In This House of Brede: A Novel

In This House of Brede: A Novel

by Rumer Godden

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Following World War II, a British widow joins a Benedictine monastery in this poignant New York Times bestseller from the author of Black Narcissus.

 For most of her adult life, Philippa Talbot has been a successful British professional. Now in her forties, the World War II–widow has made a startling decision: She’s giving up her civil service career and elite social standing to join a convent as a postulant Roman Catholic nun.
In Sussex in the south of England, Philippa begins her new life inside Brede Abbey, a venerable, 130-year-old Benedictine monastery. Taking her place among a diverse group of extraordinary women, young and old, she is welcomed into the surprisingly rich and complex world of the devout, whom faith, fate, and circumstance have led there. From their personal stories, both uplifting and heartbreaking, Philippa draws great strength in the weeks, months, and years that follow, as the confidence, conflicts, and poignant humanity of her fellow sisters serve to validate her love and sacred purpose.
But a time of great upheaval in the hierarchy of the Catholic Church approaches as the winds of change blow at gale force. And for the financially troubled Brede and the acolytes within, it will take no less than a miracle to weather the storm.
Author Rumer Godden spent three years living in close proximity to Stanbrook Abbey in Worcestershire communing with the Benedictine nuns in preparation for the writing of this beloved bestseller. The result is an honest and unforgettable novel of love, sacrifice, and devotion, a major literary achievement from the acclaimed author of Black Narcissus and The River.

This ebook features an illustrated biography of the author including rare images from the Rumer Godden Literary Estate.

Product Details

ISBN-13: 9781504040358
Publisher: Open Road Media
Publication date: 12/13/2016
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 506
Sales rank: 34
File size: 3 MB

About the Author

Rumer Godden (1907–1998) was the author of more than sixty works of fiction, nonfiction, poetry, and children’s literature, and is considered by many to be one of the foremost English language writers of the twentieth century. Born in Sussex, England, she moved with her family to Narayanganj, colonial India, now Bangladesh, when she was six months old. Godden began her writing career with Chinese Puzzle in 1936 and achieved international fame three years later with her third book, Black Narcissus. A number of her novels were inspired by her nearly four decades of life in India, including The River, Kingfishers Catch Fire, Breakfast with the Nikolides, and her final work, Cromartie vs. the God Shiva, published in 1997. She returned to the United Kingdom for good at the end of World War II and continued her prolific literary career with the acclaimed novels The Greengage Summer, In This House of Brede, and numerous others. Godden won the Whitbread Award for children’s literature in 1972, and in 1993 she was named an Officer of the Most Excellent Order of the British Empire. Nine of her novels have been made into motion pictures. She died at the age of ninety in Dumfriesshire, UK.

Read an Excerpt

In this House of Brede

A Novel

By Rumer Godden


Copyright © 1979 Rumer Godden
All rights reserved.
ISBN: 978-1-5040-4035-8


The tower of Brede Abbey was a landmark for miles through the countryside and out to sea; high above the town of Brede, its gilded weathercock caught the light and could flash in bright sun.

The weathercock bore the date 1753 and had been put there by the Hartshorn family to whom the Abbey – in those days the Priory of the Canons of St Augustine – had been given after the Reformation; it had then been the Hartshorns' private house for more than two hundred and fifty years. When the nuns came they had thought it prudent not to take the weathercock down – 'Brede wouldn't have tolerated a Catholic nunnery here in 1837,' Dame Ursula Crompton told the novices. 'We had to disguise ourselves.' The cross was below, a stone cross interlaced with thorns – and it had known thorns; it had been thrown down, erected again and stood now high over the entrance to the church; it was said to be nearly a thousand years old; certainly its stone was weathered but, though the wind from the marshes blew fiercely against it and rain beat in the winter gales that struck the heights of Brede so violently, the cross stayed unmoved, sturdily aloft, while the weathercock whirled and thrummed as the wind took it. Dame Ursula had pleasure in underlining the moral, but then Dame Ursula always underlined.

The townspeople were used to the nuns now. The extern sisters, who acted as liaisons between the enclosure and the outside world, were a familiar sight in their black and white, carrying their baskets as they did the Abbey's frugal shopping. Brede Abbey had accounts at the butcher and grocer as any family had; the local garage serviced the Abbey car which Sister Renata drove; workmen from Brede had been inside the enclosure, and anyone was free to come through the drive gates, ring the front door bell which had a true monastic clang, and ask for an interview with one of the nuns; few of the townspeople came, though the Mayor made a formal call once a year; the Abbey's visitors, and there were many, usually came from farther afield, from London or elsewhere in Britain, from the continent or far overseas, some of them famous people. The guest house, over the old gatehouse, was nearly always full.

From the air, it would seem that it was the Abbey that had space, the old town below that was enclosed; steep and narrow streets ran between the ancient battlements and its houses were huddled, roof below roof, windows and eaves jutting so that they almost touched; garden yards were overlooked by other garden yards while the Abbey stood in a demesne of park, orchard, farm and garden. Its walls had been heightened since the nuns came, trees planted that had grown tall; now it was only from the tower that one could look into the town, though at night a glow came up from the lights seeming, from inside the enclosure, to give the Abbey walls a nimbus.

The traffic made a continual hum too, heard in the house but not in the park that stretched away inland towards the open fields; it was a quiet hum because the town was quiet and old-fashioned; besides, no car or lorry could be driven quickly through its narrow cobbled streets. The sparrow voices of children, when they were let out of school, were heard too, but the only sound that came from the Abbey was dropped into the town by bells measuring, not the hours of time as did the parish church clock, but the liturgical hours from Lauds to Compline; the bells rang the Angelus, the call to Chapter and the Abbey news of entrances and exits; sometimes of death. There was a small bell, St John, almost tinkling by contrast; it hung in the long cloister and summoned the nuns to the refectory. The bells of the Abbey, the chimes of the parish church clock, coming across each other, each underlining the other, gave a curious sense of time outside time, of peace, and the only quarrel the town had with the Abbey now was that the nuns insisted on feeding tramps.

A winding stone stair led up to the tower, going through the belfry above the bell tribune where the hanging bell ropes had different coloured tags. Though the bells were numbered, they had names. 'Dame Ursula says they are baptized,' said Sister Cecily. Dame Clare, the zelatrix, Dame Ursula's assistant, was more exact. 'There is a ceremony in the pontifical which is called baptizing the bells; it is, rather, a consecration,' but to Cecily they seemed personalities. Well, they are the Abbey's voice, but she did not say it aloud – already she suspected that this Dame Clare, so cool and collected, thought her, the new postulant Sister Cecily, whimsical; but the bells were the Abbey's voice and its daughters knew the meaning of every change and tone, from the high D of Felicity to the deep tone of the six hundred pounds weight of Mary Major; when this was rung, it made the whole tower vibrate.

The stair came out on a flat roof that had a parapet on which tall Philippa could rest her arms and look far out, over the marshes and the river winding through them, to the faint far line of silver that was the sea. I shall never see the sea again. That thought always came to her up here on the tower: 'I shall never see the sea.' She whispered it aloud. The silence the nuns kept most of the day for concentration and quiet sometimes made Philippa long to use her tongue, even to herself. But then I'm still new, as religious life goes, not quite four years old, new but with the dragging disadvantage of old habits. 'I shall never see the sea,' but Philippa said it with content. Four years had gone since she had made her solitary journey across the marshes, four years except for two months and a few days. If all went well she, Sister Philippa, would make her Solemn Profession next summer, take her vows for life in this house of Brede.

Philippa had discovered the tower in her second week at Brede, when Burnell, the Abbey's handyman, had pulled a muscle in his leg, leaving it stiff, and Dame Ursula had called on her strong young novices and juniors to do some of his tasks: chopping wood and carrying it in for the common-room's great fire: carrying kitchen swill for the pigs: cleaning out the deep litter of the hen houses for old Sister Gabrielle, the poultry keeper. Philippa, neither young nor strong, had volunteered to go up and sweep the leaves out of the church tower gutter. 'Very well, if you have a head for heights,' said Dame Ursula. Philippa had, and, as a reward, had discovered the high platform, 'where I can get away,' she would have said – after only two weeks, she had wanted to get away. 'I can imagine you living with ninety men,' Richard had told her, 'but not with ninety women.' Yes, it's somewhere I can breathe, Philippa had thought of the tower and, in spite of Richard, breathe before going on.

From where she stood now, she could look down on her Abbey – it had become 'her' Abbey – look over its precincts, over the buildings, the outer and inner gardens and park to the farm outside the walls. The Hartshorns had pulled down most of the old priory, though they had left the L made by the refectory and library wings above the cloister that had been paced by those Augustinian Canons of long ago. The cloister, called the long cloister, was of stone, beautifully arched, its grey weathered, while the new cloisters that ran round the other side of the garth, as the inner court was called, were of red brick, with glazed windows – Lady Abbess shuddered every time she saw them. Another grief to her were the Victorian additions to the church in the sanctuary and extern chapel – 'Abominations of mottled marble,' she said. The choir itself was exquisite, part of the Augustinians' old church, with pointed stone arches and delicate tracery that matched the chapter house; the Hartshorns had kept that intact but used it for breeding pigeons. 'Pigeons in a chapter house!' said Dame Ursula. 'I rescued it from worse than pigeons,' the Abbess had said, 'from what our nuns did there when they got some money! they lined it with pitch pine and put in a plaster ceiling!' It was Abbess Hester who had restored it, uncovering the delicate arches that met at the apex of the roof. 'All that beautiful stone,' said Abbess Hester, glorying.

The buildings held spaciousness in refectory, libraries, workshops, though the cells in their long rows on the first and second floors were narrow. Across the outer garden a glimpse of the Dower House, used as the novitiate now, showed among its trees and, dominating the whole, the church with its tower on which Philippa stood.

The Abbey was hushed this afternoon in a hush deeper even than its normal quiet; though the nuns went about their work and the bells were rung at the appointed time, and the chant of voices came, as always, from the church, the hush was there, a hush of waiting. The parlours were closed. 'No visiting today,' said Sister Renata when she answered the front door. She and the other extern sisters went softly in and out, but they did not go into the town, where the news had spread. 'The Abbess is dying: Lady Abbess of Brede.'

This was the community recreation hour but, looking down, Philippa could see only two figures instead of the many, habited in black and white and as alike as penguins, that would usually at this time have been gathered in the park, or on the paths or pacing together in the cloisters. The prioress and senior nuns were keeping vigil in the Abbess's rooms, the others had withdrawn, some to their cells, most to their stalls in choir, to pray while they waited – Philippa, still renegade, seemed to pray best up here – but the life of the monastery had to go on and Dame Ursula had as usual sent her novitiate to the tasks they undertook in the afternoons for the community; gardening, helping the printers in the packing room, sewing or taking messages to relieve Dame Domitilla whose office as portress was arduous. The two small figures below were silently mulching the rose beds.

By their short black dresses and short veils Philippa knew they were Sister Hilary, a postulant of two months' standing, and the new postulant, Sister Cecily Scallon, who had arrived only yesterday afternoon.

'It is strange,' Dame Beatrice Sheridan had said when with Mother Prioress and the other councillors she had waited for Cecily at the enclosure door, 'strange how often an entrance coincides with a death in the house. One comes, in faith and hope, to make her vows, as the other reaches their culmination – or should have reached it,' she could have said.

Lady Abbess Hester, old and mortally ill, was lingering – unaccountably; the inexplicable waiting had gone on now for thirty hours, all yesterday from the morning, through the night, all this morning and into this windless but chill October afternoon, a day and a half, and still it seemed she could not die. 'Why can't she?' The question was spreading and dismay growing through the grief, the stupor they all felt, 'What is troubling Mother? Why can't she die?'

Abbesses of Brede Abbey were elected for life and Abbess Hester Cunningham Proctor had ruled Brede for thirty-two years; she was now eighty-five but, up to yesterday, had still been active and filled with power – sometimes too much power, her councillors felt; headstrong was the right word, but they dared not use it. The community knew that their Abbess could be as wilful as she was clever and charming – and lately there had been favourites, that threat to community life – but still their trust in her was infinite, and her small black eyes, so filled with humour and understanding, had still seen 'everything,' said the nuns, and she seemed to know by instinct what she did not see. She had grown heavy for her height and she limped from a hip broken ten years before and that had never properly set. 'It was never given time,' the nuns said, but, 'no more oil in my bones,' said the Abbess. Her hands, too, shook; of that she had taken not the slightest notice.

As Dame Hester she had made her mark as a sculptor; it had been such a mark that, when she was elected Abbess, her friend Sir Basil Egerton, art critic and a keeper at the British Museum, had written: 'This is absurd. What time will you have now for your own work?' 'I have no "own" work,' she had written back. 'I do God's work.' It would seem that God had also endowed her with a genius for friendship, warm and lasting. All her adult life, she had worked and prayed only in the Abbey – 'I entered at nineteen' – and yet, from its strict enclosure her influence had spread far.

'Her life is a beacon,' Dame Ursula told her novices, 'that sends its rays all over the world and to unexpected places, unexpected people.' The Abbess's friends came from every walk of life from dukes to chimney-sweeps. The cliché happened to be true though the nuns had no inkling that the Duke of Gainsborough often came to see the Abbess, nor that she had a good friend, a woman chimneysweep, 'who has often given me the most sane advice'. Happenings in the parlours, letters and telephone calls were, for every nun, strictly private. Some of Abbess Hester's friendships had ripened through decades – as with Sir Basil – from conversations in the parlour, where a unique mixture of wit, learning and humour had come through the grille, from thought 'and praying' the Abbess would have said – and from letters. 'Her letters ought to be published,' said Sir Basil.

'I suppose,' said Dame Maura Fitzgerald, the precentrix, 'we had taken it for granted she would live for ever.'

'No one lives for ever,' Dame Ursula made her usual truism.

At first it was difficult for the nuns to understand what had happened; they only knew that yesterday morning young Sister Julian Colquhoun had gone to the Abbess's room and had, of course, been admitted. 'Sister Julian who can do no wrong,' as Dame Veronica Fanshawe, the cellarer, said bitterly, Dame Veronica of the wistful harebell-blue eyes whose chin trembled at the Abbess's slightest reproof. Dame Anastasia, the nun telephonist who was at the switchboard next door, had heard Lady Abbess's, 'Deo Gratias,' giving permission for the Sister to come in, and then Sister Julian's blithe, 'Benedicite, Mother,' as she shut the door. Half an hour later Sister Julian had come out and had – she said – gone straight to the church where she had said the Te Deum. 'I was so happy,' said Sister Julian. A few minutes later Abbess Hester had had a stroke.

'But she can't be dying,' Sister Cecily had said yesterday when she was met with the news: 'I had a letter from her this morning.'

'We would have put you off,' Dame Emily Lovell, the prioress, told her, 'but you have had such a long struggle to get here that we felt we shouldn't.'

Cecily had had constant shivers ever since – shock, thought Philippa; as a senior in the novitiate, Philippa had been asked to take the new postulant under her wing. Before she came to Brede, Philippa had not been close to young girls – Joyce Bowman had dealt with them – except perhaps Penny Stevens. Penny, Philippa thought, must be the same age now as this Sister Cecily, twenty-three, young girls, still at the beginning; they had not had time to be spotted and stained, chipped and scarred, thought Philippa with a pang of envy. There was an innocence about Cecily that reminded her of Penny; they had the same humility, probably because they had both been bullied – Dame Clare had told Philippa a little about Cecily's mother – but Cecily Scallon was beautiful as Penny certainly was not. Cecily was tall, not slim but giving the impression of slimness, because she carried herself so well. Her hair was ash-blonde, so flaxen fair that it was only when sun or lamplight caught it that it gleamed pale gold. 'People bleach their hair that colour,' said Dame Veronica, but Cecily's hair was natural and naturally curly. 'But it won't grow,' said Cecily who detested it; it showed under her postulant's veil in short feathery rings like a child's. Her habit of veiling her eyes by exceptionally long lashes gave her the look of a child too, a shy child. The eyes when she lifted them were dark, not black but dark brown. 'Striking with that hair,' said Dame Veronica, 'and that wonderful skin,' while Dame Maura, the precentrix, said, 'She looks like a seraph.' That was misleading: Cecily was too tall and too feminine to be a seraph – or a child.


Excerpted from In this House of Brede by Rumer Godden. Copyright © 1979 Rumer Godden. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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In This House of Brede (Loyola Classics) 4.8 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
This is a beautifully written novel about the spiritual and personal lives of women inside a convent. The changing seasons of the year and the church calendar are described together, and with them the inner struggles and inner growth of the community. The more I reflect on this book, the more I realize how richly layered are its themes, just a few of which are: searching for what is truly meaningful, knowing your own heart, making difficult choices, how change is inevitable in our lives, what comes of resisting our inner voice as well as listening to it, how we express our spirituality in different ways, what is human perfection and can it be achieved on earth, how can individuals contribute to their community even if they are not outstandingly gifted, etc, etc. I am not a Catholic but I was very moved by the dedication of these women to lives of infinite hardship and infinite blessing.
Anonymous More than 1 year ago
Read this! You'll be glad you did.
picardyrose on LibraryThing More than 1 year ago
Lovely writing, though after all these years of reading and rereading, it seems a bit dusty to me.
Guest More than 1 year ago
I love this book. It's a classic. I've read it twice and will reread it again and again in the future. It's very descriptive and I believe an honest portrayal of life in a monastery with all the joys, trials, tribulations and problems that go on everywhere. I love the characters. Each nun is an individual with her own unique personality which the author describes so well. Monastic life is, I believe, portrayed realistically and honestly. Definitely a classic!