The search for the killer of an aristocratic French winemaker who was Lucie Montgomery’s first crush and the discovery of dark family secrets put Lucie on a collision course with a murderer.
It’s harvest season at Montgomery Estate Vineyard—the busiest time of year for winemakers in Atoka, Virginia. A skull is unearthed near Lucie Montgomery’s family cemetery, and the discovery of the bones coincides with the arrival of handsome, wealthy aristocrat Jean-Claude de Marignac. He’s come to be the head winemaker at neighboring La Vigne Cellars, but he’s no stranger to Lucie—he was her first crush twenty years ago when she spent a summer in France.
Not long after his arrival, Jean-Claude is found dead, and while there is no shortage of suspects who are angry or jealous of his ego and overbearing ways, suspicion falls on Miguel Otero, an immigrant worker at La Vigne, who recently quarreled with Jean-Claude. When Miguel disappears, Lucie receives an ultimatum from her own employees: prove Miguel’s innocence or none of the immigrant community will work for her during the harvest. As Lucie hunts for Jean-Claude’s killer and continues to search for the identity of the skeleton abandoned in the cemetery, she is blindsided by a decades-old secret that shatters everything she thought she knew about her family. Now facing a wrenching emotional choice, Lucie must decide whether it’s finally time to tell the truth and hurt those she loves the most, or keep silent and let past secrets remain dead and buried.
Harvest of Secrets is another corking mystery from author Ellen Crosby.
About the Author
ELLEN CROSBY is the author of the Virginia wine country mystery series, which began with The Merlot Murders. She has also written a mystery series featuring international photojournalist Sophie Medina, and Moscow Nights, a standalone. Previously she was a freelance reporter for The Washington Post, Moscow correspondent for ABC News Radio, and an economist at the U.S. Senate.
Read an Excerpt
"You found a human skull?" I said to Antonio. "Just the skull?"
"It turned up when we had to dig up part of the tree root," he said.
"Why were you digging?" I was irked, hot, and tired, and Antonio knew it. All he and Jesús were supposed to do was cut up the branches of a tulip poplar that had split in two after lightning struck it during a storm the other day and tote everything away. The tree, which had been at least five feet in diameter and probably seventy or eighty feet tall, had come crashing down onto the old brick cemetery wall. It had also taken out the roof and one side of an old fieldstone storage shed.
The storm, with its lashing rain and fierce wind, had been a warm-up act to Lolita, a Category 5 hurricane with a beguiling name and enough scary "worst-ever" attributes hung on it like ornaments on a Christmas tree to prompt mass evacuations in the Caribbean in anticipation of her arrival. Forecasters predicted Lolita would eventually come roaring up the Atlantic coast and barrel through Virginia, scaring the bejesus out of anyone in her path and making everyone at my vineyard more tense and edgy than usual at harvest time.
"We had to dig." He sounded testy as well. "You'll see why when you get here."
Antonio gets prickly when he thinks I'm telling him how to do his job, or if I seem to doubt his word, though he is always respectful. Still, he has some cause to be annoyed because most of the time when it comes to running the vineyard or taking care of our equipment, he's dead-bang right. He's also one of the best and smartest farm managers I've ever known.
The Montgomery family cemetery sits on a bluff where it commands a breathtaking view of the Blue Ridge Mountains — especially at sunset — which is the reason my ancestor Hamish Montgomery, who received our land as a grant for his service in the French and Indian War, chose that site. Generations of my family have been laid to rest there since the late 1700s. Both of my parents were buried inside the low redbrick walls along with Hamish, and I had no doubt someday I'd join them.
"I'm on my way," I said to Antonio. "In the meantime, don't do anything or move anything, okay? Are you sure the skull doesn't belong to one of the graves? Are you sure it's human?"
"Don't worry, Lucita. Jesús won't go near it." He spoke as if he were calming an upset toddler, instead of his boss. "He says it's mala suerte — bad luck. Finding a skull means someone's going to die. I'm sure it didn't come from the cemetery and yes, I'm sure it's human." He added in that placating tone, "You'll see."
"Tell Jesús no one's going to die. That's just an old superstition." I didn't mean to snap at him, but just now I couldn't afford to have either of them — or any of our crew — get spooked. Not in the middle of harvest, our busiest time of year.
But as I spoke a gust of wind rushed past me, icy fingers caressing my neck and making me shiver. My grandmother, my father's mother, used to tell me that was the sign a soul was leaving this world on its way to the next.
Now I was imagining things. It was probably only a stray blast of cold air from the air-conditioning.
Antonio muttered something ominous-sounding under his breath and then hung up. All I caught was the word boda. Wedding. He and Valeria, the mother of his baby daughter, were getting married the week after next at the vineyard, my wedding gift to the two of them. Maybe there were also Hispanic superstitions that involved weddings and skeletons. Dear Lord, I hoped not. Antonio was already jittery enough about this marriage.
I'd been in the barrel room when he'd called me — during harvest we work all hours, seven days a week. Partly because I'd wanted to escape the brutal heat, but also because the lees on last year's barrels of Cabernet Franc needed stirring. The process is called bâtonnage and we do it to extract more flavor from dead yeast cells and other sediment that slowly sifts to the bottom of a wine barrel. I closed the bung — the stopper — to the barrel I was working on and put the bâton back where it belonged.
Then I texted Quinn.
Going to check on Antonio and the tree. Almost done with bâtonnage. Back soon.
Quinn Santori had been the winemaker at Montgomery Estate Vineyard ever since I returned home from France five years ago, and as of a few months ago, he was my fiancé. Just now he was out in the south vineyard measuring Brix for this year's harvest of Cab Franc, a test that determined the sweetness of the grapes and whether they were ready to be picked.
Quinn knows me so well. He texted right back. What's wrong?
Not sure. I climbed into a dark green ATV that was parked outside the barrel room. I nearly hit Send on my reply and then reconsidered.
They found a skull.
Quinn pulled up beside me in a fire engine–red ATV about thirty seconds after I arrived at the cemetery. I had known he would come once I told him what Antonio and Jesús had discovered. He climbed out of his ATV and walked over to mine. Side by side the two vehicles always made me think of Christmas. Or stoplights.
Anvil-shaped clouds the color of dull pewter moved across the Blue Ridge Mountains and streamed toward us like freighters. We were in for another storm later on, a big one. Lolita, sending us one more warning of what was to come. At least the birds were still singing and the wind hadn't whipped up yet, blowing through the trees until their branches rustled and swayed like dancers.
Quinn slid an arm around my waist and his kiss landed in my hair, which I'd twisted into a knot to keep it off my neck in the soupy heat.
"They really found a skull?" he asked.
"That's what Antonio said."
We walked over to where limbs from the huge tree had already been cut into smaller pieces with a chainsaw. The back of the Superman-blue pickup that had belonged to Antonio's predecessor and had logged nearly two hundred thousand miles was piled high with leafy cutup branches. Jesús sat on the tailgate smoking, the chainsaw lying on the ground next to him, while Antonio paced back and forth, his phone clamped to his ear. He was talking to Valeria. I could tell by his body language and that low, solicitous tone of voice.
Antonio was lanky, slim, dark-haired, with skin a warm russet brown, and the kind of soulful brown eyes and easy seductive smile that melted women's hearts. Tears would flow the day he married Valeria. He had walked across the border from Mexico into Texas when he was twelve and never went back — though he did send money to his mother faithfully as clockwork — and taught himself how to do just about anything that had to do with farming equipment and how to repair it.
Jesús was a short, plump spark plug, strong and dependable, born in El Salvador, possessing a swarthy complexion and a silver tooth that glittered when he laughed, which was often. I always knew when he was around, because there'd be laughter among the rest of the men — he was a joke-cracker — and maybe someone would be singing in Spanish, a song remembered from home. Heart of gold, that was Jesús. I couldn't imagine how we'd get along without either of them, and Benny, our other full-time worker.
Jesús slid off the tailgate. Antonio stopped pacing and disconnected his call, shoving his phone into his back pocket.
"It's back there," he said. "In the shed."
The four of us walked over together, though Jesús hung back a few paces. The girth and height of the tulip poplar had obscured the little stone shed. It had been built by one of my ancestors as a place to keep shovels, rakes, and other garden implements used to care for the cemetery and the graves. I used it to keep flower vases and a collection of little American flags I put on the graves of my ancestors who had fought in our country's wars on Veterans Day, Memorial Day, and the Fourth of July.
With the roof gone and the interior of the shed now exposed to the outdoors, it was clear why Antonio and Jesús had discovered the skull. When the tree split and toppled over, part of the trunk had landed on the roof and a couple of large tree roots had pulled out of the ground, leaving behind a sizable hole. The skull lay there on its own. My first thought was, where's the rest of it?
It was human, all right. All of the teeth were intact. Whoever it was, he or she appeared to be grinning at us, perhaps surprised — or pleased — to be discovered in such an unexpected way.
"I wonder if the rest of ... it ... the body is here, too," Quinn said, echoing my thoughts. "Maybe we should dig a little more and find out."
I shook my head. It was already creepy enough to realize I'd been walking over a buried skull all these years every time I used the shed. How had I never sensed its presence?
"We have to call the Sheriff's Office," I said. "These are human remains. No more digging."
"It's next to a cemetery," Quinn said. "People are dying to get in."
Jesús and Antonio grinned.
"You're not funny," I said to Quinn.
"Sorry. But, seriously, it's true. Why wouldn't you find human remains here?" "The skull is outside the cemetery. It can't have moved or shifted under the wall, and certainly not this far away," I said. "Not inside the shed."
Antonio shrugged. "Don't look at me. If you want to call the Sheriff's Office, Lucie, call 'em. Maybe they can tell you."
"I wonder how old it is," Quinn said. "I mean, how long it's been here."
"I don't know," I said. "What I wonder is why there's no coffin."
"There's an easy enough explanation for that." Quinn gave me a meaningful look. "It would also explain the skull being outside the cemetery."
I knew where he was going with this and I didn't like it one bit.
"What do you mean?" It was the first time Jesús had spoken and he sounded ill at ease. "You think it's el diablo?"
"Don't worry, Jesús. Quinn's not talking about anything supernatural. No ghosts. No devil," I said.
He nodded, seemingly reassured. "Okay. That's good."
I knew what I said next would upset him all over again. "Not exactly. What he means is that whoever this is was murdered."CHAPTER 2
Murder. The word settled over the four of us like thick, dark smoke, reducing everyone to uneasy silence. Maybe whoever this was wasn't laughing after all. Maybe it was a grimace of pain or a final agonized scream.
Quinn cleared his throat. "We could be getting ahead of ourselves here. Maybe ... the ground did shift. Maybe the roots of the tulip poplar caused it to heave, and the body ended up out here instead of inside the cemetery. It happens all the time at old graveyards."
"Thirty feet?" I said, giving him an incredulous look. "Inside the shed?"
"Okay, so that's a crazy idea. Unless the shed was built after this person was buried." He shrugged. "But why do it right next to a cemetery? That's weird, don't you think?"
I pulled out my phone. "I think it's time to call nine-one-one."
* * *
THERE ISN'T A LOT of crime in Atoka, Virginia, population two hundred and sixty, give or take. The town — village, really — is located in the middle of the affluent heart of Virginia's horse-and-hunt country next door to better-known Middleburg. Around here everyone knows everyone else, and we know each other's business, as well. Very little happens — good, bad, a scandal, a celebration — without becoming the number-one topic of conversation the next morning around the coffeepot at the General Store. Six months ago we'd finally installed an alarm system at Highland House, my home, at my brother Eli's insistence after someone walked in one night that shouldn't have been there. But before that we'd rarely locked the doors and no one who dropped by to visit ever used the doorbell. Mostly folks opened the front door, stuck their head in, and yelled "Yoo-hoo."
On a quiet, sultry September afternoon it didn't take long for a tan-and-gold Loudoun County Sheriff's Office cruiser to drive up Sycamore Lane, the private road that wound through our land, and park at the bottom of the hill below the cemetery. Right behind it was an EMT van. I was grateful they didn't arrive with lights flashing and sirens blaring, which would have alarmed the winery staff and any visitors to the tasting room. Right now, though, what worried me more were the jangled nerves of our migrant grape pickers, even the legal ones. Lately the men had gotten so edgy in this new immigrant-unfriendly era that I knew every one of them would be dead certain ICE had arrived.
The discovery of a body at Montgomery Estate Vineyard wouldn't remain a secret for long, but just now the fewer people who knew about it the better. A man climbed out of the cruiser and a woman got out of the van.
Quinn squinted at them and said, "Don't we know that deputy? Looks and walks like a bear? What's his name?"
"Mathis," I said. "Biggie Mathis. He's been here before, remember?"
Quinn nodded. "Hope he doesn't think we make a habit of this," he said under his breath as we waited for Deputy Mathis to lumber up the hill along with the woman.
Biggie Mathis took off his cap when he reached us and appraised the four of us like we were waiting for the detention hall monitor to show up after school. "Ms. Montgomery," he said, nodding at me. "Good afternoon. I understand you called nine-one-one about a body. Someone found human remains."
From his matter-of-fact tone he could have been talking about the weather. At least he didn't say again.
"That's right." I indicated Antonio and Jesús. "This is Antonio Ramirez, the farm manager here, and Jesús Echeverría, another of our full-time employees. The two of them discovered the skull inside an old storage shed when they were removing a tree that came down on the shed and the cemetery wall. You already know Quinn Santori."
Biggie pulled out a notebook. The EMT, an athletic-looking woman with short steel-gray hair, headed for the shed.
"Ustedes hablan inglés?" Biggie asked Antonio and Jesús.
"We do," Antonio said and Jesús nodded.
"Tell me what happened," Biggie said.
They finished their story as the EMT came over to Biggie. "I called the M.E., Big. He can have the honor of filling out the paperwork. I don't know why I got called out on this one. That skull is DOA. Desiccated on Arrival. Whoever this is has been here for years. Looks like the body was dumped, too. The grave's not really that deep." She surveyed the four of us and said in a brisk voice, "Well, bye all. I'm taking off. I've got a family barbecue tonight and I need to get home and make coleslaw. Have a nice day."
As she left, a dusty station wagon the color of mint ice cream with two-toned wood-grained paneling on the sides drove up and parked at the bottom of the hill, taking her place.
Quinn let out a long, low whistle. "Will you look at that?" he said. "A Ford Country Squire, probably 1972 or '73 or thereabouts. Haven't seen one of those for ages. Looks like it's in just about perfect condition, too."
"Who is that?" I asked Biggie as a man with thinning white hair, a slight stoop, and a bit of a paunch climbed out of the car. He had a neatly trimmed goatee and wore a pair of horn-rimmed glasses.
"That," he said, "is Dr. Winston Churchill Turnbull. Brand-new county medical examiner. Lives over in Purcellville. Just got back from service in Iraq." He pronounced it Eyerack.
"Iraq? Seriously?" I stared at Dr. Turnbull. "He's got to be in his seventies."
"Seventy-four. Came out of retirement to volunteer as a surgeon in one of the local hospitals over there. Felt it was something he needed to do. He came home after serving a year and a half and signed up as a Loudoun County medical examiner. Said what he saw over there turned his stomach — especially the little children caught in the crossfire in that hellhole. He told me after he'd already seen the worst man could do to his fellow man, examining dead bodies and figuring out the cause of death back home would be a piece of cake. A relief, even, because when you're dead the suffering has ended." Biggie spoke with a mixture of awe and admiration.
"He sounds like an amazing man."
"You got that right," he said and waved an arm at Dr. Turnbull. "Hey, Doc. Up here."
Winston Churchill Turnbull waved back and sprinted up the hill toward us.
"Afternoon, everyone," he said, before turning to Biggie. He didn't seem at all winded from his little jog. "What have we got here, Othello?"
Othello? I cast a sideways glance at Biggie, who looked flustered, but said in a calm voice, "Thanks for coming so quickly, Doc. These folks found a human skull. Apparently dug up by accident when a tree root exposed it. Also looks like it's been here for a while."(Continues…)
Excerpted from "Harvest Of Secrets"
Copyright © 2018 Ellen Crosby.
Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
This book captured my interest immediately and never let go. While it is Book 9 of the series, it functioned well as a standalone. No problem sensing protagonist Lucie Montgomery. A skull is uncovered near the family cemetery by her immigrant workers and Lucie feels a kindred spirit, discovered to have been a young woman. She can't help but delve deeper into the mystery possibly involving family. Having opened Pandora's box, however, she'll be diverted into the history of her family's Civil War effort as well as the Underground Railroad, which opens further research. A wealthy aristocrat from France--an old crush from her summer there with family--has become head winemaker at La Vigne Cellars--their neighbor. He loves the ladies--probably WAY too much. Montgomery Estate Vineyards is looking forward to harvest, even with a hurricane approaching. Worse yet, Jean-Claude is murdered and evidence points to one of her own workers. Miguel, worried about his immigration status, splits, and begins to look very suspicious. Second book in a row I've read that has been multi-layered with detailed histories involved in the well-plotted mystery. This one weaves fascinating information regarding the surrounding area of civil war battlefields and the political climate and turmoil of the period. Always a lot going on, the storyline never slows and keeps the reader flipping pages, each one leaving another lesson or plot point in one of the layers. Support characters are well fleshed and dialogue is easy and natural, with an occasional gentle poke at that famous southern drawl. New premise location for me, unique historical details, and easy but fast-paced plot never lets the tension slide, slow, or slack. I'm looking forward to visiting again soon and heartily recommend this entry in the well-developed series to anyone who enjoys a high-speed romp into one of our country's most beautiful and history-laden areas. I received this uncorrected digital galley from the publisher (thank you, Minotaur Books!!) and NetGalley and appreciate the opportunity to read and review.