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The Kill Artist (Gabriel Allon Series #1)

The Kill Artist (Gabriel Allon Series #1)

4.0 255
by Daniel Silva

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The first Gabriel Allon novel from #1 New York Times bestselling author Daniel Silva.

Immersed in the quiet, meticulous life of an art restorer, former Israeli intelligence operative Gabriel Allon keeps his past well behind him. But now he is being called back into the game—and teamed with an agent who hides behind her own mask…as a


The first Gabriel Allon novel from #1 New York Times bestselling author Daniel Silva.

Immersed in the quiet, meticulous life of an art restorer, former Israeli intelligence operative Gabriel Allon keeps his past well behind him. But now he is being called back into the game—and teamed with an agent who hides behind her own mask…as a beautiful fashion model.  

Their target: a cunning terrorist on one last killing spree, a Palestinian zealot who played a dark part in Gabriel’s past. And what begins as a manhunt turns into a globe-spanning duel fueled by both political intrigue and deep personal passions...

Editorial Reviews

From the Publisher
“[A] HEART-STOPPING, COMPLEX YARN OF INTERNATIONAL TERRORISM AND INTRIGUE…A thrilling roller-coaster ride, keeping readers guessing until the mind-bending conclusion.”—Publishers Weekly

“A writer who is bringing NEW LIFE TO THE INTERNATIONAL THRILLER.”—Newsday
“A MASTER WRITER OF ESPIONAGE…[Daniel Silva’s] writing is clean, crisp, and compelling.”—The Cincinnati Enquirer
“[A] THRILL-A-MINUTE SURE-FIRE BESTSELLER…[that] rips Middle East strife from the headlines.”—Kirkus Reviews

Our Review
Four years ago, Daniel Silva hit the ground running with The Unlikely Spy, a big, ambitious World War II drama that evoked comparisons with Robert Harris, Ken Follett, and John Le Carré. In his fourth and latest novel, The Kill Artist, Silva turns to the twisted history and undying blood feuds of the Middle East and solidifies his position as one of the most accomplished new practitioners of the international thriller.

The hero of The Kill Artist is Gabriel Allon, a world-class art restorer and former Israeli intelligence agent who lost his wife and son to a Palestinian car bombing in 1991. As the novel opens, Gabriel is living a solitary, tightly focused existence on the Cornish coast of England when a figure from the past -- legendary spymaster Ari Shamron -- reenters his life. Shamron, the agent responsible for the kidnapping and capture of Adolph Eichman, has a brand new scheme in mind, a scheme that requires Gabriel Allon's services.

A renegade Arab terrorist known only as Tariq has recently resurfaced. He has murdered a number of prominent Israeli supporters, and his reign of terror threatens the success of the delicately balanced Middle East peace talks. Faced with the prospect of confronting Tariq, the man responsible for the destruction of his family, Gabriel comes out of retirement, and agrees to mount the final intelligence initiative of his career.

The operation that follows is a tortuous affair, marked by departmental wrangling, hidden political agendas, and wheels within wheels. The action unfolds in a series of crisp, tightly constructed set pieces that range from the capitals of Europe (Paris, London, Lisbon) to Jerusalem itself, with intermittent stops in Montreal, New York City, and Washington, DC. Characters caught up in the drama include a London-based art dealer who has fallen on hard times, a Rupert Murdoch- style media magnate, and a world famous fashion model whose glossy, high-profile lifestyle conceals her tragic family history, and her occasional role as a clandestine operative for the Israeli secret service.

John Le Carré -- particularly the Le Carré of Tinker, Tailor, Soldier, Spy and The Little Drummer Girl -- is a pervasive presence throughout this novel. And though Silva never quite reaches Le Carré's level of stylistic mastery and psychological complexity, he has clearly absorbed some valuable lessons, and has developed into a strong, seductive storyteller with his own distinctive voice. The Kill Artist is a moving, thoughtful, evenhanded examination of a troubled corner of the world, and it deserves the attention of serious thriller fans everywhere.

--Bill Sheehan

Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has been published by Subterranean Press (www.subterraneanpress.com).

What seemed at first like a promising career has now veered toward the predictable and slightly silly. Silva's first novel, The Unlikely Spy, was a new take on a tired genre. His second and third books, while not as fresh, were satisfying high-speed adventures. With this book, Silva has slipped into the rousing-but-exhausted world of Robert Ludlum. The hero of the story is Gabriel Allon, a onetime master spy for the Israeli intelligence service who is so good he goes by only his last name (are you tracking the silliness quotient?). Allon bailed out of the spy business when his wife and child were killed, presumably by the Palestinian superterrorist Tariq. When Tariq surfaces years later with plans to derail the Middle East peace process, revenge compels Allon to join in the search. From there it's pretty much a straightforward fox hunt, which in this genre means the fox is often the one doing the hunting. The book lacks depth and when you're done, you'll have to remind yourself who wrote the thing. Frankly, it could have been one of about six writers, all of whom are kicking out the same kind of book, complete with interchangeable characters and indistinguishable plots.
—Randy Michael Signor

Library Journal
A former Mossad agent, now an art restorer, is tapped to help thwart a Palestinian plot to halt peace talks by assassinating Yasir Arafat. Another December 26 release. Copyright 2000 Cahners Business Information.\

Product Details

Penguin Publishing Group
Publication date:
Gabriel Allon Series , #1
Edition description:
Sales rank:
Product dimensions:
4.19(w) x 7.50(h) x 1.13(d)
Age Range:
18 Years

Read an Excerpt

By coincidence Timothy Peel arrived in the village the same week in July as the stranger. He and his mother moved into a ramshackle cottage at the head of the tidal creek with her latest lover, a struggling playwright named Derek, who drank too much wine and detested children. The stranger arrived two days later, settling into the old foreman’s cottage just up the creek from the oyster farm.

Peel had little to do that summer—when Derek and his mother weren’t making clamorous love, they were taking inspirational forced marches along the cliffs—so he determined to find out exactly who the stranger was and what he was doing in Cornwall. Peel decided the best way to begin was to watch. Because he was eleven, and the only child of divorced parents, Peel was well schooled in the art of human observation and investigation. Like any good surveillance artist, he required a fixed post. He settled on his bedroom window, which had an unobstructed view over the creek. In the storage shed he found a pair of ancient Zeiss binoculars, and at the village store he purchased a small notebook and ballpoint pen for recording his watch report.

The first thing Peel noticed was that the stranger liked old objects. His car was a vintage MG roadster. Peel would watch from his window as the man hunched over the motor for hours at a time, his back poking from beneath the bonnet. A man of great concentration, Peel concluded. A man of great mental endurance.

After a month the stranger vanished. A few days passed, then a week, then a fortnight. Peel feared the stranger had spotted him and taken flight. Bored senseless without the routine of watching, Peel got into trouble. He was caught hurling a rock though the window of a tea shop in the village. Derek sentenced him to a week of solitary confinement in his bedroom.

But that evening Peel managed to slip out with his binoculars. He walked along the quay, past the stranger’s darkened cottage and the oyster farm, and stood at the point where the creek fed into the Helford River, watching the sailboats coming in with the tide. He spotted a ketch heading in under power. He raised the binoculars to his eyes and studied the figure standing at the wheel.

The stranger had come back to Port Navas.

The ketch was old and badly in need of restoration, and the stranger cared for it with the same devotion he had shown his fickle MG. He toiled for several hours each day: sanding, varnishing, painting, polishing brass, changing lines and canvas. When the weather was warm he would strip to the waist. Peel couldn’t help but compare the stranger’s body with Derek’s. Derek was soft and flabby; the stranger was compact and very hard, the kind of man you would quickly regret picking a fight with. By the end of August his skin had turned nearly as dark as the varnish he was so meticulously applying to the deck of the ketch.

He would disappear aboard the boat for days at a time. Peel had no way to follow him. He could only imagine where the stranger was going. Down the Helford to the sea? Around the Lizard to St. Michael’s Mount or Penzance? Maybe around the cape to St. Ives.

Then Peel hit upon another possibility. Cornwall was famous for its pirates; indeed, the region still had its fair share of smugglers. Perhaps the stranger was running the ketch out to sea to meet cargo vessels and ferry contraband to shore.

The next time the stranger returned from one of his voyages, Peel stood a strict watch in his window, hoping to catch him in the act of removing contraband from the boat. But as he leaped from the prow of the ketch onto the quay, he had nothing in his hands but a canvas rucksack and plastic rubbish bag.

The stranger sailed for pleasure, not profit.

Peel took out his notebook and drew a line through the word smuggler.

The large parcel arrived the first week of September, a flat wooden crate, nearly as big as a barn door. It came in a van from London, accompanied by an agitated man in pinstripes. The stranger’s days immediately assumed a reverse rhythm. At night the top floor of the cottage burned with light—not normal light, Peel observed, but a very clear white light. In the mornings, when Peel left home for school, he would see the stranger heading down the creek in the ketch, or working on his MG, or setting off in a pair of battered hiking boots to pound the footpaths of the Helford Passage. Peel supposed he slept afternoons, though he seemed like a man who could go a long time without rest.

Peel wondered what the stranger was doing all night. Late one evening he decided to have a closer look. He pulled on a sweater and coat and slipped out of the cottage without telling his mother. He stood on the quay. looking up at the stranger’s cottage. The windows were open; a sharp odor hung on the air, something between rubbing alcohol and petrol. He could also hear music of some sort—singing, opera perhaps.

What People are Saying About This

From the Publisher

[A] heart-stopping complex yarn of international terrorism and intrigue...A thrilling roller-coaster ride, keeping readers guessing until the mind-bending conclusion." —Publishers Weekly

Meet the Author

Daniel Silva is the #1 New York Times bestselling author of The Unlikely Spy, The Mark of the Assassin, The Marching Season, and the Gabriel Allon series, including The Kill Artist, The English Assassin, The Confessor, A Death in Vienna, Prince of Fire, The Messenger, The Secret Servant, Moscow Rules, The Defector, The Rembrandt Affair, Portrait of a Spy, The Fallen Angel, The English Girl, The Heist, The English Spy, and The Black Widow. His books are published in more than thirty countries and are bestsellers around the world.

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The Kill Artist (Gabriel Allon Series #1) 4 out of 5 based on 0 ratings. 255 reviews.
Guest More than 1 year ago
In Daniel Silva's latest thriller, The Kill Artist, he not only continues the suspense created in The Mark Of The Assasin, he exceeds it. This book can't miss being a sure-fire smash with all readers who like international espionage thrillers; and it will keep you glued to the edge of your seat. Silva's writing style is so 'grabbing' it will make you feel that you're personally there in the middle of the action. The action is non-stop, the plot is excitng and includes several surprises, and the characters are so fully developed, you'll think you really know them. If you're looking for a book in which you can fully 'get lost', get yourself a copy of The Kill Artist as soon as you can.
musiciansinthekitchen More than 1 year ago
Another great installment in the Gabriel Allon series by Silva. Definitely a suggested read!!
Guest More than 1 year ago
nice book.but compared to spy masters like ludlum and forsyth,doesnt come close.but all the same a decent book.
Guest More than 1 year ago
I just finished my first book by Daniel Silva, The Kill Artist. It was the BEST book I have read in years! I could not put it down and was sorry when it was finished. The female lead (Sarah/Jacqueline/Dominique) reminded me so much of Charlie in Le Carre¿s Little Drummer Girl, in the way she was deceived and led to do things by duplicitous men she loved. I am now starting The Confessor and hope it is even half as good. I plan to get all his books. So thankful there is another writer whose thriller/spy novels I can look forward to getting my hands on (like Ludlum, Forsythe, Follett, etc.).
Guest More than 1 year ago
As an avid reader it is easy to predict the ending for many novels however Silva continues to keep you on the edge of your seat and turning pages. Nothing is ever as it seems Gabriel is a genuine character that is caught between something he believes in and trying to get on with his life. Great read.
Guest More than 1 year ago
I have just finished three of Silva's books ending with the Kill Artist. He writes sparingly and well, and the action keeps the reader tied to the book. And for those who have read his other books, there is a not so hidden moment in Kill Artist when a terrorist meets an assassin. You will like it!
eBook-Aficionado More than 1 year ago
Dan Silva continually gets stronger as his Gabriel Allon series moves along. Perhaps his writing muscles are reaching their peak potential, but I rather think his knowledge of the lead character has brought him to a point where the story propels forward personally. This engages us, as we too get to care for our art restorer-spy, the one whose painful troubled past both threatens and enables him to face his present. A definite must read. Now on to the next one!
Guest More than 1 year ago
The author developed the character of Gabriel Allon very good. I loved the scenic descriptions as well as the reference to history/facts.
Guest More than 1 year ago
An excellant read-silva has taken the lead as a suspense/spy thriller writer as far as I am concerned.
Guest More than 1 year ago
Daniel Silva burst onto the scene with the Unlikely Spy and has followed it with the Mark of the Assassin and Marching Season. Each of his novels is unique in setting, characters and plot. What remains consistant is his thought, pace and intrigue. He is quite simply the best thriller writer today!
Anonymous More than 1 year ago
It was ok
prussblue10 More than 1 year ago
Difficult to put down.
jbm More than 1 year ago
Well written, page turner, twist and turns everywhere!! My first Daniel Silva book, but not my last!!!
Anonymous More than 1 year ago
A very easy book to read. Kept my interest and I really enjoyed the authors writing style...not sure what was different from the others but it was.
Anonymous More than 1 year ago
great story line and development. Intriguing characters, cannot put them down. Intense descriptions.
paljbl More than 1 year ago
Just finished #4 in the Allon series and am looking forward to completing the series. Silva knows how to keep you interested in the story, preventing you from laying it aside 'til later.
Anonymous More than 1 year ago
Very fast paced. A killer with a heart. Loved it.
Smarti212 More than 1 year ago
I loved this book. A friend recommended the Allon series to me and I literally read through all 12 books in about 8 weeks. I was finishing one book every 4 days or so. Clearly this was the book that had to set the stage for my devouring all of the rest of them. You will absolutely enjoy this and all of the rest of them!!
Guest More than 1 year ago
Gabriel Allon is ¿the Kill Artist¿; a former assassin who worked clandestinely for the Israeli government. When we first meet him he is living in a remote English seaside village and working as an art restorer, a cover he used frequently during his covert operations. He is soon called out of retirement by his former boss, Ari Shamron, head of Israeli intelligence, and a calculating man with his own agenda...one that may cost Gabriel his life. Ari needs Gabriel¿s talents to track down Tariq, an Palestinian assassin whose killing rampage is threatening the Middle East peace negotiations. Tariq and Gabriel have met before when Gabriel killed Tariq¿s brother in a very brutal manner, and Tariq avenged that death with a killing of his own...Gabriel¿s wife and son, making this a story of international intrigue and personal revenge. The stage is now set for a major showdown, but they must first cover three continents and weave through an array of cultures and characters to find each other. Gabriel is assisted by his former intelligence co-worker, a beautiful French girl named Jacqueline, whose family was killed in the Holocaust. Jacqueline is hesitant to join Gabriel on this assignment, but in the end it is love that prevails, and she plunges head first into Tariq¿s lair, a deadly trap that Gabriel may not be able to get her out of in time to save her life. What I love about Daniel Silva is his smooth and uncomplicated style. He has a 'rhythm' to his writing that hooks you somewhere in the beginning and stays with you long after you finish the book. It took me a little longer to warm up to these characters, probably because there isn¿t a lot happening in the way of relationships as there is in his other book _The Mark Of The Assassin_. Everyone is hiding behind their own specific job and agenda. They¿re all business. Still, the plot is riveting and the pace is solid. 4 and 1/2 stars. Highly recommended. His protagonist doesn¿t quite involve the readers as in his past works but this is definitely worth a buy.
Anonymous 11 months ago
Anonymous More than 1 year ago
An average read. Ending was awful wish it was better
AzGolf More than 1 year ago
Great book. I had read one of Silva's other books and decided to start with his first one. I was not disappointed. It was thoroughly enjoyable and am now on number two. I enjoy his writing style.
miss_dobie More than 1 year ago
Anything written by Daniel Silva is exciting and beyond a great value in a reading experience. His characters are human and make you want to be friends with them. His stories are fast-paced and exciting. And even tho Gabriel Allon is a spy, Daniel Silva writes in such a way that anyone can easily follow along and understand what's going on and why. Gabriel is one of the most famous characters ever written about and we never want his story to end. The stories are so well written that you have finished the book before you know it. And to say that Daniel Silva is one of the greatest writers of our time, is probably a very big understatement. His writing is fluid and flawless and easy to read. You never have to read a sentence twice. If you haven't already read a Daniel Silva story, you are truly missing out on a great reading experience.
booksandwine More than 1 year ago
I started reading the Gabriel Allon series with the Rembrandt Affair and have read every one since. I decided to go back to where it all began. I'm so glad I did. Gabriel Allon is a spy, assassin and art restorer. Exceptional research, action and suspense. I feel more knowledgeable about art and the Middle East every time I read one of these books. Highly recommended.
Anonymous More than 1 year ago