Island Gospel: Pentecostal Music and Identity in Jamaica and the United States

by Melvin L. Butler

Overview

Pentecostals throughout Jamaica and the Jamaican diaspora use music to declare what they believe and where they stand in relation to religious and cultural outsiders. Yet the inclusion of secular music forms like ska, reggae, and dancehall complicated music's place in social and ritual practice, challenging Jamaican Pentecostals to reconcile their religious and cultural identities. Melvin Butler journeys into this crossing of boundaries and its impact on Jamaican congregations and the music they make. Using the concept of flow, Butler's ethnography evokes both the experience of Spirit-influenced performance and the transmigrations that fuel the controversial sharing of musical and ritual resources between Jamaica and the United States. Highlighting constructions of religious and cultural identity, Butler illuminates music's vital place in how the devout regulate spiritual and cultural flow while striving to maintain both the sanctity and fluidity of their evolving tradition.Insightful and original, Island Gospel tells the many stories of how music and religious experience unite to create a sense of belonging among Jamaican people of faith.

Product Details

ISBN-13:	9780252051760
Publisher:	University of Illinois Press
Publication date:	10/30/2019
Series:	African Amer Music in Global Perspective
Sold by:	Barnes & Noble
Format:	eBook
Pages:	224
File size:	2 MB

About the Author

Melvin L. Butler is an associate professor of musicology at the Frost School of Music at the University of Miami and a saxophonist with Brian Blade and the Fellowship Band and many other artists.

Table of Contents

Cover Title Copyright Contents Preface Acknowledgments Introduction 1. Boundaries and Flows: Music in Jamaican Pentecostal Churches at Home and Abroad 2. Perfecting Holiness: Musical Theologies of Piety and Pleasure 3. The Anointing Makes the Difference: Power, Presence, and Gendered Worship 4. The Old-­Time Way: Nostalgia, Tradition, and Testimony 5. Performing Ethnicity: Style, Transcendence, and African American Gospel Conclusion: Identity, the Holy Spirit, and the Global Community Notes Bibliography Index Back cover

Editorial Reviews

"In this groundbreaking and insightful book, Melvin Butler takes his readers on a journey into the sound worlds and ritual practices of Jamaican Pentecostal communities." —New West Indian Guide

"In a field dominated by studies of secular popular music, more focus on sacred traditions is overdue and welcomed. We owe great thanks to Michael Butler for bringing us inside these Jamaican and Brooklyn churches to share the songs and stories of a community of worshipers who practice the complex interweaving of belief, ritual, and musical praxis." —Gotham Center for New York City History

"Island Gospel is a much-needed and important contribution to Pentecostal studies and ethnomusicology. . . . The book offers insights that will be useful to scholars and students across a wide range of fields and disciplines. " —Journal of Folklore Research

"The most extensive ethnographic study to date of Pentecostal music practices. The author's perspective as a practicing believer and respected ethnomusicologist provides unprecedented access to the community and a deep understanding of Pentecostal traditions and discourses."—Judah Cohen, author of Jewish Liturgical Music in Nineteenth-Century America

"Island Gospel is a groundbreaking exploration into the complex landscape of Jamaican Pentecostal musical culture. By working in rural and urban religious communities in Jamaica, as well as Jamaican diasporic communities in New York, Melvin Butler unearths the ways in which the faithful hold onto a 'surprisingly resilient' holy-worldly binary as they construct, deconstruct, and collapse boundaries within Pentecostal musical culture across ideas of traditional and modern; colonialism and independence; Jamaican-ness and American-ness; local and global; racialized sounds of Blackness and whiteness; and generations. Throughout his fieldwork, Butler benefits from and remains refreshingly self-reflexive about his position as an ethnomusicologist, 'believer,' and accomplished keyboardist participating in and observing church life. A must-read for scholars of Caribbean musical culture and Pentecostalism."—Judith Casselberry, author of The Labor of Faith: Gender and Power in Black Apostolic Pentecostalism

From the Publisher