How to Be an Artist

by Jerry Saltz

Overview

Notes From Your Bookseller

How to be an artist? A sublime question with many answers. Jerry Saltz attempts to address this large query. If you don't know Jerry Saltz, he is senior art critic at New York Magazine and has won tons of awards for his writing. He made his bones, though, being the art critic for the venerable Village Voice in NYC. With great insight and detail, and with more than a few exercises, this manual will be the perfect guide to help you realize your artistic dreams.

Instant New York Times Bestseller

"Inspiration leaps off the pages from Jerry Saltz's new book on creativity. . . . This book is for the artist or non-artist, for the person who gets plain English, for the person who understands that practical talk can coax out the mystical messages that lie underneath." —Steve Martin

Art has the power to change our lives. For many, becoming an artist is a lifelong dream. But how to make it happen? In How to Be an Artist, Jerry Saltz, one of the art world’s most celebrated and passionate voices, offers an indispensable handbook for creative people of all kinds.

From the first sparks of inspiration—and how to pursue them without giving in to self-doubt—Saltz offers invaluable insight into what really matters to emerging artists: originality, persistence, a balance between knowledge and intuition, and that most precious of qualities, self-belief. Brimming with rules, prompts, and practical tips, How to Be an Artist gives artists new ways to break through creative blocks, get the most from materials, navigate career challenges, and above all find joy in the work.

Teeming with full-color artwork from visionaries ancient and modern, this beautiful and useful book will help artists of all kinds—painters, photographers, writers, performers—realize their dreams.

Product Details

ISBN-13:	9780593086469
Publisher:	Penguin Publishing Group
Publication date:	03/17/2020
Pages:	144
Sales rank:	125,473
Product dimensions:	7.40(w) x 5.20(h) x 0.80(d)

About the Author

Jerry Saltz is the senior art critic at New York magazine and its entertainment site Vulture. The winner of the 2018 Pulitzer Prize in Criticism, he has lectured at MoMA, the Guggenheim, the Whitney, and many other museums, and at Harvard, Yale, Columbia, and elsewhere. Saltz lives in New York.

Read an Excerpt

Step One: You Are a Total Amateur
Five lessons before you even get started.
 
Lesson 1: Don’t Be Embarrassed

 
I get it. Making art can be humiliating, terrifying, leave you feeling foul, exposed, like getting naked in front of someone else for the first time. You often reveal things about yourself that others may find appalling, weird, boring, or stupid. People may think you’re abnormal or a hack. Fine. When I work, I feel sick to my stomach with thoughts like None of this is any good. It makes no sense. But art doesn’t have to make sense. It doesn’t even need to be good. So don’t worry about being smart and let go of being “good.”

Lesson 2: “Tell your own story and you will be interesting.” — Louise Bourgeois
 
Amen, Louise. Don’t be reined in by other people’s definitions of skill or beauty or be boxed in by what is supposedly high or low. Don’t stay in your own lane. Drawing within the lines is for babies; making things add up and be right is for accountants. Proficiency and dexterity are only as good as what you do with them. But also remember that just because it’s your story, that doesn’t mean you’re entitled to an audience. You have to earn that. Don’t try to do it with a big single project. Take baby'steps. And be happy with baby'steps.
 
Lesson 3: Feel Free to Imitate
 
We all start as copycats, people who make pastiches of other people’s work. Fine! Do that. However, when you do this, focus, start to feel the sense of possibility in making all these things your own — even when the ideas, tools, and moves come from other artists. Whenever you make anything, think of yourself as entering a gigantic stadium filled with ideas, avenues, ways, means, and materials. And possibilities. Make these things yours. This is your house now.
 
Lesson 4: Art Is Not About Understanding. Or Mastery.
 
It is about doing and experience.
 
No one asks what Mozart means. Or an Indian raga or the little tripping dance of Fred Astaire and Ginger Rogers to “Cheek to Cheek” in Top Hat. Forget about making things that are understood. I don’t know what Abba means, but I love it. Imagination is your creed; sentimentality and lack of feeling your foe. All art comes from love — love of doing something.

Lesson 5: Work, Work, Work
 
Sister Corita Kent said, “The only rule is work. If you work, it will lead to something. It’s the people who do all of the work all the time who eventually catch onto things.”
 
I have tried every way in the world to stop work-block or fear of working, of failure. There is only one method that works: work. And keep working.
 
Every artist and writer I know claims to work in their sleep. I do all the time. Jasper Johns famously said, “One night I dreamed that I painted a large American flag, and the next morning I got up and I went out and bought the materials to begin it.” How many times have you been given a whole career in your dreams and not heeded it? It doesn’t matter how scared you are; everyone is scared. Work. Work is the only thing that takes the curse of fear away.

Editorial Reviews

Praise for How to Be an Artist:

“An imaginative “handbook” for creatives of all kinds, full of wit, exercises, and insightful advice.” – The Cut

“Saltz has a rare ability, useful for a critic, to speak declaratively without coming off as pushy or didactic. . . . The overwhelming impression is one of urgent generosity. . . . While others have written about the fear of failure that lies at the heart of any creative pursuit[,] few have offered such concrete advice for overcoming it.” —Slate

“Saltz has not written a book for insiders, but for the novice enthusiast – something all of us have been at one time. Valuable insight on the creative process [with] a surprising amount of solid advice.” —Frieze

"The creative salve you need to assuage self-doubt and find inspiration." —Fast Company

“How to Be an Artist dispenses practical wisdom, inspiration, humor and honesty to nourish the artist in all of us. For those already taken by Saltz’s passionate criticism and witty storytelling—as well as those looking to persevere in creative professions—the book will prove to be a beautiful resource.” –David Graver, Cool Hunting
 
“Saltz is to be applauded for his direct confrontation of issues of personal trauma, systemic sexism and financial hardship – and for proclaiming, in the fifth tip, that ‘All art comes from love’. Joy is palpable in these pages. We are told to connect with our raw emotions, to admire the constant creative work our artist’s brain is undertaking, to learn from our mistakes and to shake off criticism. Saltz even tells us to dance. We need such thinking right now.” – Apollo

“An excellent read for any would-be artist who's looking for a blast of uplifting and inspirational advice[,] grounded in the real world.” – Creative Boom

"Trim, brilliant. . . . Whether you’re a proud amateur or a frustrated expert, these are words worth taking to heart. Saltz’s knowledge veins run deep, and his voice is crisp, frank, intimate and urgent." —BookPage

“Saltz offers ebullient, practical, and wise counsel to those who wonder, ‘How can I be an artist?’ …A succinct, passionate guide to fostering creativity.” —Kirkus Reviews

“Inspiration leaps off the pages from Jerry Saltz’s new book on creativity. One wants to say he’s revealing secrets, but really, he’s revealing intuition—intuition formed from decades of thinking about art. This book is for the artist or non-artist, for the person who gets plain English, for the person who understands that practical talk can coax out the mystical messages that lie underneath.” 
—Steve Martin

“How to Be an Artist has relevance way beyond the art world. With his typical clarity and compassion, Jerry Saltz outlines a path for anyone who wants to dedicate their lives to chasing something they believe in. Even as a chef, I have Jerry’s advice ringing through my brain at all times.”
—David Chang
 
“In How to Be an Artist, Jerry Saltz is so right-on it scares me.”
—Cindy Sherman
 
“Jerry is an impassioned lover of all art and all artists, heartbroken when they’re not good and joyous when they are. You don’t read so much as bathe in his prose, turbulent but clear, emerging each time as hopeful as this morning.”
—Peter Schjeldahl


“ A ferociously positive and exuberant primer on being an artist. . . . Divine pragmatic advice with hope and intelligence.”
—Maira Kalman  
“An inspiring guide to making your art, putting it out into the world, and dealing with the consequences. I found a lot to steal here, and you will too.”
—Austin Kleon
 
“What is an artist? If most things make you bored or sad, but creating things makes you feel better, that's a sign that Fate is ushering you over to a tiny, rickety chair with a sign overhead that says, Hey, you. You might be an artist. The challenge then is, how to be a better artist. And Jerry Saltz is right: The truest answer is work. Practice. Make mistakes. Tear it up. Do it again. Get better. Keep going.”
—Roz Chast
 
“I am so blown away by [How to Be an Artist], because it takes the tools of the literal masters and offers them to whoever wants them. Any reader would be lucky to escape their self-doubt to indulge in this straightforward, funny, and delightful guide.”
—Jill Soloway
 
“Being an artist is a lonely pursuit—twenty-four hours a day, seven days a week, for the rest of your life. Most of the time it hurts. This book will help the pain.”
—Tracey Emin
 
"How to Be an Artist is such a fun and juicy read for artists of all kinds. ‘Artists are cats,’ he says—such a simple but brilliant description of the artist’s relationship to the world. I read this and thought, I guess I am a real artist!"
—Kim Gordon
 
“I was so moved by Jerry Saltz’s incredible new book, How to Be an Artist. . . . Deep and beautiful insights into how humans create.”
—Amy Sedaris

From the Publisher

03/01/2020

If anyone should know about art, it would be American art critic Saltz, who received the Pulitzer Prize for Criticism in 2018 and has been senior art critic and columnist for New York Magazine. In this slim volume, he encourages would-be creators to realize their potential and explore the process of making art without self-censorship. Saltz presents 62 tips ranging from "Don't Be Embarrassed" to "Start Now" and "Learn To Deal with Rejection" to prime the pumps of potential artists to get to work. VERDICT An encouraging read for those cautious but eager to make art.

Library Journal

2019-11-05
A noted critic advises us to dance to the music of art.

Senior art critic at New York Magazine and winner of the 2018 Pulitzer Prize in Criticism, Saltz (Seeing Out Louder, 2009, etc.) became a writer only after a decadeslong battle with "demons who preached defeat." Hoping to spare others the struggle that he experienced, he offers ebullient, practical, and wise counsel to those who wonder, "How can I be an artist?" and who "take that leap of faith to rise above the cacophony of external messages and internal fears." In a slim volume profusely illustrated with works by a wide range of artists, Saltz encourages readers to think, work, and see like an artist. He urges would-be artists to hone their power of perception: "Looking hard isn't just about looking long; it's about allowing yourself to be rapt." Looking hard yields rich sources of visual interest and also illuminates "the mysteries of your taste and eye." The author urges artists to work consistently and early, "within the first two hours of the day," before "the pesky demons of daily life" exert their negative influence. Thoughtful exercises underscore his assertions. To get readers thinking about genre and convention, for example, Saltz presents illustrations of nudes by artists including Goya, Matisse, Florine Stettheimer, and Manet. "Forget the subject matter," he writes, "what is each of these paintings actually saying?" One exercise instructs readers to make a simple drawing and then remake it in an entirely different style: Egyptian, Chinese ink-drawing, cave painting, and the styles of other artists, like Keith Haring and Georgia O'Keeffe. Freely experiment with "different sizes, tools, materials, subjects, anything," he writes. "Don't resist something if you're afraid it's taking you far afield of your usual direction. That's the wild animal in you, feeding." Although much of his advice is pertinent to amateur artists, Saltz also rings in on how to navigate the art world, compose an artist's statement, deal with rejection, find a community of artists, and beat back demons. Above all, he advises, "Work, Work, Work."

A succinct, passionate guide to fostering creativity.

Kirkus Reviews

So you want to be an artist? Or at least add some creativity to your life? Jerry Saltz knows how. The art critic for NEW YORK MAGAZINE delivers a series of 61 short statements brimming with insights and advice for anyone having trouble getting out of a rut. He offers practice exercises and useful tips such as “clear the studio.” Listeners could experience this audiobook in one or two sessions, letting all the ideas wash over them, or try just a few tracks a day, giving each idea careful thought. It would be worth it, either way, to write a few “notes to self” and tape them to your desk. Believe in yourself! You can do it! J.E.S. © AudioFile 2020, Portland, Maine

APRIL 2020 - AudioFile

So you want to be an artist? Or at least add some creativity to your life? Jerry Saltz knows how. The art critic for NEW YORK MAGAZINE delivers a series of 61 short statements brimming with insights and advice for anyone having trouble getting out of a rut. He offers practice exercises and useful tips such as “clear the studio.” Listeners could experience this audiobook in one or two sessions, letting all the ideas wash over them, or try just a few tracks a day, giving each idea careful thought. It would be worth it, either way, to write a few “notes to self” and tape them to your desk. Believe in yourself! You can do it! J.E.S. © AudioFile 2020, Portland, Maine

APRIL 2020 - AudioFile