical Credits

Muffs   Reissue Producer
Greg Allen   Reissue Producer
Sally Browder   Engineer
Steve Holroyd   Engineer
Roy McDonald   Liner Notes
Kim Shattuck   Composer,Producer,Engineer,Liner Notes,Vocal Engineer
Ronnie Barnett   Liner Notes
Christine Cano   Art Direction
Mike Fasano   Drum Technician
Bernard Roundhill   Illustrations
Jen Monnar   Engineer

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