Sargent (1856-1925) was a genuinely international figure. Born of American parents, he grew up in Europe and forged his early reputation in Paris. Later, he established himself in England and the United States as the leading portraitist of the day, and traveled widely in North Africa and the Middle East. Contributors to this book assess Sargent's career in three essays. Richard Ormond presents a biographical sketch and, in a second essay, reviews Sargent's development as an artist. Mary Crawford Volk explores his thirty-year involvement with painting muralsin particular the works at the Boston Public Library and the Boston Museum of Fine Arts that Sargent regarded as his greatest achievement.
The book arranges Sargent's paintings into sections that reflect every phase and aspect of his career. We encounter, for example, such famous early works as Oyster Gatherers of Cancale, Sargent's robust and brilliantly lit scene of fishing life in Brittany. We see many of his greatest American and English portraits, including his daringly posed portrait of Bostonian Isabella Stewart Gardner and his audacious painting of Lady Agnew of Lochnaw, which caused a sensation in London in 1893. The book also includes important late works such as Gassed, his monumental painting of soldiers blinded by mustard gas on the western front, and many of his ambitious murals in Boston.
Sargent is a visually stunning, beautifully written, and perceptive work on one of the most important and admired artists of the nineteenth and twentieth centuries.
|Publisher:||Princeton University Press|
|Product dimensions:||9.25(w) x 11.75(h) x (d)|
About the Author
Table of Contents
John Singer Sargent: A Biographical Sketch 11
Sargent's Art 23
Sargent in Public: On the Boston Murals 45
1 Early Landscapes and Subject Pictures 61
2 Paris and the Salon 83
3 Impressionism 105
4 Portraiture in England and America 129
5 The Murals 177
6 Sargent the Watercolourist 209
7 Late Landscapes, Figure Studies and the War 241
Select Bibliography 278