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This collection of essays examines the various Hitchcock films that were adapted from other sources (short stories, play, and novels). Some of these essays focus on the director’s collaboration with such notable writers as John Steinbeck (Lifeboat), Thornton Wilder (Shadow of a Doubt), and Raymond Chandler (Strangers on a Train), proving not only that Hitchcock knew good writing when he read it, but that he was quite eager to exploit the cultural capital that these writers represented. Other essays discuss to what extent he was faithful (or not) to the source materials, his relationship with screenwriters/adaptors such as Joseph Stefano (Psycho), and what role his wife, Alma Reville played in the development of several screenplays.
|Publisher:||Rowman & Littlefield Publishers, Inc.|
|Product dimensions:||6.20(w) x 9.00(h) x 1.20(d)|
About the Author
Mark 'steen is chair of the English Department and cofounder of the Film Studies Program at Loyola University Maryland. He has published dozens of articles on film, music, and modern literature and is the author or editor of ten books, including One of Us: A Family’s Life with Autism (2010) and Nightmare Alley: Film Noir and the American Dream (2013).