Intimations of Difference: Dvora Baron in the Modern Hebrew Renaissance

Intimations of Difference: Dvora Baron in the Modern Hebrew Renaissance

by Sheila Jelen


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Dvora Baron (1887-1956) has been called "the founding mother of Hebrew women's literature." Born in a small town on the outskirts of Minsk to the community rabbi, Baron immigrated from the Jewish Pale of Settlement to Palestine in 1910. Although she was not the only woman writing in Hebrew in the first few decades of the twentieth century, Baron was the only woman to achieve recognition in the canon of modern Hebrew fiction during that period.

As such, her work reflects both the revolutionary and conservative qualities of the Modern Hebrew Renaissance. Rooted in the Jewish tradition and using the Hebrew language as its battle cry, the Modern Hebrew Renaissance can be said to have distinguished itself from its patriarchal past by fostering a woman's literary emergence. At the same time, the fact that Dvora Baron was the only woman writing in the first decades of the twentieth century who was included into the Renaissance's literary canon indicates the movement's resistance to its own potentially revolutionary nature. Sheila E. Jelen reveals how Baron viewed her own singularity and what this teaches us about the contours of the Modern Hebrew Renaissance-its imperatives and assumptions, its successes and failures.

This is the first full-length, English language treatment of Baron's Hebrew corpus. It will be of interest to scholars of literary studies, gender studies, Jewish cultural studies, Jewish literary studies, and Hebrew literary studies.

Product Details

ISBN-13: 9780815631309
Publisher: Syracuse University Press
Publication date: 12/28/2006
Series: Judaic Traditions in Literature, Music and Art Ser.
Pages: 296
Product dimensions: 6.00(w) x 9.00(h) x 0.92(d)

Table of Contents

Illustrations     ix
Acknowledgments     xi
A Critical Preface     xv
Introduction: Intimations and Imperatives-A Biography Through the Looking Glass     xxiii
All Writers Are Jews, All Jews Are Men: The Autobiographical Imperative     1
Strange Sympathy: The Talush Imperative     25
Things as They Are: The Mimetic Imperative     51
She Sermonizes in Wool and Flax: The Vernacular Imperative     79
Burying the Books: The Intertextual Imperative     99
Epilogue: Breaking Down the Door     127
Two Translations and a Note: "In What World?" and "As a Driven Leaf"     139
Dvora Baron-A Bibliography of Primary and Secondary Works     173
Notes     187
Works Cited     209
Index     227

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