In the Land of Grey and Pink is considered by many to be a pinnacle release from
Caravan. The album contains an undeniable and decidedly European sense of humor and charm. In addition, this would mark the end of the band's premiere lineup. Co-founder
David Sinclair would leave
Caravan to form
Matching Mole with
Soft Machine drummer and vocalist
Robert Wyatt in August of 1971. As a group effort,
In the Land of Grey and Pink displays all the ethereal brilliance
Caravan created on their previous pair of 12" outings. Their blending of
jazz and
folk instrumentation and improvisational styles hints at
Traffic and
Family, as displayed on
"Winter Wine," as well as the organ and sax driven instrumental introduction to
"Nine Feet Underground." These contrast the decidedly aggressive sounds concurrent with albums from
King Crimson or
Soft Machine. In fact, beginning with the album's title, there seems to be pastoral qualities and motifs throughout. Another reason enthusiasts rank this album among their favorites is the group dynamic which has rarely sounded more singular or cohesive.
Richard Sinclair's lyrics are of particular note, especially the middle-earth imagery used on
"Winter Wine" or the enduring whimsy of
"Golf Girl." The remastered version of this album includes previously unissued demos/alternate versions of both tracks under the titles:
"It's Likely to Have a Name Next Week" and
"Group Girl," respectively. The remastered disc also includes
"I Don't Know Its Name (Alias the Word)" and
"Aristocracy," two pieces that were completed, but shelved in deference to the time limitations imposed during the days of wine and vinyl. The latter composition would be reworked and released on
Caravan's next album,
Waterloo Lily. The 12-page liner notes booklet includes expanded graphics, memorabilia, and an essay penned specifically for the reissue. ~ Lindsay Planer
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