ISBN-10:
3039110586
ISBN-13:
9783039110582
Pub. Date:
02/28/2007
Publisher:
Peter Lang Ltd, International Academic Publishers

Hardcover

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Product Details

ISBN-13: 9783039110582
Publisher: Peter Lang Ltd, International Academic Publishers
Publication date: 02/28/2007
Pages: 350
Product dimensions: 5.80(w) x 8.80(h) x 0.80(d)

About the Author

The Editors: Jason Edwards is a Lecturer in Art History at the University of York. He works primarily on the interaction of queer theory with Victorian literature, painting, sculpture and architecture.
Stephanie L. Taylor is an Assistant Professor in the Art Department of New Mexico State University. She has been the recipient of numerous awards, including both a pre-doctoral and post-doctoral fellowship at the Smithsonian American Art Museum. She is currently working on her book, Joseph Cornell and His World.

Table of Contents

Contents: Dawn Ades: Preface – Jason Edwards: Coming Out as a Cornellian – James Housefield/Diana K. Davis: Joseph Cornell, Geographer of Utopia Parkway – Julia Kelly: Sights Unseen: Raymond Roussel, Michel Leiris, Joseph Cornell and the Art of Travel – Hugh Stevens: Joseph Cornell’s Dance to the Music of Time: History and Giving in the Ballet Constructions – Erika Doss: Joseph Cornell and Christian Science – Ariane Mildenberg: Through the Wrong End of the Telescope: Thresholds of Perception in Joseph Cornell, John Ashbery and Maurice Merleau-Ponty – Dickran Tashjian: Paging Mr Cornell: The Book and its Double – Analisa Leppanen-Guerra: ‘A Stage of His Own Making’: Child-Time and Dream-Space in Joseph Cornell’s Theatre of Hans Christian Andersen – Joanna Roche: Joseph Cornell’s Garden Center 44: The Poetics of Memory – Stamatina Dimakopoulou: Nostalgia, Reconciliation and Critique in the Work of Joseph Cornell – Anna Dezeuze: Unpacking Joseph Cornell: Consumption and Play in the Work of Robert Rauschenberg, Andy Warhol and George Brecht – Melinda Barlow: The Cinema of Humble Means: Joseph Cornell’s Influence on Contemporary Experimental Filmmakers – Stephanie L. Taylor: Afterword: Opening the Possibilities, Opening the Box.

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