The remarkable portraits for which John Singer Sargent is most famous are only one aspect of a career that included landscapes, watercolors, figure subjects, and murals. Even within portraiture, his style ranged from bold experiments to studied formality. And the subjects of his paintings were as varied as his styles, including the leaders of fashionable society, rural laborers, city streets, remote mountains, and the front lines of World War I. This beautiful book surveys and evaluates the extraordinary range of Sargent's work, and reproduces 150 of his paintings in color. It accompanies a spectacular international exhibition--the first major retrospective of the artist's career since the memorial exhibitions that followed his death.
Sargent (1856-1925) was a genuinely international figure. Born of American parents, he grew up in Europe and forged his early reputation in Paris. Later, he established himself in England and the United States as the leading portraitist of the day, and traveled widely in North Africa and the Middle East. Contributors to this book assess Sargent's career in three essays. Richard Ormond presents a biographical sketch and, in a second essay, reviews Sargent's development as an artist. Mary Crawford Volk explores his thirty-year involvement with painting murals--in particular the works at the Boston Public Library and the Boston Museum of Fine Arts that Sargent regarded as his greatest achievement.
The book arranges Sargent's paintings into sections that reflect every phase and aspect of his career. We encounter, for example, such famous early works as Oyster Gatherers of Cancale, Sargent's robust and brilliantly lit scene of fishing life in Brittany. We see many of his greatest American and English portraits, including his daringly posed portrait of Bostonian Isabella Stewart Gardner and his audacious painting of Lady Agnew of Lochnaw, which caused a sensation in London in 1893. The book also includes important late works such as Gassed, his monumental painting of soldiers blinded by mustard gas on the western front, and many of his ambitious murals in Boston.
Sargent is a visually stunning, beautifully written, and perceptive work on one of the most important and admired artists of the nineteenth and twentieth centuries.
|Publisher:||Princeton University Press|
|Product dimensions:||9.25(w) x 11.75(h) x (d)|
About the Author
Elaine Kilmurray is an art historian and co-selector of the exhibition with Richard Ormond, Director of the National Maritime Museum in Greenwich, England and a great-nephew of Sargent. Mary Crawford Volk is an independent scholar. Contributors Erica Hirshler, Carol Troyen, and Theodore Stebbins are curators at the Museum of Fine Arts, Boston.
Table of Contents
John Singer Sargent: A Biographical Sketch 11
Sargent's Art 23
Sargent in Public: On the Boston Murals 45
1 Early Landscapes and Subject Pictures 61
2 Paris and the Salon 83
3 Impressionism 105
4 Portraiture in England and America 129
5 The Murals 177
6 Sargent the Watercolourist 209
7 Late Landscapes, Figure Studies and the War 241
Select Bibliography 278
Most Helpful Customer Reviews
Three essays introduce the catalogue: John Singer Sargent: A Biographical Sketch and Sargent's Ark, both by Richard Ormon, Director of the National Maritime Museum, Greenwich, and the artist's great nephew; and Sargent in Public: On the Boston Murals by art historian Mary Crawford Volk. The Catalogue itself is divided into sections: Early Landscapes and Subject Pictures; Paris and the Salon; Impressionism; Portraiture in England and America; The Murals; Sargent the Watercolourist; Late Landscapes, Figure Studies and the war. The book concludes with a Chronology, Selected Bibliography and an Index.The Catalogue provides a comprehensive commentary on each picture. Many of the entries are illustrated; in total there are 171 colour images and 85 black and white; the black and white images include some photographs and the work of other artists.The beauty of this book is not just the reproductions, which are beautifully presented and many of which are half page or full page size, but also the accompanying commentaries printed alongside. A very handsome and well produced book.12" x 9.6" (30.5 cm x 24.5 cm) 285 pages. Published 1998, ISBN 069100434X Hardback