The Headmaster Ritual

The Headmaster Ritual

by Taylor Antrim

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Product Details

ISBN-13: 9780618756827
Publisher: Houghton Mifflin Harcourt
Publication date: 07/09/2007
Pages: 320
Product dimensions: 5.62(w) x 8.25(h) x 0.75(d)
Age Range: 14 - 18 Years

About the Author

TAYLOR ANTRIM is an editor at ForbesLife and a regular contributor to the New York Times and Vogue. His work has appeared in Esquire, the San Francisco Chronicle, the Village Voice, and other magazines and journals. A graduate of Stanford and of Oxford, Antrim earned his MFA from Virginia, where he held the Poe-Faulkner Fellowship.

Read an Excerpt

Prologue July

Dyer martin curled his fingers through the chainlink and stared at the empty field of shrub. Riverside County sunlight found shards of glass among scattered rocks and twinkled in his direction. Tufts of foot-high desert grass waved gentle hellos in the Santa Ana’s hot breath. Jim Simon, Dyer’s boss at Virgenes Development Corporation, had ordered him to take a look at the twenty-five acres he’d claimed for the company, to look at the stalled housing developments that surrounded it, to crouch down and sniff the chromium VI– and perchlorate-saturated soil. So Dyer had taken the 91 east, driving through a desert landscape of malls with empty parking lots, vacant glass-and-steel office parks, and windmill farms stretching to the Santa Ana mountains. Off the freeway exit just west of Perris, Dyer passed Palm Crest, a checkerboard of exposed foundations and roofless homes. “That’s a slice of wasteland you bought us,” Jim Simon had said with something like satisfaction, guiding Dyer out the glass office doors and into the parking lot, squeezing his shoulder in a kind, fatherly way. They both stood beside Dyer’s car, and Dyer enjoyed the weight and warmth of Simon’s hand. “But don’t worry,” Simon had said, smiling and letting him go. “This is why we have lawyers.” From the time Dyer came on as a junior associate, Jim Simon had told him to be aggressive and creative in exploring opportunities — and to liaise only with him, not any other partner at Virgenes. So on a week when Simon was golfing in Maui, a broker named Jimmy Veltramo rung his extension, and Dyer took the call. Veltramo had described the Inland Empire plot’s proximity to Palm Crest, a community of luxury homes, median price 500K, average owner age 29.9, average income high 80s. There was a dearth of shopping in the area, Veltramo said; perfect opportunity for a commercial developer like Virgenes. Timing was a problem; Dyer didn’t want to call Simon on his vacation, and Veltramo needed a letter of intent signed by Friday, or he’d take the offer to another company. LOIs were standard practice — and nonbinding; Simon signed them all the time. A signature would pull the property off the market for thirty days. Veltramo could courier the LOI right then; Dyer could always let the period expire without a deal. But Dyer hadn’t caught the clause nestled in a block of type on the back side of page three. The $500,000 Veltramo required for failure to negotiate a purchase and sale agreement. Nor had he checked a Phase 1 environmental report on the land. Nor had he checked the zoning. Now there was half a million due on a zonedresidential plot with groundwater contamination in the middle of nowhere. A bad blunder, a job-ending blunder. Dyer stood at the chainlink fence that surrounded the property, his ulcer throbbing deep within him, his mouth dry and sour, and he felt the guilt and embarrassment he’d been carrying around all week. He counted the things he could call his own — a dirt-colored Honda, a suitcase’s worth of clothes, the rising knowledge that he had never really wanted to work in real estate for his girlfriend’s father anyway. Escape would be natural, a matter of Dyer’s patrimony, of DNA, of blood-borne instinct. And there was his Honda, parked behind him, the driver’s door ajar, the key-in-ignition tone pinging. But Dyer was determined to stay in California and make it up to Jim Simon. He told himself that he loved Alice and didn’t want to lose her. Dyer put a foot in the chainlink and began to climb. The spiked top raked his thigh, tearing his suit pants as he swung a leg over. His knees buckled on the hard-packed sand. Stepping over bent lengths of rebar and miniature, thorny cacti, Dyer began to walk the boundary. The air wobbled with heat. Jim Simon had said wasteland, and yet with a little optimism, Dyer thought, with an eye for potential, you could imagine the sturdy geometry of a multilevel parking garage out here, or a retirement community of fountains and palm groves. He blinked hard, then blinked again, playing peekaboo with the view. The visions kept coming: a twenty-five-screen cineplex, blink, a petting zoo. He knew his ideas were impractical — there wasn’t another person for miles. And yet to Dyer they felt like guy wires streaming off his body, digging into the earth, steadying him. A black snake, like a discarded bicycle tube, lay down the fence line. He felt behind him for the fence, for its reassuring grid of hot steel. Dyer took a long breath, more visions flaring within him. He thought of < Alice at her desk, lit by her laptop screen — her thick auburn hair, her gently curving upper lip, her little belly, those things that made his heart race. Sunlight blinded him, bulleting off a broken bottttttle of Miller Lite. He ffffelt his hot ulcer prodding him in thhe stomach. HHe felt the half-million dollars clinging to his back. He felt the wires fray and snap. 1 September

We were supposed to meet this morning?” asked Dyer, standing in the shaded portico of Headmaster Wolfe’s residence, the humid Massachusetts air on him like a quilt. “Agreed,” said Edward Wolfe with his hand on the door’s brass knob. He moved out of the way. “Come in.” Dyer dipped his head and passed inside. The air had a still, musty smell, as if the windows hadn’t been opened all summer. The hardwood floor in the wide foyer was bare except for a coarse straw mat and an Oriental rug rolled up like a sausage along the wall. Muddy running shoes sat on a radiator; a loose stack of mail covered a table by the door. An ornately framed portrait — old, Dyer thought, the paint webbed with cracks — of a black-suited couple in twin wooden chairs was propped against the wall. In its place hung a framed sheet of yellow paper with a typed list of names. Curious, Dyer took a closer look. Halfway down the page, he stopped: “Edward Wolfe; Boston, MA; Harvard; SDS.” Dyer felt Wolfe at his side and realized the headmaster had him by a good half inch. His jaw was block-shaped beneath coarse gray stubble, his lips, fish-white and thin. Body heat came off him in waves, mingled with a clean, soapy smell. Dyer told himself to look at Wolfe directly, to find his eyes in their deep-set sockets. Even though Roberta O’Brien, dean of faculty, had offered him the job, even though he’d signed tax forms, even though there’d been a welcome letter for him in his Bailey House faculty apartment, this morning could still be some sort of final interview, a chance for Wolfe to make up his own mind. In late July during his interview with O’Brien, she’d said that Britton’s headmaster had left a tenured post in Harvard’s History Department to run the school. “He was looking for a more institutional role. To bring a progressive approach to the classroom,” she’d said. “So he wants young, less traditionally trained teachers, candidates with higher academic degrees, not graduates of education programs.” Dyer, with no prior teaching experience, with his Oxford M.Phil. in History, was “just the sort of candidate he’s looking for,” she’d said. A reassuring memory — but Headmaster Wolfe had never met Dyer. And there had to have been more qualified candidates vying for the position. Lots of them. A teaching post at Britton was something of a coup, and they could probably get a

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The Headmaster Ritual 3.3 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
I have to admit the only reason I didn't pass this book over in the store was because the marketing for it insulted me, my taste in books and my memory. I rarely pick up a book to read on the basis of looking for a fight, but THE HEADMASTER RITUAL wasn't about to let me pass without one... so, here I am, I'm still standing and the book is now heading for the FREE TO A GOOD HOME table at work - so, you may be asking, just what did this book do to insult me? Well, I'll leave that to the blurb/review given to the book by CHRISTOPHER BUCKLEY (THANK YOU FOR SMOKING), and I quote: 'THE BEST NOVEL SET IN A BOARDING SCHOOL SINCE A SEPARATE PEACE. FOR MY MONEY, EVEN BETTER. A STUNNING DEBUT IN EVERY WAY.' That one nearly knocked me off my feet when I read it in the store, for not only is A SEPARATE PEACE one of my all time favorite novels, but Buckley has the sheer brass to not only to compare the book to a 'classic' (it's loved, it's hated, its lasted), but say outright that TAYLOR ANTRIM (this, his first novel) has done it one better, so much so that Buckley is willing to back his review with his own money (money he surely did not fork over to actually read the book, no, a free copy was provided for him by the publisher), so, tell me, where I can go to claim a portion of that 'money' back offer? I can live with hype. I can live with hubris (just read the other two reviews under Buckley and ask yourself which of them has the brownest nose). I understand a publisher has to rattle the cages and ring the bells to get readers to notice their wares, but this was a low blow - so, I did the only nobel thing. I bought a copy and sat down to see if this, THE HEADMASTER RITUAL, was not only a good book, but one for the ages. Simply put, no. And the only connection between A SEPARATE PEACE and this novel is the setting (a boarding school) and a ernest, but half hearted take on the theme war (what's it good for?). If anything, it's trying too hard to meld A SEPARATE PEACE (or, more directly its ill advised follow up PEACE BREAKS OUT) with two other established (and often banned) classics, A CATCHER IN THE RYE and THE HEADMASTER RITUAL's true father... THE CHOCOLATE WAR by Robert Cormier. While not beat for beat, or line for line, the skeleton of THE CHOCOLATE WAR sticks out just below the skin of this novel. But, despite some nice writing (and few turn of phrases that does lead me to believe that Antrim may have a future), and an idea or two, the book too quickly resorts to cardboard plotting and stock scenery, moving the company to one set up to the next without really ever getting into either the hearts or minds of everyone involved. On occasion Antrim does reach (the entire model UN plot and North Korea is meant to be topical and drive home the point of just how much more profitable it is to sustain a 'truce' than drive home for 'peace'), and when the book is focused on the school itself, it shines (I kept wishing for more time on the dorm floor, campus and classrooms), while the rest tends to read weightless and disconnected. You will coast through this novel without breaking a sweat. Overall, wouldn't it be nice to do away with the hype? It's true that I apporached this novel with a chip on my shoulder, but it did not color my view of the actual work (its connections to more famous works are clear), I was willing to lay down the cash and give it a chance. But, the selling of books these days has become so cut throat and so misleading that the blurbs and the reviews are often far better crafted and entertaining than the actual books they're hawking. Enough.
goldiebear on LibraryThing 5 months ago
I just couldn't get into this book. I had a really hard time relating to anything in the book. There was too much history about North Korea and things that I didn't quite understand. It was too masculine for me. I usually really like books about prep school and the like, but this just didn't do it for me.
Guest More than 1 year ago
This was a great read. If you like thrillers, then you'll love this book!
Guest More than 1 year ago
Taylor Antrim introduces himself wonderfully with this outstanding debut novel which combines boarding schools, father-son complexes and the current situation with North Korea. Writing in a parallel storyline, the book follows Dyer Martin, a recently hired history teacher, and James Wolfe, the headmaster's son, as the both try to be the people they know they have to be. I would say that the book is a combination of 'Catcher In The Rye'(My all-time favorite book) and the video game Bully. A great book in which I highly recommend.