Incidents in the Life of a Slave Girl, by Harriet Jacobs, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
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In what has become a landmark of American history and literature, Incidents in the Life of a Slave Girl recounts the incredible but true story of Harriet Jacobs, born a slave in North Carolina in 1813. Her tale gains its importance from her descriptions, in great and painful detail, of the sexual exploitation that daily haunted her lifeand the life of every other black female slave.
As a child, Harriet Jacobs remained blissfully unaware that she was a slave until the deaths of both her mother and a benevolent mistress exposed her to a sexually predatory master, Dr. Flint. Determined to escape, she spends seven years hidden away in a garret in her grandmother’s house, three feet high at its tallest point, with almost no air or light, and with only glimpses of her children to sustain her courage. In the face of seemingly insurmountable odds, she finally wins her battle for freedom by escaping to the North in 1842.
A powerful, unflinching portrayal of the brutality of slave life, Incidents in the Life of a Slave Girl stands alongside Frederick Douglass’s classic autobiographies as one of the most significant slave narratives ever written.
Farah Jasmine Griffin is Professor of English and Comparative Literature and African American Studies at Columbia University in New York City.
Read an Excerpt
From Farah Jasmine Griffin’s Introduction to Incidents in the Life of a Slave Girl
In the closing pages of her now-classic narrative Harriet Jacobs writes:
The more my mind had become enlightened, the more difficult it was for me to consider myself an article of property; and to pay money to those who had so grievously oppressed me seemed like taking from my sufferings the glory of triumph.
As this sentence suggests, Incidents in the Life of A Slave Girl not only is a record of the experience of a slave and her escape from slavery; it is also a document of the narrator’s growing political consciousness about the system of American slavery. Although the book does not focus on the narrator’s politicization, it is nonetheless a product of her movement from a general understanding of her persecution under slavery and the overall injustice of the system to a more activist orientation and devotion to social change. Nowhere is this movement more evident than in the first chapter, “Childhood.” Jacobs writes:
I was born a slave; but I never knew it till six years of happy childhood had passed away. . . . [My parents] lived together in a comfortable home; and, though we were all slaves, I was so fondly shielded that I never dreamed I was a piece of merchandise, trusted to them for safe keeping, and liable to be demanded of them at any moment.”
Jacobs’s narrative opens as do many nineteenth-century slave narratives, with the phrase, “I was born a slave.” The statement is immediately qualified with “but I never knew it.” Here Jacobs initiates a trend in African-American letters: Frances Ellen Watkins Harper, W. E. B. Du Bois, James Weldon Johnson, and Zora Neale Hurston all present protagonists who do not recognize their status as slaves or, post-emancipation, as members of a degraded and despised race. By narrating her innocence in language that exposes a later understanding and critique of the institution of chattel slavery, Jacobs communicates a movement from innocence to knowledge, from naiveté to political consciousness.
By the time of the publication of Incidents in the Life of a Slave Girl, the author had become a member of abolitionist circles in Rochester, New York, and a close personal friend of radical abolitionists Isaac and Amy Post. In fact, it was Amy Post to whom Jacobs eventually confided her personal history; the Quaker activist encouraged her to write her own narrative. At first reluctant to expose her sexual history, with the support of her daughter, Louisa Matilda, and her friend Amy Post, Jacobs agreed to write her narrative, and in so doing, issue a blow in the battle against slavery.
Born in 1813, in Edenton, North Carolina, Jacobs lived for part of her childhood with her mother, Delilah, her father, Elijah, a carpenter, and her younger brother, John. The family lived close to Jacobs’s stalwart grandmother, Molly, as well as Molly’s other children. Molly’s mistress, Mary Horniblow, made gifts of each of Molly’s daughters to her own daughters: Delilah was given to the invalid Margaret Horniblow.
Jacobs remembered her parents as “a shade of brownish yellow . . . termed mulattoes.” She writes of her childhood as a happy and safe one. Upon the death of her mother, when Harriet was six years old, the child was sent to live with her mother’s mistress, Margaret, and for the first time learned of her status as a slave. Margaret promised to care for her beloved slave’s children. The young Miss Horniblow taught Harriet to read and to sew but failed to free her upon her own death. Instead, she willed the child to her three-year-old niece, Mary Matilda Norcom, the daughter of her sister, Mary Horniblow Norcom, and Dr. James Norcom. Twelve-year-old Harriet was sent to live with the lecherous Dr. Norcom, who sexually harassed and tormented her throughout her adolescence.
At sixteen Harriet entered into a relationship with a young white neighbor, the future U.S. congressman Samuel Tredwell Sawyer. That union produced two children, Joseph and Louisa Matilda. In 1835, fearing Norcom would send her children to live on his son’s plantation, Harriet ran away. She hoped Norcom would sell the children and that their father would purchase them. The plan worked; Sawyer bought the children. Though he did not free them, he allowed them to live with Jacobs’s grandmother. Jacobs secretly returned to her grandmother’s home as well. There she hid in a garret for seven years.