Heat Wave 3: The Dinosaur Apocalypse Has Begun

Heat Wave 3: The Dinosaur Apocalypse Has Begun

by Wayne Kyle Spitzer

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"We're going to get to the bottom of this, all of it, believe me," the President was saying, gesturing as he spoke—his large frame swaying slightly—just like on TV. "And we're going to win it. It might take time … but we're going to win it. Believe me. We always win."

He paused for a moment as the lead Secret Service agent—Halverson was his name, Agent Halverson—handed him a cup of water. "For one, we've got something the animals don't have. Which is our incredible men and women of law enforcement." He gestured at the surviving State Trooper and then at the soldiers. "Not to mention our armed forces, some of whom are with us right now." Everyone clapped—albeit briefly. "It's hard. So hard. What has happened is so terrible. So many people have disappeared—while others have fallen victim to these—these animals. People are saying they're dinosaurs. I don't know. I think they're dinosaurs. And they're horrible, so horrible. They're eating people alive. I've seen this, and I've sort of witnessed it—in fact, in two cases I have actually witnessed it."

Product Details

BN ID: 2940163721146
Publisher: Hobb's End Books
Publication date: 09/25/2019
Sold by: Draft2Digital
Format: NOOK Book
Sales rank: 1,095,811
File size: 199 KB

About the Author

Wayne Kyle Spitzer (born July 15, 1966) is an American author and low-budget horror filmmaker from Spokane, Washington. He is the writer/director of the short horror film, Shadows in the Garden, as well as the author of Flashback, an SF/horror novel published in 1993. Spitzer's non-genre writing has appeared in subTerrain Magazine: Strong Words for a Polite Nation and Columbia: The Magazine of Northwest History. His recent fiction includes The Ferryman Pentalogy, consisting of Comes a Ferryman, The Tempter and the Taker, The Pierced Veil, Black Hole, White Fountain, and To the End of Ursathrax, as well as The X-Ray Rider Trilogy and a screen adaptation of Algernon Blackwood’s The Willows.

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