For Nick James, the pleasures and virtues of this film are mixed and complex. Its precise compositions and minimalist style are entangled with a particular kind of extravagant bombast. The complexities add to the interest of this ambitious film.
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About the Author
Nick James has written for The Guardian, The Observer and The London Review of Books and was for a time TV Editor at London's City Limits magazine. He has edited Sight and Sound since 1997