From the New York Times and international bestselling author of Sometimes I Lie comes a brand new, highly anticipated, dark and twisted thriller: I Know Who You Are.
Meet Aimee Sinclair: the actress everyone thinks they know but can’t remember where from.
Except one person.
Someone knows Aimee very well.
They know who she is and they know what she did.
When Aimee comes home and discovers her husband is missing, she doesn’t seem to know what to do or how to act. The police think she’s hiding something and they’re right, she isbut perhaps not what they thought. Aimee has a secret she’s never shared, and yet, she suspects that someone knows. As she struggles to keep her career and sanity intact, her past comes back to haunt her in ways more dangerous than she could have ever imagined.
In I Know Who You Are, Alice Feeney proves that she is a master of brilliantly complicated plots and killer twists that will keep you guessing until the final page.
|Product dimensions:||6.30(w) x 9.00(h) x 1.30(d)|
About the Author
ALICE FEENEY is a writer and journalist. She spent fifteen years with BBC News where she worked as a reporter, news editor, arts and entertainment producer, and One O'Clock news producer. Alice has lived in London and Sydney and has now settled in the Surrey countryside, where she lives with her husband and dog. I Know Who You Are is her second novel.
Read an Excerpt
I'm that girl you think you know, but you can't remember where from.
Lying is what I do for a living. It's what I'm best at; becoming somebody else. The eyes are the only part of me I still recognize in the mirror, staring out beneath the made-up face of a made-up person. Another character, another story, another lie. I look away, ready to leave her behind for the night, stopping briefly to stare at what is written on the dressing room door:
My name, not his. I never changed it.
Perhaps because, deep down, I always knew that our marriage would only last until life did us part. I remind myself that my name only defines me if I allow it to. It is merely a collection of letters, arranged in a certain order; little more than a parent's wish, a label, a lie. Sometimes I long to rearrange those letters into something else. Someone else. A new name for a new me. The me I became when nobody else was looking.
Knowing a person's name is not the same as knowing a person.
I think we broke us last night.
Sometimes it's the people who love us the most that hurt us the hardest; because they can.
He hurt me.
We've made a bad habit of hurting each other; things have to be broken in order to fix them.
I hurt him back.
I check that I've remembered to put my latest book in my bag, the way other people check for a purse or keys. Time is precious, never spare, and I kill mine by reading on set between filming. Ever since I was a child, I have preferred to inhabit the fictional lives of others, hiding in stories that have happier endings than my own; we are what we read. When I'm sure I haven't forgotten anything, I walk away, back to who and what and where I came from.
Something very bad happened last night.
I've tried so hard to pretend that it didn't, struggled to rearrange the memories, but I can still hear his hate-filled words, still feel his hands around my neck, and still see the expression I've never seen his face wear before.
I can still fix this. I can fix us.
The lies we tell ourselves are always the most dangerous.
It was a fight, that's all. Everybody who has ever loved has also fought.
I walk down the familiar corridors of Pinewood Studios, leaving my dressing room, but not my thoughts or fears too far behind. My steps seem slow and uncertain, as though they are deliberately delaying the act of going home; afraid of what will be waiting there.
I did love him, I still do.
I think it's important to remember that. We weren't always the version of us that we became. Life remodels relationships like the sea reshapes the sand; eroding dunes of love, building banks of hate. I told him it was over last night. I told him that I wanted a divorce, and I told him that I meant it this time.
I didn't. Mean it.
I climb into my Range Rover and drive towards the iconic studio gates, steering towards the inevitable. I fold in on myself a little, hiding the corners of me I'd rather others didn't see, bending my sharp edges out of view. The man in the booth at the exit waves, his face dressed in kindness. I force my face to smile back, before pulling away.
For me, acting has never been about attracting attention or wanting to be seen. I do what I do because I don't know how to do anything else, and because it's the only thing that makes me feel happy. The shy actress is an oxymoron in most people's dictionaries, but that is who and what I am. Not everybody wants to be somebody. Some people just want to be somebody else. Acting is easy; it's being me that I find difficult. I throw up before almost every interview and event. I get physically ill and am crippled with nerves when I have to meet people as myself. But when I step out onto a stage, or in front of a camera, as somebody different, it feels like I can fly.
Nobody understands who I really am, except him.
My husband fell in love with the version of me I was before. My success is relatively recent, and my dreams coming true signaled the start of his nightmares. He tried to be supportive at first, but I was never something he wanted to share. That said, each time my anxiety tore me apart, he stitched me back together again. Which was kind, if also self-serving. In order to get satisfaction from fixing something, you either have to leave it broken for a while first, or break it again yourself.
I drive slowly along the fast London streets, silently rehearsing for real life, catching unwelcome glimpses of my made-up self in the mirror. The thirty-six-year-old woman I see looks angry about being forced to wear a disguise. I am not beautiful, but I'm told I have an interesting face. My eyes are too big for the rest of my features, as though all the things they have seen made them swell out of proportion. My long dark hair has been straightened by expert fingers, not my own, and I'm thin now because the part I'm playing requires me to be so, and because I frequently forget to eat. I forget to eat because a journalist once called me "plump but pretty." I can't remember what she said about my performance.
It was a review of my first film role last year. A part that changed my life, and my husband's, forever. It certainly changed our bank balance, but our love was already overdrawn. He resented my newfound success — it took me away from him — and I think he needed to make me feel small to make himself feel big again. I'm not who he married. I'm more than her now, and I think he wanted less. He's a journalist, successful in his own right, but it's not the same. He thought he was losing me, so he started to hold on too tight, so tight that it hurt.
I think part of me liked it.
I park on the street and allow my feet to lead me up the garden path. I bought the Notting Hill town house because I thought it might fix us while we continued to remortgage our marriage. But money is a Band-Aid, not a cure for broken hearts and promises. I've never felt so trapped by my own wrong turns. I built my prison in the way that people often do, with solid walls made from bricks of guilt and obligation. Walls that seemed to have no doors, but the way out was always there. I just couldn't see it.
I let myself in, turning on the lights in each of the cold, dark, vacant rooms.
"Ben," I call, taking off my coat.
Even the sound of my voice calling his name sounds wrong, fake, foreign.
"I'm home," I say to another empty space. It feels like a lie to describe this as my home; it has never felt like one. A bird never chooses its own cage.
When I can't find my husband downstairs, I head up to our bedroom, every step heavy with dread and doubt. The memories of the night before are a little too loud now that I'm back on the set of our lives. I call his name again, but he still doesn't reply. When I've checked every room, I return to the kitchen, noticing the elaborate bouquet of flowers on the table for the first time. I read the small card attached to them; there's just one word:
Sorry is easier to say than it is to feel. Even easier to write.
I want to rub out what happened to us and go back to the beginning. I want to forget what he did to me and what he made me do. I want to start again, but time is something we ran out of long before we started running from each other. Perhaps if he'd let me have the children I so badly wanted to love, things might have been different.
I retrace my steps back to the lounge and stare at Ben's things on the coffee table: his wallet, keys, and phone. He never goes anywhere without his phone. I pick it up, carefully, as though it might either explode or disintegrate in my fingers. The screen comes to life and reveals a missed call from a number I don't recognize. I want to see more, but when I press the button the phone demands Ben's pass code. I try and fail to guess several times, until it locks me out completely.
I search the house again, but he isn't here. He isn't hiding. This isn't a game.
Back out in the hall, I notice that the coat he always wears is where he left it, and his shoes are still by the front door. I call his name one last time, so loud that the neighbors on the other side of the wall must hear me, but there's still no answer. Maybe he just popped out.
Without his wallet, phone, keys, coat, or shoes?
Denial is the most destructive form of self-harm.
A series of words whisper themselves repeatedly inside my ears:
Vanished. Fled. Departed. Left. Missing. Disappeared.
Then the carousel of words stops spinning, finally settling on the one that fits best. Short and simple, it slots into place, like a piece of a puzzle I didn't know I'd have to solve.
My husband is gone.CHAPTER 2
I wonder where other people go when they turn off the lights at night.
Do they all drift and dream? Or are there some, like me, who wander somewhere dark and cold within themselves, digging around inside the shadows of their blackest thoughts and fears, clawing away at the dirt of memories they wish they could forget? Hoping nobody else can see the place they have sunk down into?
When the race to sleep is beaten by the sound of my alarm, I get up, get washed, get dressed. I do all the things that I would normally do, if this were a normal day. I just can't seem to do them at a normal speed. Every action, every thought, is painfully slow. As though the night were deliberately holding me back from the day to come.
I called the police before I went to bed.
I wasn't sure whether it was the right thing to do, but apparently there is no longer any need to wait twenty-four hours before notifying the police when someone disappears. The word makes it sound like a magic trick, a disappearing act, but I'm the actress, not my husband. The voice of the stranger on the phone was reassuring, even though the words it delivered weren't. One word in particular, which he repeatedly hissed into my ear: missing.
Missing person. Missing husband. Missing memories.
I can remember the exact expression my husband wore the last time I saw his face, but what happened next is a blur at best. Not because I am forgetful, or a drunk — I am neither of those things — but because of what happened afterwards. I close my eyes, but I can still see him, his features twisted with hate. I blink the image away as though it were a piece of grit, a minor irritant, obstructing the view of us I prefer.
What have we done? What did I do? Why did he make me?
The kind policeman I eventually spoke to, once I'd managed to dial the third and final number, took our details and said that someone would be in touch. Then he told me not to worry.
He may as well have told me not to breathe.
I don't know what happens next and I don't like it. I've never been a fan of improvisation; I prefer my life to be scripted, planned, and neatly plotted. Even now, I keep expecting Ben to walk through the door, deliver one of his funny and charming stories to explain it all away, kiss us better. But he doesn't do that. He doesn't do anything. He's gone.
I wish there were someone else I could call, tell, talk to, but there isn't.
My husband gradually reorganized my life when we first met, criticizing my friends and obliterating my trust in all of them, until we were all we had left. He became my moon, constantly circling, controlling my tides of self-doubt, occasionally blocking out the sun altogether, leaving me somewhere dark, where I was afraid and couldn't see what was really going on.
Or pretended not to.
The ties of a love like ours twist themselves into a complicated knot, one that is hard to unravel. People would ask why I stayed with him if they knew the truth, and I'd tell them the truth if they did: because I love us more than I hate him, and because he's the only man I've ever pictured myself having a child with. Despite everything he did to hurt me, that was still all I wanted: for us to have a baby and a chance to start again.
A brand-new version of us.
Refusing to let me become a mother was cruel. Thinking I'd just accept his choices as my own was foolish. But I'm good at pretending. I've made a living out of it. Papering over the cracks doesn't mean they're not there, but life is prettier when you do.
I don't know what to do now.
I'm trying to carry on like normal, but struggling to remember what that is.
I've been running nearly every day for almost ten years, it is something I file away in the slim folder of things I think I am good at, and I enjoy it. I run the same route every single morning; a strict creature of habit. I make myself put on my trainers; shaky fingers struggling to remember how to tie laces they've tied a thousand times before. Then I tell myself that staring at the bare walls isn't going to help anyone or bring him back.
My feet find their familiar rhythm: fast but steady, and I listen to music to disguise the sound track of the city. The adrenaline rush kicks in to dismantle the pain, and I push myself a little harder. I run past the pub on the corner where Ben and I used to go drinking on Friday nights, before we forgot who and how to be with each other. Then I run past the council tower blocks and the millionaires' playground of terraced luxury on the neighboring street; the haves and have-nots side by side, at least in proximity.
Moving to an expensive corner of West London was Ben's idea. I was away in L.A. when we bought the place; fear persuaded me it was the right thing to do. I didn't even step inside before we owned it. When I finally did, the whole house was quite transformed from the photos I had seen online. Ben renovated our new home all by himself; new fixtures and fittings for the brand-new us we thought we could and should be.
As I run around the corner of the street, my eyes find the bookshop. I try not to look, but it's like the scene of an accident and I can't help it. It's where we arranged to meet for our first date. He knew about my love of books, which is why he chose this place. I arrived a little early that night, filled with anticipation and nerves, and browsed the shelves while I waited. Fifteen minutes later, when my date still hadn't turned up, my anxiety levels were peaking.
"Excuse me, are you Aimee?" asked an elderly gentleman with a kind smile.
I felt confused, a little sick, he was nothing like the handsome young man in the profile picture I had seen. I considered saying no and fleeing from the shop.
"Another customer came in earlier; he bought this and asked me to give it to you. He said it was a clue." The man beamed as though this were the most fun he'd had in years. Then he held out a neatly wrapped brown-paper parcel. With the tension removed from the situation, things seemed to fall into place, and I realized this was the owner of the shop, not my date. I thanked him and took what I guessed was a book, grateful when he left me alone to unwrap it. It was one of my childhood favorites: The Secret Garden. It took a while for the penny to drop, but then I remembered that the florist on the corner shared the same name as the book.
The woman in the flower shop grinned as soon as I walked inside, my entrance accompanied by the tinkle of a bell on her door.
When I nodded, she presented me with a bouquet of white roses. There was a note:
Roses are white.
So sorry I'm late.
Can't wait for tonight.
You're my perfect date.
I read it three times, as though trying to translate the words, then noticed the florist still smiling in my direction. People staring at me has always made me feel uncomfortable.
"He said he'd meet you at your favorite restaurant."
I thanked her and left. We didn't have a favorite restaurant, having never eaten out together, so I walked along the high street carrying my book and flowers, enjoying the game. I replayed our email conversations in my mind, and remembered one about food. His preferences had all been so fancy; mine less so. I had regretted telling him my favorite meal and blamed my upbringing.
The man behind the counter at the fish-and-chips shop smiled. I was a regular back then.
"Salt and vinegar?"
He shoveled some chips into a paper cone, then gave them to me, along with a ticket for a film screening later that night. The chips were too hot, and I was too anxious to eat them as I hurried along the road. But as soon as I saw Ben, standing outside the cinema, all my fear seemed to disappear.
I remember our first kiss.
It felt so right. We had a connection I could neither fathom nor explain, and we slotted together as though we were meant to be that way. I smile at the memory of who we were then. That version of us was good. Then I stumble on the uneven pavement outside the cinema, and it brings me back to the present. Its doors are closed. The lights are off. And Ben is gone.
I run a little faster.
I pass the charity shops, wondering if the clothes in the windows were donated in generosity or sorrow. I run past the man pushing a broom along the pavement, sweeping away the litter of other people's lives. Then I run past the Italian restaurant where the waitress recognized me the last time we ate there. I haven't been back since; it feels as if I can't.(Continues…)
Excerpted from "I Know Who You Are"
Copyright © 2019 Diggi Books Ltd..
Excerpted by permission of Flatiron Books.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
I Know Who You Are is the second novel by British journalist and author, Alice Feeney. When actress Aimee Sinclair returns home from the day’s film shoot to find her husband missing, she’s puzzled. True, they argued the previous night, but now he has disappeared, leaving behind everything he would normally take with him: coat, shoes, wallet, phone, keys. Next morning, she discovers that someone, a woman resembling her, withdrew ten thousand pounds and closed the joint bank account she has with Ben, the previous afternoon. DI Alex Croft and her (mostly silent) sidekick, DS Wakely, seem sceptical about everything Aimee tells them from the moment they arrive. Not that she tells them everything: she knows better than to trust the police. But she does remind them of the stalker she has told them about before, who signs her cards with the name of someone that Aimee knows is dead. They are dismissive, but Aimee worries that someone from her past is behind it all. Meanwhile, Aimee tries to get on with life: the final days of the film shoot, the wrap party. She loves acting, especially with Jack Anderson, but doesn’t love the interviews (journalists are not to be trusted), the gossip and some of the other actors. And is her agent avoiding her? Maybe he’s finally realised what a fraud she really is. Feeney’s protagonist is the quintessential unreliable narrator: Aimee states in the first few lines that she tells lies. And the other half of the split-time narrative indicates that Aimee is definitely not who everyone thinks she is. She seems to do a lot of her thinking in metaphors and aphorisms, which becomes an irritating affectation after a while. Some of the characters are exaggerated, almost to caricature level and some parts of the story do require quite a degree of suspension of disbelief. Aimee’s second guessing is unconvincing. But ignoring that and the plot holes, even the most astute reader is unlikely to guess the truth before the big reveal. Undeniably a page-turner. This unbiased review is from an uncorrected proof copy provided by HQ Fiction Australia
very good and hard to put down..........
3.5 Stars It takes me a while to write this review. I was not sure how I feel about this book. Do I like the storyline? Yes, very much. Unreliable characters are the best! But that ending is a complete jaw-dropper. Extremely shocking!! By the time I'm done reading the book, I feel like thousands of tiny bugs crawling under my skins and stays there for days. The bugs are all gone now and I'm starting to get used to the ending although sometimes it still disturbs me. (Hey, it took me a long time to completely accept the fact that Tony Stark is dead!) I KNOW WHO YOU ARE by Alice Fenney follows Aimee, an actress who is having a marital problem at the time that her husband went missing. A few days later, she finds out that her bank account has been emptied out. When the cops retrieve the video from the bank, it shows that the culprit is someone who looks exactly like her. Did she do it? Did she hurt her husband and make him disappear? After all, because of childhood trauma, Aimee suffered from an unusual type of amnesia. The story has a dual timeline. One is written from Aimee's perspective as an adult and the other one is the perspective of Aimee as a child. I like the story from Amy's childhood and how she perceived her unusual experience as a child. Adult Aimee is complicated. There are times that I feel the plot is becoming too chaotic with her rival, her manager and her love life. I would recommend this book to those who enjoy a noir psychological thriller. However, it has some dark and disturbing imagery that is probably difficult to digest for some people. Consider that you have been warned, read at your own risk!
I agree 100% with the review by Valerian. The writing is good and concise. Images are vivid, and the young girl is well-formed in her chapters. But the ending is preposterous - wildly unbelievable and implausible. I expected a twist, but one that fit the story line, not something out of nowhere that is illogical in the extreme.
This novel rotates between two characters. Aimee is an actress who has hit her big break and is now well-known and on her way to stardom. Aimee has been married two years and one day, after a fight, her husband just up and disappears. It looks suspicious. Where is her husband? What happened to him? The other chapters feature a little girl, only 5 years old who wandered away from home. Her real family wasn't all that warm and loving and neither are the new family that basically kidnapped her. Just a sad little girl. This was such a good book. Twists and turns that I didn't see coming. I kept reading to find out what was going on. I wondered where her husband was and what had happened to him. Early on she is suspected of murdering him, which I didn't think she did. Someone was framing her, but I didn't know who. Who can Aimee trust? I wasn't sure. I also wondered what happened to the little girl's original family. What did they think when their little girl disappeared. Did they care? They blamed her for the mom's death, what a lot to put on a little girl who had no control over that. A pretty good page turner with twists.
3.5 Stars This could have been a superb book, a shining example of the genre. Unfortunately, it all goes a little bit off the rails and strays in to territory that is, quite frankly, absurd bordering on the ridiculous. This is a real shame as the author has worked hard to get the reader invested in the characters, to get them as confused by the events as Aimee is and then off we wander in to sensationalism and baffling decisions. The tale does tug itself back in to line for the denouement but barely. What Ms Feeney does startlingly well here are the flashbacks to Aimee's early years, her formative years. Importantly the years where she learned to act, to become someone else to please others. The voice of young Aimee comes through wonderfully in the written word and feels, dare I say it, authentic. The adult Aimee is far more circumspect and cautious, jealously guarding her privacy. The contrast between the two voices works well and even manages to create a bit of tension between the two versions of Aimee we are introduced to. The insecure actress trope did grate on me a little, it is so overused and it did feel a little slapped on; particularly as Aimee is clearly resourceful and tough so to paint the adult as this fragile woman just didn't really work once you get a few chapters in. On top of that you have a red herring stalker that even if you are reading casually you can see through. Couple this with a police investigation that we only really see from Aimee's perspective that is, not to put too fine a point on it, is facile and it can make for a very frustrating read. This is certainly no procedural drama. The bits that work do so very well but there is such a lot of filler that I did become frustrated with Aimee and her adult whiny neediness. Child Aimee is a much more rounded character, pity there is so little of her remaining in the adult. Their are two events that could be described as the "killer twist" one of which invites us to suspend disbelief that she genuinely did not recognise this person from her past, the other loses some of it's impact because it comes after such ridiculousness. Overall I did enjoy the read. However, I would not rush out to buy another book by the author. THIS IS AN HONEST AND UNBIASED REVIEW OF A FREE COPY OF THE BOOK RECEIVED VIA THE PIGEONHOLE.