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Kindred: A Graphic Novel Adaptation
The graphic novel adaptation of Octavia E. Butler’s bestselling dystopian science-fiction masterpiece Kindred is a #1 New York Times bestseller and the winner of the Eisner Award for Best Adaptation from Another Medium.
Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers.
Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day.
Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century.
Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young Black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a Southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him.
Beloved as an essential work in feminist, science fiction, and fantasy genres, as well as a cornerstone of the Afrofuturism movement, the intersectionality of race, history, and the treatment of women addressed in the book are critical topics in contemporary dialogue, both in the classroom and in the public sphere.
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Kindred: A Graphic Novel Adaptation
The graphic novel adaptation of Octavia E. Butler’s bestselling dystopian science-fiction masterpiece Kindred is a #1 New York Times bestseller and the winner of the Eisner Award for Best Adaptation from Another Medium.
Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers.
Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day.
Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century.
Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young Black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a Southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him.
Beloved as an essential work in feminist, science fiction, and fantasy genres, as well as a cornerstone of the Afrofuturism movement, the intersectionality of race, history, and the treatment of women addressed in the book are critical topics in contemporary dialogue, both in the classroom and in the public sphere.
The graphic novel adaptation of Octavia E. Butler’s bestselling dystopian science-fiction masterpiece Kindred is a #1 New York Times bestseller and the winner of the Eisner Award for Best Adaptation from Another Medium.
Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers.
Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day.
Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century.
Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young Black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a Southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him.
Beloved as an essential work in feminist, science fiction, and fantasy genres, as well as a cornerstone of the Afrofuturism movement, the intersectionality of race, history, and the treatment of women addressed in the book are critical topics in contemporary dialogue, both in the classroom and in the public sphere.
Octavia Estelle Butler (1947–2006), often referred to as the “grand dame of science fiction,” was born in Pasadena, California, on June 22, 1947. She received an Associate of Arts degree in 1968 from Pasadena City College, and also attended California State University in Los Angeles and the University of California, Los Angeles. Butler was the first science-fiction writer to win a MacArthur Fellowship (“genius” grant). She won the PEN Lifetime Achievement Award and the Nebula and Hugo Awards, among others. Her books include Wildseed, Imago, and Parable of the Sower.
John Jennings is the curator of the Megascope list and illustrator of the graphic novel adaptations of Octavia E. Butler’s Kindred and Parable of the Sower. He is a professor of media and cultural studies at the University of California, Riverside, and was awarded the Nasir Jones Hiphop Fellowship at Harvard’s Hutchins Center for African & African American Research. He also coedited the Eisner Award-winning anthology The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art.
Damian Duffy, cartoonist, writer, and comics letterer, is a PhD student at the University of Illinois at Urbana-Champaign Graduate School of Library and Information Science, and a founder of Eye Trauma Studios (eyetrauma.net). His first published graphic novel, The Hole: Consumer Culture, created with artist John Jennings, was released by Front 40 Press in 2008. Along with Jennings, Duffy has curated several comics art shows, including Other Heroes: African American Comic Book Creators, Characters and Archetypes and Out of Sequence: Underrepresented Voices in American Comics, and published the art book Black Comix: African American Independent Comics Art and Culture. He has also published scholarly essays in comics form on curation, new media, diversity, and critical pedagogy.
Nnedi Okorafor, PhD, is a novelist of Nigerian descent known for weaving African culture into creative, evocative settings and memorable characters. Her novels include Zahrah the Windseeker (winner of the Wole Soyinka Prize for African Literature), The Shadow Speaker (winner of the CBS Parallax Award), and Long Juju Man (winner of the Macmillan Writer’s Prize for Africa). Okorafor lives in Illinois with her daughter, Anyaugo, and family. Okorafor’s recent work includes the graphic novel LaGuardia, the miniseries Antar from IDW Comics, and Wakanda Forever and the Shuri series for Marvel Comics.
Since ancient times*, humans have ushered in uncountable new years by running out and grabbing some new graphic novels. While opinions vary on whether or not 2016 was as awful as the memes imply, there’s a simple way to guarantee this year starts out properly: grab yourself some new comic books. Fortunately, we have some suggestions for what to […]
Any adaptation of a book can never truly replace the original work, but it’s often revelatory to experience a story in a new medium; it’s like seeing, if only imperfectly, through someone else’s eyes. The rise of comics as a “respectable” medium is a case in point: Margaret Atwood’s 1986 dystopia The Handmaid’s Tale is receiving a […]
The #ownvoices hashtag has been percolating on social media for some time now. It’s generally used to signify a work of fiction by a minority writer, writing a story from within their own community and/or describing their own lived experience. Some will bristle at the implications, decrying that we are all human, and can therefore […]
In Octavia Butler’s novel Kindred, a black woman ends up living in the past—literally. Dana, a writer happily married to a white man in 1976, is repeatedly and inexplicably yanked back to the antebellum South, where every aspect of her life is predetermined by her skin color. Dana is savvy enough to realize this from […]
No genres in fiction are better suited to the style of comic books than science fiction and fantasy. It could even be argued that comics—rich in visuals but free of budgetary constraints—are the best medium to adapt a sprawling genre novel. The 11 comics and graphic novels below prove that when a book-to-comic adaptation works, it creates something […]