A Journey to the Center of the Earth

A Journey to the Center of the Earth

by Jules Verne

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Overview

Journey to the Center of the Earth is a classic 1864 science fiction novel by Jules Verne. The story involves German professor Otto Lidenbrock who believes there are volcanic tubes going toward the centre of the Earth. He, his nephew Axel, and their guide Hans descend into the Icelandic volcano Snæfellsjökull, encountering many adventures, including prehistoric animals and natural hazards, before eventually coming to the surface again in southern Italy, at the Stromboli volcano.

Product Details

ISBN-13: 9781434102492
Publisher: The Editorium
Publication date: 01/12/2009
Pages: 224
Product dimensions: 6.00(w) x 9.00(h) x 0.51(d)

About the Author

Jules Verne (1828-1905) was born in France. Around the World in Eighty Days has long been his most popular novel. Verne is credited with creating the genre of science fiction with such other works as Journey to the Center of the Earth and Twenty Thousand Leagues Under the Sea.

Date of Birth:

February 8, 1828

Date of Death:

March 24, 1905

Place of Birth:

Nantes, France

Place of Death:

Amiens, France

Education:

Nantes lycée and law studies in Paris

Read an Excerpt

CHAPTER 1

I

IT was on Sunday, the 24th of May, 1863, that my uncle, Professor Lidenbrock, came rushing suddenly back to his little house in the old part of Hamburg, No. 19, Königstrasse.

Our good Martha could not but think she was very much behindhand with the dinner, for the pot was scarcely beginning to simmer, and I said to myself:

"Now, then, we'll have a fine outcry if my uncle is hungry, for he is the most impatient of mortals."

"Mr. Lidenbrock, already!" cried the poor woman, in dismay, half opening the dining-room door.

"Yes, Martha; but of course dinner can't be ready yet, for it is not two o'clock. It has only just struck the half-hour by St. Michael's."

"What brings Mr. Lidenbrock home, then?"

"He'll probably tell us that himself."

"Here he comes. I'll be off, Mr. Axel; you must make him listen to reason."

And forthwith she effected a safe retreat to her culinary laboratory.

I was left alone, but not feeling equal to the task of making the most irascible of professors listen to reason, was about to escape to my own little room upstairs, when the street-door creaked on its hinges, and the wooden stairs cracked beneath a hurried tread, and the master of the house came in and bolted across the dining-room, straight into his study. But, rapid as his flight was, he managed to fling his nutcracker-headed stick into a corner, and his wide-brimmed rough hat on the table, and to shout out to his nephew:

"Axel, follow me."

Before I had time to stir he called out again, in the most impatient tone imaginable:

"What! Not here yet?"

In an instant I was on my feet and in the study of my dreadful master.

Otto Lidenbrock was not a bad man. I grant that, willingly. But, unless he mightily changes, he will live and die a terrible original.

He was a professor in the Johannæum, and gave the course of lectures on mineralogy, during which he regularly put himself into a passion once or twice. Not that he troubled himself much about the assiduity of his pupils, or the amount of attention they paid to his lessons, or their corresponding success. These points gave him no concern. He taught subjectively, to use a German philosophical expression, for himself, and not for others. He was a selfish savant — a well of science, and nothing could be drawn up from it without the grinding noise of the pulleys: in a word, he was a miser.

There are professors of this stamp in Germany.

My uncle, unfortunately, did not enjoy great facility of pronunciation, unless he was with intimate friends; at least, not when he spoke in public, and this is a deplorable defect in an orator. In his demonstrations at the Johannæum the professor would often stop short, struggling with some obstinate word that refused to slip over his lips — one of those words which resist, swell out, and finally come forth in the anything but scientific shape of an oath. This put him in a great rage.

Now, in mineralogy, there are many names difficult to pronounce — half Greek, half Latin, barbarous appellations which would blister the lips of a poet. I have no wish to speak ill of the science. Far from it. But when one has to do with rhomboidal crystallisations, retinasphaltic resins, galena favosite, molybdates of lead, tungstates of manganese, and titanites of zircon, the most nimble tongue may be allowed to stumble.

The townsfolk were aware of this pardonable infirmity of my uncle's, and they took advantage of it, and were on the watch for the dangerous passages; and when he put himself in a fury laughed at him, which was not in good taste, even for Germans. His lectures were always very numerously attended, but how many of those who were most regular auditors came for anything else but to make game of the professor's grand fits of passion I shouldn't like to say. Whatever my uncle might be, and I can hardly say too much, he was a true savant.

Though he sometimes broke his specimens by his rough handling, he had both the genius of a geologist and the eye of a mineralogist. With his hammer and steel pointer and magnetic needle, his blow-pipe and his flask of nitric acid, he was a master indeed. By the fracture, the hardness, the fusibility, the ring, the smell, of any mineral whatever, he classed it without hesitation among the six hundred species science numbers to-day.

The name of Lidenbrock was consequently mentioned with honour in gymnasiums and national associations. Humphry Davy, Humboldt, and Captains Franklin and Sabine, paid him a visit when they passed through Hamburg. Becqueul, Ebolmann, Brewster, Dumas, Milne-Edwards, Sainte Clarice Deville, took pleasure in consulting him on the most stirring questions of chemistry, a science which was indebted to him for discoveries of considerable importance; and in 1853 a treatise on Transcendent Crystallography, by Professor Otto Lidenbrock, was published at Leipsic, a large folio, with plates, which did not pay its cost, however.

Moreover, my uncle was curator of the Museum of Mineralogy, belonging to M. Struve, the Russian ambassador, a valuable collection, of European celebrity.

Such, then, was the personage who summoned me so impatiently.

Fancy to yourself a tall, spare man, with an iron constitution, and a juvenile fairness of complexion, which took off a full ten years of his fifty. His large eyes rolled about incessantly behind his great goggles; his long thin nose resembled a knife-blade; malicious people declared it was magnetised, and attracted steel filings — a pure calumny; it attracted nothing but snuff, but, to speak truth, a superabundance of that. When I have added that my uncle made mathematical strides of three feet at every step, and marched along with his fists firmly clenched — a sign of an impetuous temperament — you will know enough of him not to be overanxious for his company.

He lived in his little house in Königstrasse, a dwelling built partly of brick and partly of stone, with a crenated gable-end, which looked on to one of those winding canals which intersect each other in the center of the oldest part of Hamburg, which happily escaped the great fire in 1842.

The old house leaned forward slightly, and bulged out towards the passers-by. The roof inclined to one side, in the position a German student belonging to the Tugendbund wears his cap. The perpendicular of the house was not quite exact, but, on the whole, the house stood well enough, thanks to an old elm, firmly embedded in the façade, which pushed its flower buds across the window-panes in spring.

My uncle was pretty rich for a German professor. The house was his own, and all its belongings. These belongings were his godchild Gräuben, a Virland girl, seventeen years old, his servant Martha, and myself. In my double quality of nephew and orphan, I became his assistant in his experiments.

I must confess I have a great appetite for geological science. The blood of a mineralogist flows in my veins, and I never grow weary in the society of my beloved stones.

On the whole, it was possible to live happily in this little house in Königstrasse, notwithstanding the impatience of the owner; for though he had a rough fashion of showing it, he loved me for all that. But, the fact was, he was a man who could not wait, and was in a greater hurry than nature.

When he used to plant mignonette and convolvuluses in his terracotta pots in the spring, every morning he went regularly and pulled their leaves, to hasten their growth.

With such an original, there was no alternative but to obey, so I darted into the study immediately.

II

The study was a complete museum, every specimen of the mineral kingdom was to be found there, all labelled in the most perfect order, in accordance with the three great divisions of minerals — the inflammable, the metallic, and the lithoid.

How well I knew this alphabet of mineralogical science. How many a time, instead of loitering about with boys of my own age, I amused myself by dusting these graphites, and anthracites, and pit coal, and touch-stones; and the bitumens, and the resins, and organic soils, which had to be kept from the least particle of dust; and the metals, from iron up to gold, the relative value of which disappeared before the absolute equality of scientific specimens; and all those stones, enough to build the little house in the Königstrasse over again, and an extra room besides, which I would have fitted up so nicely for myself.

But when I entered the study now, I scarcely thought of those wonders. My mind was entirely occupied with my uncle. He had buried himself in his big arm-chair, covered with Utrecht velvet, and held a book in his hands, gazing at it with the most profound admiration.

"What a book! What a book!" he exclaimed.

This reminded me that Professor Lidenbrock was also given to bibliomania in his leisure moments; but an old book would have had no value in his eyes unless it could not be found anywhere else, or, at all events, could not be read.

"What! don't you see it, then?" he went on. "It is a priceless treasure! I discovered it this morning while I was rummaging about in Hevelin's, the Jew's shop."

"Magnificent!" I replied with forced enthusiasm.

Really, what was the good of making such a fuss about an old quarto volume, the back and sides of which seemed bound in coarse calf — a yellowish old book, with a faded tassel dangling from it?

However, the professor's vocabulary of adjectives was not yet exhausted.

"Look!" he said, asking himself questions, and answering them in the same breath; "is it handsome enough? Yes; it is first-rate. And what binding! Does it open easily? Yes, it lies open at any page, no matter where. And does it close well? Yes; for binding and leaves seem in one completely. Not a single breakage in this back after 700 years of existence! Ah! this is binding that Bozerian, Closs, and Purgold might have been proud of."

All the while he was speaking, my uncle kept opening and shutting the old book. I could not do less than ask him about the contents, though I did not feel the least interest in the subject.

"And what is the title of this wonderful volume?" I asked.

"The title of it?" he replied, with increased animation. "The title is 'Heims Kringla,' by Snorre Turleson, the famous Icelandic author of the twelfth century. It is the chronicle of the Norwegian princes who reigned in Iceland."

"Indeed!" I said, doing my best to appear enthusiastic. "And it is translated into German, of course?"

"Translated!" cried the professor, in a sharp tone. "What should I do with a translation? Who cares for translations? It is the original work, in the Icelandic — that magnificent idiom at once grand and simple — which allows of the most varied grammatical combinations and most numerous modification of words."

"Like German," I said, making a lucky hit.

"Yes," replied my uncle, shrugging his shoulders; "without taking into account that the Icelandic language has the three numbers like the Greek, and declines proper names like the Latin."

"Does it?" said I, a little roused from my indifference. "And is the type good?"

"Type? Who is talking of type, you poor, ignorant Axel. So, you suppose this was printed! You ignoramus! It is a manuscript, and a Runic manuscript, too."

"Runic?"

"Yes. Are you going to ask me to explain that word, next?"

"Not if I know it," I replied, in a tone of wounded vanity.

But my uncle never heeded me, and went on with his instructions, telling me about things I did not care to know.

"The Runic characters were formerly used in Iceland, and, according to tradition, were invented by Odin himself. Look at them, and admire them, impious young man! — these types sprang from the imagination of a god."

The only reply I could think of was to prostrate myself, for this sort of answer must be as pleasing to gods as to men, since it has the advantage of never embarrassing them. But before I could do this the current of the conversation was changed in an instant by the sudden appearance of a dirty parchment, which slipped out of the old book and fell on the floor.

My uncle pounced on this treasure with avidity, as can easily be supposed. An ancient document, shut up in an old volume, perhaps from time immemorial, could not fail to be of priceless value in his eyes.

"What is this?" he exclaimed, carefully spreading out on his table a piece of parchment, five inches long and three wide, on which some incomprehensible characters were inscribed in long transverse lines.

I give the exact fac-simile, for great importance attaches to these fantastic marks, as they led Professor Lidenbrock and his nephew to undertake the strangest expedition of the nineteenth century.

The professor looked at the queer characters for some minutes, and then pushed up his spectacles and said:

"It is Runic! these marks are exactly like those in the manuscript of Snorre Turleson. But what can they mean?"

As Runic appeared to me an invention of learned men to mystify the poor world, I was not sorry to see that my uncle could not decipher it. At least I judged so from the convulsive working of his fingers.

"Yet it is the ancient Icelandic!" he muttered to himself.

And Professor Lidenbrock could not but know this, for he was considered a veritable polyglot. Not that he could speak fluently the 2,000 languages and 4,000 dialects used on the surface of the globe, but he was familiar with a good part of them.

A difficulty like this, then, was sure to rouse all the impetuosity of his nature, and I was just expecting a violent scene, when two o'clock struck and Martha opened the study door and said:

"Soup is on the table."

"Pitch the soup to the devil and the cook too, and those who eat it."

Martha fled and I scampered after her, and hardly knowing how, found myself in my accustomed seat in the dining-room.

I waited a few minutes. The professor did not come.

This was the first time to my knowledge that he had ever neglected the grave business of dinner. And what a dinner, too! Parsley soup, a ham omelette, and sorrel à la muscade, a loin of veal, and a compôte of plums; and for dessert, crevettes au sucre, and all washed down with sparkling Moselle wine.

All this was what my uncle was going to lose for the sake of an old paper. Really, as a devoted nephew, I felt obliged to do his share of eating as well as my own, and I did it conscientiously.

"I never saw the like of this!" exclaimed our good Martha, "Mr. Lidenbrock not to come to dinner! It is incredible! This bodes something serious," went on the old servant, shaking her head.

In my opinion it boded nothing except a frightful outbreak when my uncle found his dinner devoured.

I was just finishing my last crevette when a loud thundering summons tore me away from my voluptuous enjoyment. I made one bound into the study.

III

"It is evidently Runic," said the professor, knitting his brows, "but there is a secret in it, and I will discover it, or else — —"

A violent gesture completed his sentence.

"Sit down there," he added, pointing to the table with his fist, "and write."

I was ready in an instant.

"Now, then, I am going to dictate to you each letter of our alphabet which corresponds to one of these Icelandic characters. We shall see what that will give us. But by St. Michael take care you make no mistake."

The dictation commenced. I did my best. Every letter was called out one after another, and formed the following incomprehensible succession of words:

m.rnlls esreuel seecJde sgtssmf unteief niedrke kt,Samn atrateS Saodrrn emtnaeI nuaect rrilSa Atvaar .nscrc ieaabs ccdrmi eeutul frantu dt,iac oseibo KediiI
When I had finished it my uncle snatched the paper from me and examined it attentively a long time.

"What can it mean?" he repeated mechanically.

On my honour I could not tell him. Besides, he did not ask me, he was speaking to himself.

"It is what we call a cryptogram, where the meaning is concealed by confusing the letters designedly, and to make an intelligible sentence they must be arranged in proper order. To think that here perhaps lies the explanation or indication of some great discovery!"

For my own part, I thought it was absolute nonsense, but I was wise enough to keep my opinion to myself.

The professor took up the book and the parchment again, and compared them.

(Continues…)


Excerpted from "Journey to the Center of the Earth"
by .
Copyright © 2018 Jules Verne.
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Table of Contents

A great discovery — Our journey begins — Into the earth — Lost — The great sea — The boiling tunnel.

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