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Karma and Chaos: New and Collected Essays on Vipassana Meditation
     

Karma and Chaos: New and Collected Essays on Vipassana Meditation

by Paul R. Fleischman, Forrest R. Fleischman (Photographer)
 

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These eight essays explore the interface between psychiatry, science, and the timeless teachings of the Buddha. Drawn from the personal experiences of a therapist and practitioner of Vipassana meditation, this work explores meditation’s similarities and differences with psychotherapeutic and scientific endeavors. In the title essay, parallels are drawn

Overview


These eight essays explore the interface between psychiatry, science, and the timeless teachings of the Buddha. Drawn from the personal experiences of a therapist and practitioner of Vipassana meditation, this work explores meditation’s similarities and differences with psychotherapeutic and scientific endeavors. In the title essay, parallels are drawn between the atomic synthesis of free choice and lawful consequence in Chaos Theory and karma, offering contemporary insights into one of Buddhism’s core concepts. The empirical roots of meditation, its relevance to daily life, and the challenges and benefits of daily practice of Vipassana meditation are also addressed. Practical examples for continued observation outside of formal meditation retreats guide readers in incorporating Buddhist practice into daily life.

Editorial Reviews

From the Publisher

“This is a superb little book, a mature and beautiful flower from one of the past century’s truly important developments, the reseeding of the Buddha’s ancient teaching in a western and global context.” —Philip Novak, Ph.D., author, The World’s Wisdom

“This small but packed-with-information book will provoke, inspire and illuminate; of that I have no doubt.” —Dale Salwak, Ph.D., author, The Wonders of Solitude and The Power of Prayer

Product Details

ISBN-13:
9780964948457
Publisher:
Pariyatti Publishing
Publication date:
09/28/2003
Pages:
160
Sales rank:
1,299,483
Product dimensions:
5.50(w) x 8.50(h) x 0.50(d)

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Read an Excerpt

Karma and Chaos

New and Collected Essays on Vipassana Meditation


By Paul R. Fleischman, Forrest D. Fleischman

Pariyatti Publishing

Copyright © 1994 Paul R. Fleischman
All rights reserved.
ISBN: 978-1-938754-41-8



CHAPTER 1

Why I Sit


This morning the first thing I did was to sit for an hour. I have done that religiously for many years, and have spent many evenings, days and weeks doing the same. The English word "meditate" until recently had a vague meaning, referring to any one of a set of activities like extended deep thought, or prayer, or religious contemplation. Recently, "meditation" gained a pseudo-specificity: "T.M.," deep relaxation, or alpha-wave conditioning, with connotations of Hinduized cult phenomena like mantras, gurus, and altered states of consciousness. To "sit" is a basic word, with connotations ranging from chicken-coops to boredom and sagacity, so it forms a neutral starting point for an explanation of why I have spent thousands upon thousands of hours "sitting," and why I have made this activity the center of my life.


I

I would like to know myself. It is remarkable that while ordinarily we spend most of our lives studying, contemplating, observing, and manipulating the world around us, the structured gaze of the thoughtful mind is so rarely turned inwards. This avoidance must measure some anxiety, reluctance, or fear. That makes me still more curious. Most of our lives are spent in externally oriented functions that distract from self-observation. This relentless, obsessive drive persists independently of survival needs such as food and warmth, and even of pleasure. Moment for moment, we couple ourselves to sights, tastes, words, motions, or electric stimuli, until we fall dead. It is striking how many ordinary activities, from smoking a pipe to watching sunsets, veer towards, but ultimately avoid, sustained attention to the reality of our own life.

So it is not an intellectual intrigue with the platonic dictum that leads me to sit, but an experience of myself and my fellow human as stimulus-bound, fundamentally out of control, alive only in reaction. I want to know, to simply observe, this living person as he is, not just as he appears while careening from event to event. Of course, this will undoubtedly be helpful to me as a psychiatrist, but my motives are more fundamental, personal, and existential.

I am interested in my mind, and in my body. Previous to my having cultivated the habit of sitting, I had thought about myself, and had used my body as a tool in the world, to grip a pen or to chop firewood, but I had never systematically, rigorously, observed my body — what it feels like, not just with a shy, fleeting glance, but moment after moment for hours and days at a time; nor had I committed myself to observe the reciprocal influence of mind and body in states of exhaustion and rest, hunger, pain, relaxation, arousal, lethargy, or concentration. My quest for knowing is not merely objective and scientific. This mind-and-body is the vessel of my life. I want to drink its nectar, and if necessary, its sludge, but I want to know it with the same organic immersion that sets a snow goose flying ten thousand miles every winter and spring.

It seems to me that the forces of creation, the laws of nature, out of which this mind and body arose, must be operative in me, now, continuously, and whenever I make an effort to observe them. The activity of creation must be the original and continuing cause of my life. I would like to know these laws, these forces, my maker, and observe, even participate in, the ongoing creation.

Newton founded modern science with his assumption that there is one continuous world, one unbroken order, one set of laws governing both earth and sky; so along with this great tradition, and along with the ancient religions of India as well, I assume that the physics of the stars is the physics of my body also. The laws of chemistry and biology, predicated on the laws of physics, are also uniform throughout nature. Since these laws operate continuously, without reserve or sanctuary, but uniformly and pervasively, I deduce that eternal, unbroken laws operate in me, created me, and create me, that my life is an expression of them continuously linked by cause and effect to all that antedated, all that follows, and all that is coexistent; and that, to the extent that I am conscious and capable of learning, a systematic study and awareness of creation's ways is available to me if I live with attention to this field.

Even if I am frequently incapable of actually observing the most basic levels of reality, at least the mental and physical phenomena that bombard me are predicated on nature's laws, and must be my laboratory to study. I want to sing like a bird, like a human. I want to grow and rot like a tree, like a man. I want to sit with my mind and body as they cast up and swirl before me and inside me the human stuff which is made of and ordered by the matter and laws governing galaxies and wrens.

Because the harmony in me is at once so awesome and sweet and overwhelming that I love its taste yet can barely compel myself to glimpse it, I want to sit with the great determination that I need to brush aside the fuzz of distraction, the lint of petty concerns. To sit is to know myself as an unfolding manifestation of the universals of life. A gripping, unending project. Hopefully one I can pursue even when I look into death's funnel. For me, this knowing is a great force, and a great pleasure.


II

I sit because of, for, and with, an appreciation of daily life. The great poets sing of the omnipresent ordinary, pregnant with revelation — but I know how easily and recurrently my own life yields to distraction, irritation, tunnel vision. I do not want to miss my life the way I once missed a plane at La Guardia airport. It may be ironic that simply to wiggle free of daydreams and worries I need a technique, a practice, a discipline, but I do; and I bow to that irony by doing what I must do to pry my mind off ephemeral worries, to wake to more dawns, to see my child unravel through his eddying transformations.

It may be contrary that I must work so hard to be at peace with myself, but I do; and I have become increasingly convinced, learning as I sit and live and sit and live, that "being at peace" is not a state of mind, but a state of mind and body. At the core of my life is a receptive drinking in. The simple beauty of things keeps flooding in to me. I live for this draught, and build my life around it. Yet it slips away. I can try to crash back through by taking dramatic journeys — to India, or to lakes at tree-line in the Rocky Mountains — but this kind of breath-taking beauty is only an interlude, a punctuation mark. It reminds me of what I intended to emphasize in my life, but like an exclamation point, it has limited use.

The clear direct sentence — the death sentence, the sentence of love — ends with a mere period. This declarative beauty is more like looking up over the slums of Montreal to see the moon wearing a pendant of Venus in 4:00 a.m. darkness. I am describing not what is sought or built, but what I discover when the walls fall away. Similarly when I walk alone in the autumn forest, up and down gneiss and schist hills and ridges of Vermont, and I become confused whether that intense pulsating drumming is the "booming" of grouse wings, or my own heart, strained by the last climb. This is an experience that is a metphor also. We sometimes feel our bodies, our lives, beating in recognition. We absorb a dimension of reality that is the same inside and outside, an inner, lawful pulse to things. The tuning fork of my life hums in response to the living world.

This receipt — like a parent accepting back a soggy, half-eaten cracker — requires, for me, a framework, a matrix in my body, that simple as it should be, I do not simply have. This knowing requires a bodily preparation. I sit to open my pores — skin and mind both — to the life that surrounds me, inside and outside, at least more often if not all the time, as it arrives at my doorstep. I sit to exercise the appreciative, receptive, peaceful mode of being filled up by the ordinary and inevitable. For example, the sagging floorboards in the crooked bedroom where I am a husband. Or my two-year-old son, tugging one splinter at a time, to help me stack firewood in new January snow.


III

I feel a need for a rudder, a keel, a technique, a method a way to continue on course. I need ceaselessly increasing moments of self-control (though not constriction, deadening, or inhibition). It seems to me that the best of human life is lived on a narrow ledge, like a bridge over a stream in Nepal, or like a trail in the Grand Canyon, between two chasms. On the one side is desire, on the other side is fear. Possibly it is because of my work as a psychiatrist, often with essentially normal people, who are nonetheless pushed and pulled about by their inner forces like tops, that I feel so sensitized to these faults that can send seismic shudders through apparently solid lives. But my own life has ground enough for these observations.

Sitting is, among other things, the practice of self-control. While sitting one does not get up, or move, or make that dollar, or pass that test, or receive reassurance from that phone call. But military training, or violin lessons, or medical school, are also routes to self-control in this ordering and restrictive sense. Sitting is self-control around specific values. Observation replaces all action. What is the point of committing one's life to this practice, only to spend the time with erotic daydreams, or anxious yearnings for promotion and recognition? Of course, those will happen anyway. They are part of the human make-up. Cultures would not have proliferated the ubiquitous moral codes, the Ten Commandments, if we were not so replete with ten million urges.

But moral invective, preaching, always seemed feeble to me — possibly just a measure of my wild horses and snails. I need a constantly useable, constantly renewable lens to see through my yearnings into my loves, to see through my anxieties into my faith. What is a bedrock feeling, the core of my identity, and what is a titillation that will ultimately be discarded? What characters walk in front of the mirror of my soul day after day, year after year, and who are the clowns that steal the stage for a scene?

An hour of sitting is one thing: longer periods another. Once a year, under the guidance of a teacher, I sit for ten days, all day. That kind of practice induces pain. To face pain has become a regular, inescapable part of my life. It is for most people — laborers, poor, infirm, cold, infected, hungry people throughout the world. But I have not elected sentimental, identificatory masochism. I am looking at another side of myself. While I spontaneously seek to avoid pain, a higher wisdom than knee-jerk reaction tells me that, in Socrates' words: "... pain and pleasure are never present to a man at the same instant, and yet he who pursues either is compelled to take the other; their bodies are two, but they are joined by a single head." (Phaedo)

Just how serious am I about being who I said I was? How integrated do I want to be with this screaming body that has to be fed, slept, positioned just right, or it howls unbearably? I sit because I know I need a self-control that does not lecture or stomp on my tendencies, but reorganizes desire into love, and pain and fear into faith.


IV

As I understand it, love is not an emotion, but an organization of emotions. It is not a room, but a dwelling; not a bird, but a migratory flyway. It is a structure of emotions, a meta-emotion. This is in contrast to love understood as a sentimental gush of attachment, or as romantic sexuality. Sitting has helped me to find love, to live by love, or at least, to live more by love. It has helped me come alive as a husband, father, psychiatrist, and citizen, within the bounds of my character and capabilities. It has pried me open beyond either my previous sentimental position or my rational moral knowledge and has given me a tool, a practice, an activity expressive of love. For me it is both crowbar and glue.

As Erik Erikson has written, it is only "ambivalence that makes love meaningful — or possible." In other words, it is only because we are both separate, and united, that love exists. If we had no individual existence, no personal drives, there would be merely the homogeneous glob of the world, devoid of emotion, unknowing, like a finger on a hand. Yet if we were irreconcilably separate there would only be self-maintaining cold stars coexisting in dead space. I understand love to mean the organization of human emotions into those complex states where separation and merging, individuality and immersion, self and selflessness paradoxically coexist. Only an individual can love; and only one who has ceased to be one can love. Sitting has helped me develop both these poles. It breaks me open where I get stuck; and where I fall off as a chip, it sticks me back on to the main piece.

Sitting pushes me to the limit of my self-directed effort; it mobilizes my willed, committed direction, yet it also shatters my self-protective, self-defining maneuvers, and my simple self-definition. It both builds and dismantles "me." Every memory, every hope, every yearning, every fear floods in. I no longer can pretend to be one selected set of my memories or traits.

If observed, but not reacted upon, all these psychic contents become acceptable, obviously part of myself (for there they are in my own mind, right in front of me); yet also impersonal, causally-linked, objective phenomena-in-the-world that move ceaselessly, relentlessly, across the screen of my existence, without my effort, without my control, without me. I can see more, tolerate more, in my inner life, at the same time that I am less driven by these forces. Like storms and doves, they are the personae of nature, crossing one inner sky. Psychic complexity swirls up from the dust of cosmetic self-definition. At the same time, the determination and endurance I have to muster to just observe, grow like muscles with exercise. Naturally the repetition of this mixture of tolerance and firmness extrapolates beyond its source in sitting, out to relationships.

There is little I have heard from others — and it is my daily business to hear — that I have not seen in myself as I sit. But I also know the necessity of work, training and restraint. Dependence, loneliness, sensuality, exhaustion, hunger, petulance, perversion, miserliness, yearning, inflation are my old friends. I can greet them openly and warmly in people close to me, both because I know them from the inside and therefore cannot condemn them without condemning myself; and also because I have been learning to harness and ride their energy. To love, I try to hold the complex reality of myself at the same time that I try to catch the complex reality of another.

I have known my wife for decades. We have dated and swam, married and fought, traveled, built cabins, bought houses, delivered and diapered together; in short, we have attained the ordinary and ubiquitous. In a world of three billion people, this achievement ranks with literacy, and would have no bearing on why I sit, except that it does. Even the inevitable is fragile. I, we, am, and are, buffered by un-shy thanks. We are sharpened by life with an edge.

I sit and life moves through me, my married life too. This sphere also takes its turn before my solitary, impeachable witness to my own existence and its eternal entanglements. As a married man, I sit as if in a harbor from my selfish pettiness, where the winds of my annoyance or anger have time to pass; I sit as a recipient of a generous outpouring of warmth that I have time to savor; I sit as a squash or pumpkin with his own slightly fibrous and only moderately sweet but nonetheless ample life to lay on someone else's table; I sit as one oxen in a team pulling a cart filled with rocking horses, cars, and porches that need paint; I sit knowing myself as a sick old man of the future awaiting the one person who can really attend, or as the future one whose voice alone can wave death back behind someone else's hospital curtain for another hour; I sit as a common man of common desire, and as a dreamer who with the bricks of shared fate is building a common dream; and I sit alone in my own life anyway.

How fortunate to have this cave, this sanctuary, this frying-pan, this rock, and this mirror of sitting, in which to forge, drop, haul, touch, release my love and not get lost. To sit is the compass by which I navigate the seas of married love. It is also the string by which I trip up the fox on his way to the chicken coop. To live is a deep yearning and hard work. It cannot be done alone! There are many ways to receive help, and many ways to give it. Martin Buber says that men and women cannot love without a third point to form a stable triangle: a god, task, calling, or meaning beyond their dyadic individuality. What about two who just know the pole star?

There is a joke in the comic strip "Peanuts": "I love mankind. It's just people that I hate." I think love is concrete and abstract. If it is only an amorphous generalized feeling, it remains a platitude, a wish, a defense against real entanglement. This is what sounds hollow in the pious, sanctimonious "Love" of some churches and martyrs. But if love is only concrete, immediate, personal, it remains in the realm of possession, privatism, materialism, narcissism. This is the paternalistic love a person has for his house, cars, family. My understanding is that actual love expands outward in both spheres. Riding the wings of the ideal, it sweeps up and carries along those who are encountered.


(Continues...)

Excerpted from Karma and Chaos by Paul R. Fleischman, Forrest D. Fleischman. Copyright © 1994 Paul R. Fleischman. Excerpted by permission of Pariyatti Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author


Paul R. Fleischman, MD, is the author of Cultivating Inner Peace, The Healing Spirit, and Spiritual Aspects of Psychiatric Practice. He has contributed to the American Journal of Psychiatry, Landscape, Nature, The Yale Review, and The University of Chicago Review. In 1993 he was awarded the Oskar Pfister award by the American Psychiatric Association. He lives in Amherst, Massachusetts.

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