Stabiner finds out what makes Chiat/Day march to a different drummer in the world of advertising. Perhaps the most creative advertising agency in the United States, as evidenced by its work on the Energizer Bunny ads and its famous ``Why 1984 won't be 1984'' commercial that launched the Macintosh for Apple Computer, Chiat/Day rattles consumers, and often clients, who think they know what to expect from commercials. Stabiner spent 1990 at Chiat/Day's Venice, California, headquarters and had total access to all its meetings and deliberations. Her book reads more like a novel than a business history, with deft characterizations and plot turns leading to an exciting climax. Will the creative people reconcile their differences with the suits? Will the organization continue to refuse to grow up? The agency's creative genius, Lee Clow--the man to whom formal attire means long pants and socks--comes across as the hero of the saga, but all the players are memorable. This is the best book on advertising since David Ogilby's Confessions of an Advertising Man . Essential for all types of libraries.-- William W. Sannwald, San Diego P . L .
In 1990, "Advertising Age" magazine proclaimed Chiat/Day "the ad agency of the decade," acknowledging the firm's creative work for such clients as Nissan, NutraSweet, "TV Guide", MTV, Nickelodeon, Reebok, and American Express. Chiat/Day is also responsible for the clever but increasingly annoying Energizer bunny. That it is headquartered in Venice, California, and not on Madison Avenue, explains a lot about its corporate culture. Stabiner is the author of "Courting Fame" (1986), an in-depth profile of the women's tennis circuit. In 1990, for the entire year, she was granted total access to Chiat/Day's headquarters. She observed corporate power struggles, sat in on strategy sessions, watched attempts to woo and keep clients, and tracked the evolution of new ad campaigns. Reported in dramatic episodes, these events successfully show how the pressure-packed advertising business works.