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4.9 8
by James Fuerst

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Life hasn’t been easy for Eugene “Huge” Smalls.

Sure, his IQ is off the charts, but that doesn’t help much when you’re growing up in the 1980s in a dreary New Jersey town where your bad reputation precedes you, the public school system’s written you off as a lost cause, and even your own family seems out to get you.

But it&


Life hasn’t been easy for Eugene “Huge” Smalls.

Sure, his IQ is off the charts, but that doesn’t help much when you’re growing up in the 1980s in a dreary New Jersey town where your bad reputation precedes you, the public school system’s written you off as a lost cause, and even your own family seems out to get you.

But it’s not all bad. Raymond Chandler and Dashiell Hammett have taught Huge everything he needs to know about being a hard-boiled detective . . . and he’s just been hired to solve his first case.

What he doesn’t realize is that his search for the truth will change everything for him.

Editorial Reviews

From the Publisher
"James Fuerst is brilliant in the way he immerses the reader both in Huge’s mixed-up head and the world in which he lives. His take on the class warfare and teenage sexual politics of a small New Jersey town is at once hilarious and poignant...[a] wonderfully written debut.”
Bookpage, Arlene McKanic

"Eugene—“call me 'Huge,' not 'Genie'”—Smalls is the hardboiled narrator of this funny, delightfully quirky novel. Fuerst's style is priceless, and he hits all the noir notes perfectly."
Author Magazine

“A coming-of-age tour de force…Huge will occupy a, yes, huge place in readers’ affections and memories.”
Booklist (starred review)

“Credible and engaging, [with] a hero who assumes the most eye-catching characteristics of Holden Caulfield, Phillip Marlowe and Nick Twisp…Fuerst pulls off the same trick as the 2005 film Brick in making his protagonist’s suburban surroundings and mundane foes seem as hard-boiled and corrupt as those in the Chandler novels Huge treasures.”

“A picaresque romp around suburban New Jersey…full of nostalgia, humor, candor and emotions that all readers can relate to.”
Publishers Weekly

“An utterly original creation…Huge Smalls is my new favorite fictional character.”
—Alicia Erian, author of the New York Times Notable Book Towelhead

“A rocket ship of adolescence.  I loved little Huge.” 
—Ron McLarty, author of the New York Times bestseller Memory of Running

"An evocative black comedy…Huge effortlessly lures you into his hardboiled imagination and completely dysfunctional life."
—Keith Donohue, author of the New York Times bestseller The Stolen Child

"Funny, rude, and tender all at once, Huge is terrific.  Hard-boiled and half-baked, Eugene is a bristling undersized hero for all of us who have felt the furious, desperate need to make life matter, or get splattered trying.”
—Sean Stewart, author of Perfect Circle

Publishers Weekly

In his mind's eye, precocious 12-year-old Eugene "Huge" Smalls, the narrator of Fuerst's quirky debut, is the lineal descendant of Philip Marlowe, Sam Spade and other pulp detectives he admires. When the nursing home where his beloved grandmother stays is vandalized, Huge sees a chance to follow in their footsteps by solving the crime. What follows is a picaresque romp around suburban New Jersey as Huge misreads clues, misinterprets motives and mistakes mundane incidents for diabolical schemes as only an inexperienced adolescent with a restless imagination can. Largely plotless, this coming-of-age story is full of awkward digressions. Still, Fuerst demonstrates a sensitive ear for contemporary teen talk, delicacy at handling the amusingly contentious relationship between Huge and his older sister and mom, and skill at conveying a child's-eye view of the world that is full of nostalgia, humor, candor and emotions that all readers can relate to. (July)

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Fuerst's first novel is a bit of a coming-of-age tour de force that borrows some of the tone and attitude of hard-boiled detective fiction while giving its first-person narrator an irresistibly noirish, wise-guy voice, which means that this kid has got some mouth on him . . . Huge will occupy a, yes, huge place in readers' affections and memories. starred review
School Library Journal
Adult/High School–Eugene “Huge” Smalls is a short, smart, blond going-on-13 outcast with anger-management issues, a stuffed-frog alter ego, a homemade tricked-out ride called the Cruiser, and a Philip Marlowe attitude. What Huge lacks in stature is made up for by his intense emotional reactions and overactive imagination. He lives in a boring small town in 1980s New Jersey where his father has abandoned him, his waitress mother, and his hot older sister to fend for themselves. While on a visit with his dearly beloved and somewhat senile grandmother at a retirement home, she hires him to solve his first real detective case. As he gathers clues, he tells about his past transgressions and feelings, a lost friendship, and various crushes and clashes including those involving retirement-home workers, his sister’s friends, and a special girl his own age. Huge’s coming-of-age musings seem mature for a sixth grader, yet these contemplations and Fuerst’s portrayals of teenage relationships and experiences will resonate with older readers. Using humor and a narrative similar to Raymond Chandler’s hardboiled detective novels of the 1940s, Fuerst entertains and draws readers into all the mysteries Huge tries to solve on his own, including those involving self-control, fantasy, friendship, and maturity.–Melanie Parsons, Fairfax County Public Library, VA
Kirkus Reviews
An uncompromising 12-year-old gumshoe takes on the case of his short life. The hero of this debut novel is a boy detective, "Huge," who has as much in common with Encyclopedia Brown or the Hardy Boys as Al Swearengen has with The Lone Ranger. A foul-mouthed, scrappy sixth grader with a skyrocketing IQ, Eugene Smalls might be a runt in the eyes of his peers but, in his mind, he's bigger than life-hence the name-and determined to live up to the example set by Raymond Chandler's famous description of what a detective must be in The Simple Art of Murder ("down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid"). "Sure, I realized I didn't exactly fit the bill, because most around here would tell you that I was meaner than a short-order cook and more tarnished than all the girls in Catholic school," says Huge. "So I had two strikes against me from the jump. But I had one thing in my favor: I wasn't afraid of a goddamn thing." Armed with a hero who assumes the most eye-catching characteristics of Holden Caulfield, Phillip Marlowe and Nick Twisp, Fuerst crafts a readable alternative noir set in the early 1980s. Huge takes on the only case he can land, solving the mystery of who tagged his grandmother's nursing home for the princely sum of $10. To his credit, Fuerst pulls off the same trick as the 2005 film Brick in making his protagonist's suburban surroundings and mundane foes seem as hard-boiled and corrupt as those in the Chandler novels Huge treasures. With period detail intact-Huge's sources hang out in the arcade, while the private eye rides a bike with a banana seat-Fuerst still manages to integrate into the mix seedy bureaucrats,treacherous friends and even a couple femme fatales. Bonus points for capturing the pathos of adolescence without talking down to the audience. There are few challenges greater than voicing a smart, tough kid. Fans of teen fiction or hard-boiled detectives will find this one credible and engaging. Agent: Markus Hoffmann/Regal Literary

Product Details

Publication date:
Product dimensions:
5.18(w) x 7.96(h) x 0.71(d)
Age Range:
14 - 18 Years

Read an Excerpt


It was one of those lurid August days, all haze and steam, the sun hidden and stewing like a shameful lust. I dropped the kickstand, locked the Cruiser to the no parking sign, and wiped the glaze of sweat off my face and neck. Thrash was at my side (I'd doubled him along), and we shared a quiet look before heading in.

As we stepped through the glass front doors, the chill from the air-conditioning slapped me like I'd mouthed off. But that was good. It gave me a jolt, woke me up. There wasn't anyone at the front desk, so we hung a left and tiptoed down the pale gray corridor, sticking close to the wall. The Oakshade Retirement Home bragged about cleanliness in its brochures, and to back it up they made sure every inch of the place always reeked of rubbing alcohol and used rubber gloves. Some of the janitors said that if you stayed there long enough, the smell alone could make you sick, or even kill you. Not me, though. I loved that goddamn smell.

We slipped past a few cocked and shadowed heads lolling on the backs of Naugahyde furniture in the TV room, and then double-timed it through a quick Z-shaped turn on the left. I knew the way. I'd been there plenty of times before, enough to know to keep the sneaker-squeaks to a minimum, to pass open doorways without looking in, and never to stop to talk to anyone for anything, even if someone cried out for help. If I did, I'd be spotted, ambushed, corralled, a mob of them materializing out of nowhere, shuffling through the half-lit halls like zombies, penning me in. And then I'd be stuck getting pawed and petted and pinched for who knew how long.

Sure, it was risky, and even riskier with two of us instead of just one. But I wasn't worried that Thrash would give us away. He was the quiet type, the heavy; the brawn in the background who never seemed to move or make a sound except when damage needed to be done. He wasn't very big or much to look at, but he was expert at laying low, blending in, and holing up somewhere just out of sight until the time was right to strike. Not that I'd ever turn him loose on the bags of bones clattering around this joint—that just wouldn't be fair. No, right now Thrash knew he was just along for the ride, and I'd do all the talking.

We turned at the last room on the left. I rapped once on the door, opened it, and was greeted by two expectant eyes staring back at me. Her wheelchair was on the far side of the bed, in the corner by the window, and she was in it. Her wig was putty-colored and mangled and tilted too far to the right, and she'd forgotten to pencil an eyebrow over her left eye. The whole effect was like her head was sliding off to one side. She looked smaller than usual, crooked. But at least she had her teeth in.

"Genie!" she cried, smiling, opening her arms to me.

"It's Eug," I corrected her, pronouncing it "Huge," because that's what I called myself.

"Huge? What's wrong with Genie? It's a perfectly good—"

"Can it, sweetheart, you got no eyebrow," I leveled.

"Oh." She frowned. "See my purse?" She pointed. "When you hand it to me, you can give your Toots some sugar."

The woman had a one-track mind; she always wanted her sugar. I grabbed the red leather bag hanging on the closet doorknob, dropped it in her lap, and laid one on her. Her skin was cool, dry, and loose against my lips. Thrash was slouched over in the wooden chair on the opposite side of the bed, near the door, and out of the corner of my eye I caught that smirk of his. But I didn't mind giving her what she wanted, and I didn't give a damn who saw.

"There, that's better," she cooed, her knobby hands trembling as she held up a compact and drew a thin arch over her left brow. She seemed so pleased with the result that I didn't have the heart to tell her the pink over her left eye didn't match the purple over her right. "So..." She turned her eyes back to me. "How are you getting along?"

"I'm getting along as best I can," I said, and swallowed hard at the truth of it.

"I mean, how's your summer?"

"It's had its moments." I shrugged. "But it'll all be over soon."

"That's life, Genie," she sighed, "what'd you expect?"

"It's Huge."

"What? Okay, all right, have it your way . . . Huge," she said as she placed her bag on the floor beside her. She went quiet, peering over her shoulder toward the window and then down at her white orthopedic sneakers. Not a good start: she was either drifting or upset. I took a seat on the bed and made myself comfortable, because I knew it could take a while for her to snap to.

"Do you want a sweet?" she asked.

Shit, that was quicker than usual, and I should've yelled no or made a break for the door, but it was too late. She'd already reached into the plastic dish on the nightstand and pulled out this shiny green nugget.

"Here, it's lime." She wrapped my fingers around it and motioned for me to eat.

I froze. My lips tightened and my stomach whined, but she was nodding and smiling and there was nothing I could do. I took a deep breath and popped it into my mouth. It tasted like sweat from the crack of a dockworker's ass. Not that I'd ever sampled any, but I felt like spewing and then gargling with bleach all the same. She was watching me, though, so I had no choice but to choke the damn thing back.

"Good, isn't it?"

I didn't say anything, but that didn't keep Thrash from smiling.

"Now, don't tell your mother that I gave you candy." She winked. "It'll be our secret."

It was sad, really. Because if she thought this was candy, then she was much further gone than everybody said.

She talked about my mother and her new boyfriend, Craig, how it was good for mom to have a man around the house and good for my sister, Neecey, and me, too, but how it meant that mom had less time for her. I didn't have any problem with Craig, because he wasn't around as often as she thought and he never gave me trouble when he was. The dig about mom not stopping by as often wasn't true, but I didn't argue the point.

Then it was the usual stuff about the activities they'd done last week (a day trip to the horse races at Monmouth Park) and what was scheduled for next week (a day trip down to the casinos in Atlantic City). And she said, "With all the gambling they expose us to, you'd think we're swimming in cash. But Margaret in sixteen can barely afford her medication, and she's not the only one. Now, tell me, where's the sense in that?"

I told her there wasn't any, but that they had to do something.

"You may be right, Genie," she sighed, flattening her dress across her lap so the flowers weren't wrinkled, "but sometimes it seems that old age brings nothing but one petty insult after another."

Great. Two gripes and then right into the old-age shtick. That could only mean one thing: she was upset about something, and I'd have to hear it.

"To watch the sun go down with a little bit of dignity," she went on, "is that too much to ask?"

I knew better than to answer that.

"Speaking of which," she said, her cloudy brown eyes flaring with annoyance, "did you see what they did to our sign?"

"No," I said, because I hadn't. I'd taken the back way instead of the front. "What'd they do?"

"They vandalized it," she hissed, glaring and shaking her head.

Maybe that's why she was so cranky. "Vandalized it? Who? How?"

"There, over there." She pointed with her left hand as she turned her wheelchair to face the window with her right. "See for yourself."

I followed the direction of her finger, over the air vents along the windowsill, through the parted green curtains, across the parking lot pavement shivering from the heat, to an island of withered grass near the four-lane highway that ran along the front of the home. In the center of the island were a dirt mound, a few mangy weeds, a high, thick hedge that bordered the roadway, and a tall wooden sign, which ordinarily read oakshade retirement home. But the "irement" was covered over in black paint, and the sign now read oakshade retarted home.

Retarted?! Jesus Christ, what kind of bullshit was that?

I didn't know what made me angrier: the fact that it was a cheap shot at harmless seniors and their families; that it was the kind of put-down only a moron would use; or that it'd been slapped up there by the kind of moron who didn't even have enough sense to check his goddamn spelling. That must've been what was bothering her, and now I was bothered, too. Suddenly I was livid. The tips of my fingers quivered and curled, and I started counting backward from ten in my head—ten . . . nine . . . eight—but I wasn't quite sure what would happen when I reached one: would I cool down or blast off? I looked over at Thrash. He had that expression on his face again.

"It's disgraceful. There's no respect for anything anymore," she sighed, wearily this time. "And because it's kids, nobody will lift a finger to do a thing about it. That's why I've always told you to mind your manners, keep your nose clean, and be careful, because kids today— Are you listening to me, Genie?"

Six . . . five . . . four. Yeah, I was listening. I'd heard the "be careful" speech a million times, and was as receptive now as all the others. Three . . . two . . . one. "Fucking monkey fuckers!"

"Genie!" she snapped. "You'd better wise up, young man. They won't tolerate that filth of yours in junior high."

I didn't give a shit if they would or wouldn't. Whether I skipped another grade or was left back again, there was one thing I could count on as far as other people were concerned, although I couldn't remember what it was at the moment because I was too busy trying to compose myself—you know, act like a gentleman, watch my mouth in front of a lady and shit. "Sorry," I grumbled, but didn't mean it.

She looked at me sternly, the bluish blobs on her brown eyes filling with light. I thought she was gonna let me have it and got ready to swallow the next load of crap she dished my way. But she only flashed me this scheming, sideways smile, leaned forward, and reached for her purse.

Suddenly I didn't feel angry anymore; I felt excited. This was how it usually happened for Marlowe—Philip Marlowe, the most badass private detective the world had ever seen. He'd go to the mansion of some wheezy old geezer propped up in a wheelchair, or the wood-walled study of some crabby battle-ax, everything always smelling of eucalyptus and sandalwood, and after a couple of stiff drinks and a few minutes of chitchat, he'd walk out with a new client, a case to solve, and a substantial advance in his pocket.

But I wasn't getting my hopes up just yet. Thing was, I'd only been on one case before, and I'd taken that up on my own initiative. I'd never had a real client, never been paid for my efforts, so as far as my status as a detective went, I guess you could say I was still an amateur.

Maybe that was about to change. After all, she's the one who'd dumped a wheelbarrow of yellowed and musty detective books on me in fifth grade—all the Marlowes and Sherlock Holmeses and a Sam Spade one, too—and I'd been through each of them dozens of times since then. They'd been my grandfather's books, but I hadn't started reading them because I'd gotten all sissy and sentimental about the relics of a man I'd never met, or because I'd been duped into thinking that reading was fundamental like the commercial said. Nah, I'd read them for a simpler reason: because she'd stood over me and forced me to. She'd had to watch me at the time and said that being out of school (which I was then) was no excuse for letting my brain go to rot. She'd sit me down at the kitchen table, pour me a glass of milk, stack a few cookies on a napkin, stand behind me or pull up a chair, and read along, line by line, page after page, annoying the crap out of me, cracking the whip and mushing me onward like a Husky into an avalanche, until she trusted that I'd read them on my own. That didn't take long, because it turned out the books were good, really good, and they taught you everything you needed to know about crime, detection, the world, and more—the exact opposite of what I would've been learning in school. Besides, back then I didn't have a damn thing else to do, so why not save myself more headaches and make the old lady happy? The Encyclopedia Brown, Hardy Boys, and Nancy Drew she gave me all bit the big one, but I didn't see the point of throwing that in her face when we talked about what I'd read, which we always did, because more than anything else, that's what she said books were for.

Now she laid her bag on her lap, stooped over it, thrust both hands inside, and began clawing and sifting its contents like a miner panning for gold. I scooted my butt to the edge of the bed, eager for her to cut to the chase. That smile of hers had tipped me off. I'd seen it more times than you could count on an abacus, and it always meant the same thing: she had an idea, something sneaky or secret; she was up to something, and any second I'd be up to something right along with her. That's how she'd always been with me. She knew I got into trouble more often than most people got out of bed, and she usually took a minute or two to remind me all about it when we were alone. But that never stopped her from egging me on, coming up with pranks or stunts I could pull just for the hell of it, convincing me to do them. She told me boys had to have some mischief in them or they might as well wear dresses and party socks and play with dolls, and just because I'd taken a running leap way over the line in fifth grade, it didn't mean I'd lost the right to mix it up and have some fun.

What People are Saying About This

Sean Stewart
"Funny, rude, and tender all at once, HUGE is terrific. Hard-boiled and half-baked, Eugene is a bristling undersized hero for all of us who have felt the furious, desperate need to make life matter, or get splattered trying. My thanks to James Fuerst for the time and care and heart, the playful language and the emotional openness and the honest difficult careful labor, that have made HUGE so fun and fast-paced and a joy to read."--(Sean Stewart, New York Times bestselling author of CATHY'S BOOK and PERFECT CIRCLE)
Ron McLarty
"This is NOT a coming of age novel. This is a rocket ship of adolescence. I loved little Huge. He's 12, small and wiry, speaks like a 1940's private eye and calls his Grandmother 'sweetheart.' A word of advice: don't steal his homemade bike."--(Ron McLarty, New York Times bestselling author of MEMORY OF RUNNING)
Keith Donohue
"An evocative black comedy of manners... Imagine Philip Marlowe as a troubled tweener in suburban New Jersey, add a touch of Thoreau's Walden, and you have Huge Smalls, the protagonist of Fuerst's debut, who effortlessly lures you into his hardboiled imagination and completely dysfunctional life."--(Keith Donohue, New York Times bestselling author of THE STOLEN CHILD)
Alicia Erian
"Huge" Smalls is my new favorite fictional character: hilariously potty-mouthed, but also sweetly innocent (well, mostly, anyway), he is an utterly original creation. Join him on his cruiser as he tries to solve crimes and misdemeanors in his hometown and somehow ends up with the girl of his dreams - I can guarantee you'll enjoy the ride!"--(Alicia Erian, author of the New York Times Notable Book TOWELHEAD)

Meet the Author

JAMES W. FUERST spent his teenage years in New Jersey and now lives in Brooklyn.  He earned his M.A. and Ph.D. from Harvard University and holds an M.F.A from The New School. Huge is his first novel.

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Huge 4.9 out of 5 based on 0 ratings. 8 reviews.
DougG138 More than 1 year ago
Wow, could not put this down. Fortunately stumbled upon it in the store and found myself overwhelmingly curious to find out what each day in this kid's life was going to bring. Hoping the author writes more.
BadIggly More than 1 year ago
Huge written by James W. Fuerest is a hilarious mystery novel. Huge is a surprising and funny story. In the story Eugene makes a comment on every page which will make you cry in laughter. Huge is surprising because the story has numerous villains and you will never guess which one is the culprit. Huge is set in New Jersey during the late 1990's. The main character of Huge has many conflicts in the story. The major conflict in the story is that the young detective Eugene "Huge" Smalls is paid by his grandmother to find out who vandalized the sign of the retirement home. Eugene goes suspect to suspect to understand the case. Fist, Eugene goes to Darren "Big D" and finds out the person who vandalized the retirement home is not a professional tagger. Second Eugene's sister Neecey, reveals that the town's rich jock Razor, has been using steroids and his mind hasn't been working lately. Lastly, Eugene and Stacy (Eugene's crush) have a talk which lets Eugene find out Razor has been forcing someone to steel money from the retirement home to pay for his steroids. With this information Eugene realizes who the true culprit is. The author uses a lot of personification on Eugene's only friend who is a stuffed animal named Trash. For the first two chapters people who would read this story think Trash was a real people. The author used phrases like "Thrash gave me the look" and "Thrash was getting restless and impatient." Trash's identity is revealed in the third chapter when Darren asks Eugene "Why do you have a teenage mutant ninja turtle in your backpack?"(Darren doesn't realize Trash is a frog.). I would recommend Huge to anyone who likes mysteries or a good joke. You'll get a lot of laughs while trying to solve a brain boggling case.
lcr More than 1 year ago
Huge is a great character. Original and enjoyable.
Gracie_L More than 1 year ago
What a fabulous book! I loved the writing style and the 12-year-old perspective on life. The things that Huge encouters and deals with is funny, comical and something I think we all can relate to. It is a book for readers of all ages. I would recommend this to almost anyone!
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Anonymous More than 1 year ago
i bought this after seeing the review in people mag. i'm only half way through but am really enjoying this. the characters and writing style are great.