Imagist Poetry: An Anthology

Imagist Poetry: An Anthology

by Bob Blaisdell

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Many of the 20th century's most important and influential poets rallied under the banner of Imagism, a radical poetic movement that extended the frontiers of English literature. By following a strict set of principles — including direct treatment of the subject, minimal use of adjectives, precision of language, and the development of an individual rhythmic style — the Imagists created dazzling works of gemlike appeal.
This volume contains over 180 well-chosen Imagist masterpieces by Erza Pound, D. H. Lawrence, H. D. (Hilda Doolittle), James Joyce, Wallace Stevens, William Carlos Williams, and other masters. Its roster of lesser-known poets features Richard Aldington, Walter Conrad Arensberg, Skipworth Cannéll, Adelaide Crapsey, John Gould Fletcher, and many others.
Several of these poems appeared first in books by the represented poets and in the very first Imagist anthologies; others were published in such journals as Poetry, The Dial, The Trend, and The Egoist. Carefully chosen for their individual poetic strengths as well as their characteristic illustration of Imagism, these verses represent the very best of thousands of "imagistic" verses published from 1913 to 1922.

Product Details

ISBN-13: 9780486153803
Publisher: Dover Publications
Publication date: 04/02/2012
Series: Dover Thrift Editions
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 176
File size: 647 KB
Age Range: 14 Years

About the Author

Bob Blaisdell is professor of English at the City University of New York's Kingsborough Community College and the editor of twenty-two Dover literature and poetry collections.

Read an Excerpt

Imagist Poetry

An Anthology

By Bob Blaisdell

Dover Publications, Inc.

Copyright © 1999 Dover Publications, Inc.
All rights reserved.
ISBN: 978-0-486-15380-3




    The Poplar

    Why do you always stand there shivering
    Between the white stream and the road?

    The people pass through the dust
    On bicycles, in carts, in motor-cars;
    The waggoners go by at dawn;
    The lovers walk on the grass path at night.

    Stir from your roots, walk, poplar!
    You are more beautiful than they are.

    I know that the white wind loves you,
    Is always kissing you and turning up
    The white lining of your green petticoat.
    The sky darts through you like blue rain,
    And the grey rain drips on your flanks
    And loves you.
    And I have seen the moon
    Slip his silver penny into your pocket
    As you straightened your hair;
    And the white mist curling and hesitating
    Like a bashful lover about your knees.

    I know you, poplar;
    I have watched you since I was ten.
    But if you had a little real love,
    A little strength,
    You would leave your nonchalant idle lovers
    And go walking down the white road
    Behind the waggoners.

    There are beautiful beeches down beyond the hill.
    Will you always stand there shivering?


    A butterfly,
    Black and scarlet,
    Spotted with white,
    Fans its wings
    Over a privet flower.

    A thousand crimson foxgloves,
    Tall bloody pikes,
    Stand motionless in the gravel quarry;
    The wind runs over them.

    A rose film over a pale sky
    Fantastically cut by dark chimneys;
    Candles winking in the windows
    Across an old city-garden.


    The chimneys, rank on rank,
    Cut the clear sky;
    The moon
    With a rag of gauze about her loins
    Poses among them, an awkward Venus—

    And here am I looking wantonly at her
    Over the kitchen sink.


    The ancient songs
    Pass deathward mournfully.

    Cold lips that sing no more, and withered wreaths,
    Regretful eyes, and drooping breasts and wings—

    Symbols of ancient songs
    Mournfully passing
    Down to the great white surges,
    Watched of none
    Save the frail sea-birds
    And the lithe pale girls,
    Daughters of Okeanus.

    And the songs pass
    From the green land
    Which lies upon the waves as a leaf
    On the flowers of hyacinth;
    And they pass from the waters,
    The manifold winds and the dim moon,
    And they come,
    Silently winging through soft Kimmerian dusk,
    To the quiet level lands
    That she keeps for us all,
    That she wrought for us all for sleep
    In the silver days of the earth's dawning—
    Proserpina, daughter of Zeus.

    And we turn from the Kuprian's breasts,
    And we turn from thee,
    Phoibos Apollon,
    And we turn from the music of old
    And the hills that we loved and the meads,
    And we turn from the fiery day,
    And the lips that were over sweet;
    For silently
    Brushing the fields with red-shod feet,
    With purple robe
    Searing the flowers as with a sudden flame,
    Thou hast come upon us.

    And of all the ancient songs
    Passing to the swallow-blue halls
    By the dark streams of Persephone,
    This only remains:
    That we turn to thee,
    That we turn to thee, singing
    One last song.

    O Death,
    Thou art an healing wind
    That blowest over white flowers
    A-tremble with dew;
    Thou art a wind flowing
    Over dark leagues of lonely sea;
    Thou art the dusk and the fragrance;
    Thou art the lips of love mournfully smiling;
    Thou art the pale peace of one
    Satiate with old desires;
    Thou art the silence of beauty,
    And we look no more for the morning
    We yearn no more for the sun,
    Since with thy white hands,
    Thou crownest us with the pallid chaplets,
    The slim colourless poppies
    Which in thy garden alone
    Softly thou gatherest.

    And silently,
    And with slow feet approaching,
    And with bowed head and unlit eyes,
    We kneel before thee:
    And thou, leaning towards us,
    Caressingly layest upon us
    Flowers from thy thin cold hands,
    And, smiling as a chaste woman
    Knowing love in her heart,
    Thou sealest our eyes
    And the illimitable quietude
    Comes gently upon us.

    To a Greek Marble

    White grave goddess,
    Pity my sadness,
    O silence of Paros.

    I am not of these about thy feet,
    These garments and decorum;
    I am thy brother,
    Thy lover of aforetime crying to thee,
    And thou hearest me not.

    I have whispered thee in thy solitudes
    Of our loves in Phrygia,
    The far ecstasy of burning noons
    When the fragile pipes
    Ceased in the cypress shade,
    And the brown fingers of the shepherd
    Moved over slim shoulders;
    And only the cicada sang.

    I have told thee of the hills
    And the lisp of reeds
    And the sun upon thy breasts,

    And thou hearest me not,
    Thou hearest me not.

    Au Vieux Jardin

    I have sat here happy in the gardens,
    Watching the still pool and the reeds
    And the dark clouds
    Which the wind of the upper air
    Tore like the green leafy boughs
    Of the divers-hued trees of late summer;
    But though I greatly delight
    In these and the water lilies,
    That which sets me nighest to weeping
    Is the rose and white colour of the smooth flag-stones,
    And the pale yellow grasses
    Among them.


    Use no more speech now;
    Let the silence spread gold hair above us
    Fold on delicate fold;
    You had the ivory of my life to carve.
    Use no more speech.

* * *

    And Picus of Mirandola is dead;
    And all the gods they dreamed and fabled of,
    Hermes, and Thoth, and Christ, are rotten now,
    Rotten and dank.

* * *

    And through it all I see your pale Greek face;
    Tenderness makes me as eager as a little child
    To love you

    You morsel left half cold on Caesar's plate.

    Beauty Thou Hast Hurt Me Overmuch

    The light is a wound to me.
    The soft notes
    Feed upon the wound.

    Where wert thou born
    O thou woe
    That consumest my life?
    Whither comest thou?

    Toothed wind of the seas,
    No man knows thy beginning.
    As a bird with strong claws
    Thou woundest me,
    O beautiful sorrow.


    O you,
    O you most fair,
    Swayer of reeds, whisperer
    Among the flowering rushes,
    You have hidden your hands
    Beneath the poplar leaves,
    You have given them to the white waters.

    Sea-child cold from waves,
    Slight reed that sang so blithely in the wind,
    White cloud the white sun kissed into the air;
    Pan mourns for you.

    White limbs, white song,
    Pan mourns for you.

    In the Via Sestina

    O daughter of Isis,
    Thou standest beside the wet highway
    Of this decayed Rome,
    A manifest harlot.

    Straight and slim art thou
    As a marble phallus;
    Thy face is the face of Isis

    As she is carven in basalt.
    And my heart stops with awe
    At the presence of the gods,

    There beside thee on the stall of images
    Is the head of Osiris
    Thy lord.

    The River


    I drifted along the river
    Until I moored my boat
    By these crossed trunks.

    Here the mist moves
    Over fragile leaves and rushes,
    Colourless waters and brown fading hills.

    She has come from beneath the trees,
    Moving within the mist,
    A floating leaf.


    O blue flower of the evening,
    You have touched my face
    With your leaves of silver.

    Love me for I must depart.


    The withered bonds are broken.
    The waxed reeds and the double pipe
    Clamour about me;
    The hot wind swirls
    Through the red pine trunks.

    Io! the fauns and the satyrs.
    The touch of their shagged curled fur
    And blunt horns!

    They have wine in heavy craters
    Painted black and red;
    Wine to splash on her white body.
    She shrinks from the cold shower—
    Afraid, afraid!

    Let the Maenads break through the myrtles
    And the boughs of the rohododaphnai.

    Let them tear the quick deers' flesh.
    Ah, the cruel, exquisite fingers!

    I have brought you the brown clusters,
    The ivy-boughs and pine-cones.

    Your breasts are cold sea-ripples,
    But they smell of the warm grasses.

    Throw wide the chiton and the peplum,
    Maidens of the Dew.
    Beautiful are your bodies, O Maenads,
    Beautiful the sudden folds,
    The vanishing curves of the white linen
    About you.

    Hear the rich laughter of the forest,
    The cymbals,
    The trampling of the panisks and the centaurs.

    To Atthis

    (After the Manuscript of Sappho now in Berlin)

    Atthis, far from me and dear Mnasidika,
    Dwells in Sardis;
    Many times she was near us
    So that we lived life well
    Like the far-famed goddess
    Whom above all things music delighted.

    And now she is first among the Lydian women
    As the mighty sun, the rose-fingered moon,
    Beside the great stars.

    And the light fades from the bitter sea
    And in like manner from the rich-blossoming earth;
    And the dew is shed upon the flowers,
    Rose and soft meadow-sweet
    And many-coloured melilote.

    Many things told are remembered of sterile Atthis.
    I yearn to behold thy delicate soul
    To satiate my desire....

    The Faun Sees Snow for the First Time

    Cloud-whirler, son-of-Kronos,
    Send vengeance on these Oreads
    Who strew
    White frozen flecks of mist and cloud
    Over the brown trees and the tufted grass
    Of the meadows, where the stream
    Runs black through shining banks
    Of bluish white.

    Are the halls of heaven broken up
    That you flake down upon me
    Feather-strips of marble?

    Dis and Styx!
    When I stamp my hoof
    The frozen-cloud-specks jam into the cleft
    So that I reel upon two slippery points....

    Fool, to stand here cursing
    When I might be running!

    At the British Museum

    I turn the page and read:
    "I dream of silent verses where the rhyme
    Glides noiseless as an oar."

    The heavy musty air, the black desks,
    The bent heads and the rustling noises
    In the great dome

    The sun hangs in the cobalt-blue sky,
    The boat drifts over the lake shallows,
    The fishes skim like umber shades through the undulating weeds,
    The oleanders drop their rosy petals on the lawns,
    And the swallows dive and swirl and whistle
    About the cleft battlements of Can Grande's castle....


Excerpted from Imagist Poetry by Bob Blaisdell. Copyright © 1999 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Richard Aldington
The Poplar
To A Greek Marble
Au Vieux Jardin
Beauty Thou Hast Hunt Me Overmuch
In the Via Sestina
The River
To Atthis
The Faun Sees Snow for the First Time
At the British Museum
Images (I-VI)
At Nights
Images (I-IV)
Two Impressions
Walter Conrad Arensberg
Voyage à I'Infini
Skipwith Cannéll
Adelaide Crapsey
November Night
The Guarded Wound
The Warning
On Seeing Weather-Beaten Trees
Old Love
Hermes of the Ways
The Pool
The Garden
Fragment XXXVI
At Baia
John Gould Fletcher
"Irradiations, I-IV, X"
The Windmills
Mexican Quarter
Rain in the Desert
Clouds Across the Canyon
The Skaters
F. S. Flint
"London, my beautiful"
"Immortal? . . . No"
"The grass is beneath my head"
The Swan
Ford Madox Hueffer
In the Little Old Market-Place
The Starling
T. E. Hulme
Above the Dock
The Embankment
James Joyce
I Hear an Army
"Silently she's combing"
"O, it was out by Donnycarney"
Alfred Kreymborg
Screen Dance: For Rihani
D. H. Lawrence
Cherry Robbers
Fireflies in the Corn
A Woman and Her Dead Husband
The Mowers
Scent of Irises
In Trouble and Shame
Brooding Grief
Terra Nuova
Service of All the Dead
Gloire de Dijon
Medlars and Sorb-Apples
Amy Lowell
In a Garden
Venus Transiens
The Travelling Bear
A Year Passes
To a Husband
The Emperor's Garden
A Decade
Yone Noguchi
I Have Cast the World
Ezra Pound
The Return
After Ch'u Yuan
Liu Ch'e
Fan-Piece for Her Imperial Lord
The Garret
Dance Figure
Further Instructions
To Ka?òv
The Coming of War: Actaeon
Ts'ai Chi'h
In a Station of the Metro
Image from d'Orleans
The River-Merchant's Wife: A Letter
The Jewel Stairs' Grievance
Exile's Letter
Four Poems of Departure
Separation on the River King
Taking Leave of a Friend
Leave-Taking Near Shoku
The City of Choan
A Ballad of the Mulberry Road
"To-Em-Mei's "The Unmoving Cloud"
Chanson Arabe
Dawn on the Mountain
Wallace Stevens
From a Junk
Home Again
The Silver Plough-Boy
Peter Quince at the Clavier
Sunday Morning
Valley Candle
Thirteen Ways of Looking at a Blackbird
Metaphors of a Magnifico
Architecture for the Adoration of Beauty
Fabliau of Florida
The Load of Sugar-Cane
Hibiscus on the Sleeping Shores
"The Bird with the Coppery, Keen Claws"
"O, Florida, Venereal Soil"
William Carlos Williams
The Young Housewife
The Shadow
Metric Figure
Good Night
Spring Strains
To a Solitary Disciple
Spring Storm
Willow Poem
To Waken an Old Lady
The Thinker
The Disputants
The Tulip Bed
The Widow's Lament in Springtime
The Lonely Street
The Great Figure
The Bull
Alphabetical List of Titles and First Lines

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Imagist Poetry 5 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
Don't be fooled by the price. This is a quality book of 150 pages of Imagist poems. Some of them are so descriptively precise that an oil painter could build a career from transffering the poems to canvas.