I Am Legend (and Other Stories)

I Am Legend (and Other Stories)

by Richard Matheson

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Robert Neville may well be the last living man on Earth . . . but he is not alone.

An incurable plague has mutated every other man, woman, and child into bloodthirsty, nocturnal creatures who are determined to destroy him.

By day, he is a hunter, stalking the infected monstrosities through the abandoned ruins of civilization. By night, he barricades himself in his home and prays for dawn....

Product Details

ISBN-13: 9780765357151
Publisher: Tom Doherty Associates
Publication date: 10/30/2007
Edition description: Reprint
Pages: 320
Sales rank: 33,135
Product dimensions: 6.74(w) x 4.32(h) x 0.84(d)
Age Range: 14 - 18 Years

About the Author

Richard Matheson (1926-2013) was The New York Times bestselling author of I Am Legend, Hell House, Somewhere in Time, The Incredible Shrinking Man, Now You See It…, and What Dreams May Come, among others. He was named a Grand Master of Horror by the World Horror Convention, and received the Bram Stoker Award for Lifetime Achievement. He has also won the Edgar, the Spur, and the Writer's Guild awards. In 2010, he was inducted into the Science Fiction Hall of Fame. In addition to his novels Matheson wrote several screenplays for movies and TV, including several Twilight Zone episodes.

Read an Excerpt

I Am Legend

By Matheson, Richard

Orb Books

Copyright © 1997 Matheson, Richard
All right reserved.

PART ONE: January 1976
On those cloudy days, Robert Neville was never sure when sunset came, and sometimes they were in the streets before he could get back.
If he had been more analytical, he might have calculated the approximate time of their arrival; but he still used the lifetime habit of judging nightfall by the sky, and on cloudy days that method didn't work. That was why he chose to stay near the house on those days.
He walked around the house in the dull gray of afternoon, a cigarette dangling from the corner of his mouth, trailing threadlike smoke over his shoulder. He checked each window to see if any of the boards had been loosened. After violent attacks, the planks were often split or partially pried off, and he had to replace them completely; a job he hated. Today only one plank was loose. Isn't that amazing? he thought.
In the back yard he checked the hothouse and the water tank. Sometimes the structure around the tank might be weakened or its rain catchers bent or broken off. Sometimes they would lob rocks over the high fence around the hothouse, and occasionally they would tear through the overhead net and he'd have to replace panes.
Both the tank and the hothouse were undamaged today.
He went to the house for a hammer and nails. As he pushed open the front door, he looked at the distorted reflection of himself in the cracked mirror he'dfastened to the door a month ago. In a few days, jagged pieces of the silver-backed glass would start to fall off. Let 'em fall, he thought. It was the last damned mirror he'd put there; it wasn't worth it. He'd put garlic there instead. Garlic always worked.
He passed slowly through the dim silence of the living room, turned left into the small hallway, and left again into his bedroom.
Once the room had been warmly decorated, but that was in another time. Now it was a room entirely functional, and since Neville's bed and bureau took up so little space, he had converted one side of the room into a shop.
A long bench covered almost an entire wall, on its hardwood top a heavy band saw, a wood lathe, an emery wheel, and a vise. Above it, on the wall, were haphazard racks of the tools that Robert Neville used.
He took a hammer from the bench and picked out a few nails from one of the disordered bins. Then he went back outside and nailed the plank fast to the shutter. The unused nails he threw into the rubble next door.
For a while he stood on the front lawn looking up and down the silent length of Cimarron Street. He was a tall man, thirty-six, born of English-German stock, his features undistinguished except for the long, determined mouth and the bright blue of his eyes, which moved now over the charred ruins of the houses on each side of his. He'd burned them down to prevent them from jumping on his roof from the adjacent ones.
After a few minutes he took a long, slow breath and went back into the house. He tossed the hammer on the living-room couch, then lit another cigarette and had his midmorning drink.
Later he forced himself into the kitchen to grind up the five-day accumulation of garbage in the sink. He knew he should burn up the paper plates and utensils too, and dust the furniture and wash out the sinks and the bathtub and toilet, and change the sheets and pillowcase on his bed; but he didn't feel like it.
For he was a man and he was alone and these things had no importance to him.
* * *
It was almost noon. Robert Neville was in his hothouse collecting a basketful of garlic.
In the beginning it had made him sick to smell garlic in such quantity; his stomach had been in a state of constant turmoil. Now the smell was in his house and in his clothes, and sometimes he thought it was even in his flesh. He hardly noticed it at all.
When he had enough bulbs, he went back to the house and dumped them on the drainboard of the sink. As he flicked the wall switch, the light flickered, then flared into normal brilliance. A disgusted hiss passed his clenched teeth. The generator was at it again. He'd have to get out that damned manual again and check the wiring. And, if it were too much trouble to repair, he'd have to install a new generator.
Angrily he jerked a high-legged stool to the sink, got a knife, and sat down with an exhausted grunt.
First, he separated the bulbs into the small, sickle-shaped cloves. Then he cut each pink, leathery clove in half, exposing the fleshy center buds. The air thickened with the musky, pungent odor. When it got too oppressive, he snapped on the air-conditioning unit and suction drew away the worst of it.
Now he reached over and took an icepick from its wall rack. He punched holes in each clove half, then strung them all together with wire until he had about twenty-five necklaces.
In the beginning he had hung these necklaces over the windows. But from a distance they'd thrown rocks until he'd been forced to cover the broken panes with plywood scraps. Finally one day he'd torn off the plywood and nailed up even rows of planks instead. It had made the house a gloomy sepulcher, but it was better than having rocks come flying into his rooms in a shower of splintered glass. And, once he had installed the three air-conditioning units, it wasn't too bad. A man could get used to anything if he had to.
When he was finished stringing the garlic cloves, he went outside and nailed them over the window boarding, taking down the old strings, which had lost most of their potent smell.
He had to go through this process twice a week. Until he found something better, it was his first line of defense.
Defense? he often thought. For what?
All afternoon he made stakes.
He lathed them out of thick doweling, band-sawed into nineinch lengths. These he held against the whirling emery stone until they were as sharp as daggers.
It was tiresome, monotonous work, and it filled the air with hotsmelling wood dust that settled in his pores and got into his lungs and made him cough.
Yet he never seemed to get ahead. No matter how many stakes he made, they were gone in no time at all. Doweling was getting harder to find, too. Eventually he'd have to lathe down rectangular lengths of wood. Won't that be fun? he thought irritably.
It was all very depressing and it made him resolve to find a better method of disposal. But how could he find it when they never gave him a chance to slow down and think?
As he lathed, he listened to records over the loudspeaker he'd set up in the bedroom--Beethoven's Third, Seventh, and Ninth symphonies. He was glad he'd learned early in life, from his mother, to appreciate this kind of music. It helped to fill the terrible void of hours.
From four o'clock on, his gaze kept shifting to the clock on the wall. He worked in silence, lips pressed into a hard line, a cigarette in the corner of his mouth, his eyes staring at the bit as it gnawed away the wood and sent floury dust filtering down to the floor.
Four-fifteen. Four-thirty. It was a quarter to five.
In another hour they'd be at the house again, the filthy bastards. As soon as the light was gone.
* * *
He stood before the giant freezer, selecting his supper. His jaded eyes moved over the stacks of meats down to the frozen vegetables, down to the breads and pastries, the fruits and ice cream.
He picked out two lamb chops, string beans, and a small box of orange sherbet. He picked the boxes from the freezer and pushed shut the door with his elbow.
Next he moved over to the uneven stacks of cans piled to the ceiling. He took down a can of tomato juice, then left the room that had once belonged to Kathy and now belonged to his stomach.
He moved slowly across the living room, looking at the mural that covered the back wall. It showed a cliff edge, sheering off to greenblue ocean that surged and broke over black rocks. Far up in the clear blue sky, white sea gulls floated on the wind, and over on the right a gnarled tree hung over the precipice, its dark branches etched against the sky.
Neville walked into the kitchen and dumped the groceries on the table, his eyes moving to the clock. Twenty minutes to six. Soon now.
He poured a little water into a small pan and clanked it down on a stove burner. Next he thawed out the chops and put them under the broiler. By this time the water was boiling and he dropped in the frozen string beans and covered them, thinking that it was probably the electric stove that was milking the generator.
At the table he sliced himself two pieces of bread and poured himself a glass of tomato juice. He sat down and looked at the red second hand as it swept slowly around the clock face. The bastards ought to be here soon.
After he'd finished his tomato juice, he walked to the front door and went out onto the porch. He stepped off onto the lawn and walked down to the sidewalk.
The sky was darkening and it was getting chilly. He looked up and down Cimarron Street, the cool breeze ruffling his blond hair. That's what was wrong with these cloudy days; you never knew when they were coming.
Oh, well, at least they were better than those damned dust storms. With a shrug, he moved back across the lawn and into the house, locking and bolting the door behind him, sliding the thick bar into place. Then he went back into the kitchen, turned his chops, and switched off the heat under the string beans.
He was putting the food on his plate when he stopped and his eyes moved quickly to the clock. Six-twenty-five today. Ben Cortman was shouting.
"Come out, Neville!"
Robert Neville sat down with a sigh and began to eat.
* * *
He sat in the living room, trying to read. He'd made himself a whisky and soda at his small bar and he held the cold glass as he read a physiology text. From the speaker over the hallway door, the music of Schönberg was playing loudly.
Not loudly enough, though. He still heard them outside, their murmuring and their walkings about and their cries, their snarling and fighting among themselves. Once in a while a rock or brick thudded off the house. Sometimes a dog barked.
And they were all there for the same thing.
Robert Neville closed his eyes a moment and held his lips in a tight line. Then he opened his eyes and lit another cigarette, letting the smoke go deep into his lungs.
He wished he'd had time to soundproof the house. It wouldn't be so bad if it weren't that he had to listen to them. Even after five months, it got on his nerves.
He never looked at them any more. In the beginning he'd made a peephole in the front window and watched them. But then the women had seen him and had started striking vile postures in order to entice him out of the house. He didn't want to look at that.
He put down his book and stared bleakly at the rug, hearing Verklärte Nacht play over the loud-speaker. He knew he could put plugs in his ears to shut off the sound of them, but that would shut off the music too, and he didn't want to feel that they were forcing him into a shell.
He closed his eyes again. It was the women who made it so difficult, he thought, the women posing like lewd puppets in the night on the possibility that he'd see them and decide to come out.
A shudder ran through him. Every night it was the same. He'd be reading and listening to music. Then he'd start to think about sound-proofing the house, then he'd think about the women.
Deep in his body, the knotting heat began again, and he pressed his lips together until they were white. He knew the feeling well and it enraged him that he couldn't combat it. It grew and grew until he couldn't sit still any more. Then he'd get up and pace the floor, fists bloodless at his sides. Maybe he'd set up the movie projector or eat something or have too much to drink or turn the music up so loud it hurt his ears. He had to do something when it got really bad.
He felt the muscles of his abdomen closing in like tightening coils. He picked up the book and tried to read, his lips forming each word slowly and painfully.
But in a moment the book was on his lap again. He looked at the bookcase across from him. All the knowledge in those books couldn't put out the fires in him; all the words of centuries couldn't end the wordless, mindless craving of his flesh.
The realization made him sick. It was an insult to a man. All right, it was a natural drive, but there was no outlet for it any more. They'd forced celibacy on him; he'd have to live with it. You have a mind, don't you? he asked himself. Well, use it!
He reached over and turned the music still louder, then forced himself to read a whole page without pause. He read about blood cells being forced through membranes, about pale lymph carrying the wastes through tubes blocked by lymph nodes, about lymphocytes and phagocytic cells.
"...to empty, in the left shoulder region, near the thorax, into a large vein of the blood circulating system."
The book shut with a thud.
Why didn't they leave him alone? Did they think they could all have him? Were they so stupid they thought that? Why did they keep coming every night? After five months, you'd think they'd give up and try elsewhere.
He went over to the bar and made himself another drink. As he turned back to his chair he heard stones rattling down across the roof and landing with thuds in the shrubbery beside the house. Above the noises, he heard Ben Cortman shout as he always shouted.
"Come out, Neville!"
Someday I'll get that bastard, he thought as he took a big swallow of the bitter drink. Someday I'll knock a stake right through his goddamn chest. I'll make one a foot long for him, a special one with ribbons on it, the bastard.
Tomorrow. Tomorrow he'd soundproof the house. His fingers drew into white-knuckled fists. He couldn't stand thinking about those women. If he didn't hear them, maybe he wouldn't think about them. Tomorrow. Tomorrow.
The music ended and he took a stack of records off the turntable and slid them back into their cardboard envelopes. Now he could hear them even more clearly outside. He reached for the first new record he could get and put it on the turntable and twisted the volume up to its highest point.
"The Year of the Plague," by Roger Leie, filled his ears. Violins scraped and whined, tympani thudded like the beats of a dying heart, flutes played weird, atonal melodies.
With a stiffening of rage, he wrenched up the record and snapped it over his right knee. He'd meant to break it long ago. He walked on rigid legs to the kitchen and flung the pieces into the trash box. Then he stood in the dark kitchen, eyes tightly shut, teeth clenched, hands clamped over his ears. Leave me alone, leave me alone, leave me alone!
No use, you couldn't beat them at night. No use trying; it was their special time. He was acting very stupidly, trying to beat them. Should he watch a movie? No, he didn't feel like setting up the projector. He'd go to bed and put the plugs in his ears. It was what he ended up doing every night, anyway.
Quickly, trying not to think at all, he went to the bedroom and undressed. He put on pajama bottoms and went into the bathroom. He never wore pajama tops; it was a habit he'd acquired in Panama during the war.
As he washed, he looked into the mirror at his broad chest, at the dark hair swirling around the nipples and down the center line of his chest. He looked at the ornate cross he'd had tattooed on his chest one night in Panama when he'd been drunk. What a fool I was in those days! he thought. Well, maybe that cross had saved his life.
He brushed his teeth carefully and used dental floss. He tried to take good care of his teeth because he was his own dentist now. Some things could go to pot, but not his health, he thought. Then why don't you stop pouring alcohol into yourself? he thought. Why don't you shut the hell up? he thought.
Now he went through the house, turning out lights. For a few minutes he looked at the mural and tried to believe it was really the ocean. But how could he believe it with all the bumpings and the scrapings, the howlings and snarlings and cries in the night?
He turned off the living-room lamp and went into the bedroom.
He made a sound of disgust when he saw that sawdust covered the bed. He brushed it off with snapping hand strokes, thinking that he'd better build a partition between the shop and the sleeping portion of the room. Better do this and better do that, he thought morosely. There were so many damned things to do, he'd never get to the real problem.
He jammed in his earplugs and a great silence engulfed him. He turned off the light and crawled in between the sheets. He looked at the radium-faced clock and saw that it was only a few minutes past ten. Just as well, he thought. This way I'll get an early start.
He lay there on the bed and took deep breaths of the darkness, hoping for sleep. But the silence didn't really help. He could still see them out there, the white-faced men prowling around his house, looking ceaselessly for a way to get in at him. Some of them, probably, crouching on their haunches like dogs, eyes glittering at the house, teeth slowly grating together; back and forth, back and forth.
And the women...
Did he have to start thinking about them again? He tossed over on his stomach with a curse and pressed his face into the hot pillow. He lay there, breathing heavily, body writhing slightly on the sheet. Let the morning come. His mind spoke the words it spoke every night. Dear God, let the morning come.
He dreamed about Virginia and he cried out in his sleep and his fingers gripped the sheets like frenzied talons.


Excerpted from I Am Legend by Matheson, Richard Copyright © 1997 by Matheson, Richard. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

I am Legend11
Buried Talents171
The Near Departed179
Witch War196
Dance of the Dead203
Dress of White Silk221
Mad House226
The Funeral261
From Shadowed Places270
Person to Person294

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I Am Legend (and Other Stories) 4.1 out of 5 based on 0 ratings. 441 reviews.
Anonymous More than 1 year ago
After seeing the movie, I wanted to know more, so I picked up the book. I discovered this is actually a short story & was totally different than the movie.
Like a lot of books, the story starts out in the present. However, Matheson did not delve into the past's details & when he did, it wasn't quite the chronology I was expecting, which sets this novel apart. Also, I think Matheson portrayed the main character wonderfully! I love that he was so rough & flawed, but this also made the character more real to me. I also enjoyed the sporadic dialogue the main character had with HIMSELF. The dialogue kept the book from being monotonous. Thought-provoking read with enough emotional & scientific-based depth to keep me interested. Not a disappointment.
harstan More than 1 year ago
In 1976, the pandemic plague devastated the earth. Most people died while those who survived were biologically altered into nocturnal blood drinking in-humans. That is everyone except for one remaining purebred Robert Neville never changed as he apparently was immune to the plague. He is the last surviving Homo sapiens, but the converted see him as being different as the monster tied to the dead legendary past who must die. He endures his ordeal through alcohol, but his loneliness is driving him insane as each night he considers giving up until he meets his first non vampire friend since the disease, a dog fearful of him.-------------- This book actually contains a reprint of the 1954 classic novella I AM LEGEND in conjunction with an upcoming movie (note that Vincent Price starred in the 1960s film The Last Man on Earth based on this tale) and ten short stories that are entertaining and well written, but feel like padding to almost double the size of the book. Readers will understand why some of the great horror writers like Stephen King consider this novella one of the best ever as it crosses science fiction with horror yet holds up well because the bottom line is this is a character study of the human need for companionship as well as a Frankenstein like question as to just who is the monster?------------- Harriet Klausner
Vivian_Metzger More than 1 year ago
There were some things I really loved about I Am Legend. First, it is number one on my list for most scientific books about vampires I have ever read. I was surprised to see the book was very different from the Will Smith movie, but I loved this version too. The thing I liked most about the novel (especially compared to the movie) was the ending. The events of the ending portion of I Am Legend really came out of left field for me. I wasn't expecting what happened, at all. It is very much the most important part of the novel. It leaves us with a message, questioning what we have known and what we believe. I thought it was poignant and powerful, and it certainly left me thinking. A superb book, filled with such powerful emotions when pondering the existence of humans. Yes, this book is Legend.
steelyshan More than 1 year ago
As an avid horror fan and zombie junkie, I totally loved this book. I was at first disappointed by the fact that it was really nothing like the Will Smith movie that was TOTALLY AWESOME! This book is just as great and has a deep insight into the human psyche and what truley being alone could do to it. There was a little bit of everything in this book and at times I found myself terrified, laughing, and even shedding a tear. I highly recommend this book to horror/zombie fans and anyone who likes a good psychological journey as well.
Anonymous More than 1 year ago
A lone survivor by the name of Robert Neville lives in present day New York, New York. As Robert Neville survives by himself in New York for the last couple of years. He is trying to find a cure for a plague that had killed everyone and turned them into almost vampire creatures. Every single day is a struggle as he tries to survive against these creatures. As the book goes on his life becomes more and more uncontrollable and he himself starts losing his mind. There are many books for people who enjoy action. Some which include some of Stephen Kings writings and many others. My favorite character out of the book would probably be the main character Robert Neville only because everything he goes through in the whole book. Secondly he thinks everything out throughout all of his research and just thinking about it. So as Robert goes on everyday and struggles through his life and as you read on you will find out what happens to Robert himself. So I challenge you to go to your local library or get the book online and read his life. Read his legend. I would recommend this book to others who love and enjoy action.
Anonymous More than 1 year ago
One of the best vampire novels. One of the best apocalyptic stories. One of the best horror/sci-fi writers ever. He is Legend.
Anonymous More than 1 year ago
First off, I am Legend the movie is my favorite movie. I waited four years to read the book, and am pleasantly surprised. Matheson obviously put a lot of research and thought into this novel, and it shows. If you liked the movie, you need to read the story as well! They are very different though, like most movies and books of the same title.
Adams1369 More than 1 year ago
So much better than the movie. Hollywood just can't do anything justice anymore.
modestindecisiv More than 1 year ago
I first watched the movie, I am Legend with Will Smith. After reading the book, I am now disappointed in the movie. For those who liked the movie, I will warn that the book is much different...but for the better. I enjoyed the little twist at the end of the book. I found I am Legend to be thrilling, frightening, and nicely written. I found it amusing at times, frightening at times, and intelligently written. Richard Matheson is a famous horror story writer and his stories are great. The main character is easy to relate to and the ending is perfect. I recommend this book to people who love horror books and those who enjoyed watching the movie. Warning: if you liked the movie before and read this, you might be disappointed int he movie afterward (I was). It's an easy read and entertaining. There are also a few short stories in the back of this edition. Some I really liked and other were okay. This book will be in my permanent library.
Anonymous 3 months ago
Quite different than the movie, but in a good way. More sophisticated in some ways. A classic for anyone into apocalyptic-type books.
Anonymous 5 months ago
The movie adaption wa very good, but the book was better
Anonymous 9 months ago
Anonymous More than 1 year ago
A good read. Writing flows like I like it. Not to heady. Was wishing it was longer. Would recommend.
edcsdc More than 1 year ago
4.5 stars. I liked this better than the movie. That being said, the book and the movie are so far removed from one another I don't even consider them the same story. It was interesting to see inside the mind of Robert Neville and all that he lives through, physically and mentally. The ending left him better off than I expected.
lmonch on LibraryThing More than 1 year ago
Interesting and disturbing. Audio.
blockbuster1994 on LibraryThing More than 1 year ago
Richard Matheson had me from the opening paragraph. Creating a novel with only one main character, Robert Neville, who, alone all the time, simply trying to survive, is no easy feat. But there were the select vampires appearing on a daily basis at Neville's house calling for him to come out, as well as the "living dead" hybrids that eventually dominated the fallen society. I enjoyed the frankness of the story when it regressed to the time when Neville's wife and daughter still alive and struggling to live as the plague gained momentum. I also loved the dog that briefly shared Neville's world. And even though I don't appreciate music, I could feel what it meant to NevilleIt was too soon for me when the novel ended abruptly, although it was the perfect ending. I kind of thought that I will continue in this journey with Neville--although the atmosphere was bleak and dark, there still remained hope. I still miss Neville two days after finishing the story.
pjackson on LibraryThing More than 1 year ago
I Am Legend is a thrilling tale of true horror. That horror is the possibility that you are the only person left in the world. This tests your sanity and your mental discipline. Robert Neville found himself in this very situation after a plague sweeps the world, turning people into a vampire/zombie like creature. He was immune due to circumstances he was not to sure about. He is faced with this question, why should I live. For the majority of the novel we see his struggle to keep his sanity and cope with the loss of his family and world. Matheson does an excellent job of constructing a very intense book. Yet still having the ability to slow down and build the characters of the novel. The book at times had my heart racing, the pacing is that well done. At one point in the novel Neville finds himself out after dark and has to get home. A life or death situation commences and he franticly has to think on his feet and find a way to get all the vampires away from his house. He cunningly tricks the vampires and barely escapes with his life. Moments like this really get you going and wanting to find out what happens next. But besides the action portions of the book there is a plot all of its own. His sanity and how he comes to terms with it is at times the most threatening presence to his life. He experiences depression on many occasions and was an alcoholic of sorts for some time. He was on the verge of throwing himself to the vampires at one point. All these caused by the loss of his family and world. While your reading the novel you are lead to feel very sorry for him. You wish you could reach into the book and help him. But he does find hope. As he comes to grips with his situation he starts to think more methodically. He sets out on a journey to find the cause and cure of the disease. He dives deeper and deeper into the whole of knowledge to find the answers. This is what kept him alive and sane. You see what he has to go through each day and how difficulty it is. This only adds to his character. I would recommend this novel 100%. The story, characters, plot and ending are all top notch. If you like sci-fi, vampires, zombies, or just horror in general you will love this book. It is easily one of the best vampire stories since Dracula.
kainlane on LibraryThing More than 1 year ago
I listened to this book not having watched the movie, and boy am I glad I did. This book is a phenomenal view into the loneliness of the last survivor of humanity. A massive plague has hit the world (or at least southern California) taking not only Robert Neville's wife and child, but the rest of the world. He holes himself up in his house, protecting it from the vampires with garlic, crosses, and planks over the windows. He only goes out in the day, and even then only when there is no cloud cover, so that he can be home in time for dark, when the vampires attack his house. He eventually gets extreme cabin fever, driving him to drink and going mad. He tries to cope by looking into the cause of the disease when he really just wants some kind of companionship. He at one point obsesses over trying to catch a surviving, though feral, dog. I really felt sorry for Robert Neville. I don't want to give away any more of the plot, though that is really secondary to this character driven story.It's rather short, only 5 1/2 hours in the audio version, which is probably a good thing. The voice actor is exceptional, with a small variety of character voices and really acts out the scenes. I highly recommend the audio version, but I am also going to have to read the novel myself as well. The only reason this isn't a full five stars is that some of the dialogue could have been improved, though not by much. I really enjoyed this book and will definitely be reading it again many times in the future.
belinda175 on LibraryThing More than 1 year ago
I just got around to reading this book and it was excellent. I'm especially glad that I didn't watch the movie.
Magus_Manders on LibraryThing More than 1 year ago
I first picked up this volume at a school book sale somewhere in Jr. high school, about 6 or 7 years ago. I remember being very engrossed in it, but somehow put it down very close to the end and never picking it back up, but always remembered that I loved it. Well, with the new movie coming out, I wanted to give it another go, more for my own verification than anything, though I see they've done a bit of revisionism even from the trailers. This is clearly a work of the 1950's sci-fi/horror era (1954, actually) just in the tone and wording that defines many authors of the time. On occasions, it's not difficult to see why these genres were once looked down upon, for there are times when it seems that Matheson neglected to proofread, on account of some awkward sentences and word repetition. He also uses one of the big tropes of the Cold War era, rather subtly and tastefully I might add, though I won't get into that. The novel weighs in at just under 160 pages, but each one of those pages is filled and metered out to the point that you will not put it down (I think mine has a couple of food and toothpaste stains, and that's just from this morning). We follow Robert Neville through every stage of his emotional journey being a survivor on a planetary scale. Matheson really captures the hopelessness, the emptiness, and the monotony of being alone and the ways that one copes. At times it can get rather maudlin, but he doesn't dwell on it too much (a lesson Anne Rice could stand to learn). I don't know how the new film handles it, but the ending of this book (and the 1968 Vincent Price adaptation The Last Man on Earth which I heartily recommend) will kick you in the teeth... in the best possible way of course.The second half of this particular volume features about half-a-dozen of Matheson's short stories, which I fear I haven't gotten into yet. However, if they're anything like this seminal novel, they are surely edge-of-your-seat spine-tingglers, if you pardon the cliche.
worldsedge on LibraryThing More than 1 year ago
It had been years since I last read this work, and I'm surprised how well it has held up. Very entertaining, whether as a work of horror or of science fiction. Robert Neville flat out works as a man alone surrounded by Matheson's variant of vampires. The vampire novels of today are garbage by comparison.Robert Neville, Ben Cortman, Ruth, so few named characters, yet it worked so well.
soulbyte on LibraryThing More than 1 year ago
I really enjoyed the film, but tonnes of people banged on about how it wasn't like the book blah blah, so obviously had to read it. Great book, totally different to the film, the end was more in line with the title, and it was pretty creepy. Robert Neville is more the anti-hero in the book, and there are times when you want to shout at him to stop being so pathetic - which is of course just the time he does stop. The 'vampires' in the book are much more human, they have character and are not as one dimensional as those in the film - especially Ben Cortman! I felt like the end was a little sudden, and much more could have been done - it made sense, but didn't ring true. If anyone else has views on the very end, please let me know.
thekoolaidmom on LibraryThing More than 1 year ago
Stephen King said "I Am Legend" was one of the books that inspired him, and you can see that when you read this book. I happened to be reading "Skeleton Crew" at the same time as this book, which gave me a unique opportunity to compare. I thought this book was much better than S.C., though, because most of the stories in "Legend" can stand alone. I loved this book. I did not know it was a collection of short stories, though. I had seen the movie and loved it, then found out that it had been inspired by the Richard Matheson book. The two stories, book and movie, are as different as grass and concrete. The only similarities are: They have the same title, Robert Neville is the name of the main character, both stories are set in a post-global disaster America, and both end with the sentence, "I am legend." The movie was about Neville the scientist, staying behind because of duty and trying to find a cure of the genetic mutation causing people to be "darkstalkers." In the book, Neville is the lone survivor because of freak luck, and studies the bacteria he names vampiris mostly to learn how better to kill the vampiric survivors. Occasionally he tosses around the idea of "finding a cure," but he doesn't really care.Of the remaining short stories, The Near Departed, a short funny, Prey, a fetish doll with a trapped spirit of a hunter tries to kill the owner, Dress of White Silk, supernatural tale of a little girl obsessively loves her dead mother and defends her honor, The Funeral, shocking, supernatural, and funny story of literary monsters (i.e. Ygor, Count Dracula, a werewolf, a witch) visit a local funeral home for a "proper" send-off, and From Shadowed Places, a man dying from a curse of an african witch doctor he offended and the woman who cures him, are all great.A second story from this book was also made into a movie. Much lesser known than Legend, and starring Robert Englund, aka Freddy Kruger, the story Dance of the Dead is a post-apocolyptic world with "survivors" from germ warfare, called loopies which is slang for L.U.P.s, Lifeless Undead Phenomenon... zombies, in effect. The story is of four friends going to a club where a loopy is presented as "dancing" to music. It's creepy, and it's unclear what happens at the end.Only one story wasn't worth reading, Buried Talents, I never got the point to the story.
BillyM8 on LibraryThing More than 1 year ago
The book is really good tell Robert meets ruth and then i started to stop reading it. I would like to see more of the book in the moive to.
erinclark on LibraryThing More than 1 year ago
Now I know where the title came from. Enjoyable read but I felt sometimes the science biology stuff bogged down the pace of the story. Still, it kept my interest and a has a credible ending.