Traces the rhetorical work of the gene in scientific and nonscientific discourse throughout the twentieth century.
Against a backdrop of the history of the gene as a scientific and a cultural icon, How the Gene Got Its Groove examines how “genes” function as rhetorical objects. Returning to Wilhelm Johannsen’s original argument for the term, Elizabeth Parthenia Shea maintains that the gene was, first and foremost, a rhetorical invention, designed to lay claim to a material reality and to dissociate itself from the problems of language, conjecture, and rhetorical uncertainty. She traces the rhetorical work of the gene through scientific and nonscientific arguments throughout the twentieth century. The gene’s travels between scientific and popular texts challenge us to recognize the subtle powers of figurative language in creating a sense that matters of science stand outside the contingencies of language and the influences of rhetoric.
|Publisher:||State University of New York Press|
|Edition description:||New Edition|
|Product dimensions:||5.90(w) x 8.90(h) x 0.50(d)|
About the Author
Elizabeth Parthenia Shea is Assistant Professor of Rhetoric at Northeastern University.
Table of Contents
2. GENETIC ORIGIN STORIES
3. PRESCRIBING RHETORICAL WORK: GENETIC THEORIES, GEMMULES, AND GENES
4. GENES ON MAIN STREET
5. GENES, FIGURES, THINGS, OBJECTS
6. FIGURATIVELY SPEAKING: GENES, SEXUALITY, AND THE AUTHORITY OF SCIENCE
7. GENOME: THE SECRET OF HOW TROPES WORK IN THE LIFE SCIENCES