Music is both a unifying force and a deeply personal expression of the self. Over the millennia, melody and lyrics have served as a multilayered mode of storytelling and expression of joy, sorrow, and hope. For America, no other musical style is quite so adept at this than jazz. Jazz: America's Gift delves into the rich and storied history of American jazz-from its roots in early American folk song and the blues into the sound and splendor of the Jazz Age. Not just another history book, Jazz: America's Gift is a unique and engaging exploration of the musical styles, traditions, innovations, and incredible talents that shaped jazz, and exposes how jazz itself shaped America's history, bringing the country closer together.
No figure embodies the mood and music of this time like George Gershwin, a Jewish-American musical dynamo whose Rhapsody in Blue would become one of the most widely known compositions to come out of this time. Using song titles as markers along the path of Gershwin's life, author Richie Gerber tells the evocative, often joyous, and sometimes heart-wrenching story of this often misunderstood genius. Gershwin's life story is elegantly framed within the larger narrative of the rise of jazz music, with an attention to detail that makes the words leap off the page and music sound in your ears.
Jazz: America's Gift is the perfect marriage between Miguel Covarrubias's artwork and the colorful history of the Jazz Age. The interplay of Gerber's words and Covarrubias's images gives each page a rhythm all its own. . . . Who could ask for anything more?
|Publisher:||Gerber's Miracle Publishers LLC|
|Product dimensions:||8.50(w) x 11.00(h) x 0.70(d)|
About the Author
Illustrator Miguel Covarrubias (November 22, 1904-February 4, 1957) can arguably be called the chronicler of "The Jazz Age." Moving from his birthplace of Mexico to New York City as a nineteen-year-old in 1923, carrying his pen and sketchpad, he instantaneously took the Big Apple by storm. He shared a studio on 42nd Street with Al Hirschfeld, a caricaturist greatly influenced by "El Chamaco" ("The Kid"-Covarrubias's nickname). Covarrubias's original, unique, and innovative style of drawing celebrity caricatures catapulted him into a teenage/twenty-something storied celebrity artist, landing him gigs at top-tier magazines such as The New Yorker and Vanity Fair. In 1933, Covarrubias was awarded a Guggenheim Fellowship, which he used to study the Island of Bali and write and illustrate a highly celebrated book by the same name. In 1940, he was awarded a second Guggenheim Fellowship, as well as numerous other awards.