King Lear is Shakespeare’s bleakest and profoundest tragedy, a searing dramatization of humankind at the edge of apocalypse that explores the family and the nature of being with passion, poetry, and dark humor.
Under the editorial supervision of Jonathan Bate and Eric Rasmussen, two of today’s most accomplished Shakespearean scholars, this Modern Library series incorporates definitive texts and authoritative notes from William Shakespeare: Complete Works. Each play includes an Introduction as well as an overview of Shakespeare’s theatrical career; commentary on past and current productions based on interviews with leading directors, actors, and designers; scene-by-scene analysis; key facts about the work; a chronology of Shakespeare’s life and times; and black-and-white illustrations.
Ideal for students, theater professionals, and general readers, these modern and accessible editions set a new standard in Shakespearean literature for the twenty-first century.
About the Author
William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.
Read an Excerpt
Act 1 Scene 1 running scene 1
Enter Kent, Gloucester and Edmund
KENT I thought the king had more affected the Duke of Albany than Cornwall.
GLOUCESTER It did always seem so to us: but now in the division of the kingdom it appears not which of the dukes he values most, for qualities are so weighed that curiosity in neither can make choice of either's moiety.
KENT Is not this your son, my lord?
GLOUCESTER His breeding, sir, hath been at my charge. I have so often blushed to acknowledge him that now I am brazed to't.
KENT I cannot conceive you.
GLOUCESTER Sir, this young fellow's mother could; whereupon she grew round-wombed and had indeed, sir, a son for her cradle ere she had a husband for her bed. Do you smell a fault?
KENT I cannot wish the fault undone, the issue of it being so proper.
GLOUCESTER But I have a son, sir, by order of law, some year elder than this, who yet is no dearer in my account, though this knave came something saucily to the world before he was sent for: yet was his mother fair, there was good sport at his making and the whoreson must be acknowledged.- Do you know this noble gentleman, Edmund?
EDMUND No, my lord.
GLOUCESTER My lord of Kent: remember him hereafter as my honourable friend.
EDMUND My services to your lordship.
KENT I must love you, and sue to know you better.
EDMUND Sir, I shall study deserving.
GLOUCESTER He hath been out nine years, and away he shall again. The king is coming.
Sennet. Enter [one bearing a coronet, then] King Lear, Cornwall, Albany, Goneril, Regan, Cordelia and Attendants
LEAR Attend the lords of France and Burgundy, Gloucester.
GLOUCESTER I shall, my lord. Exit
LEAR Meantime we shall express our darker purpose.
Give me the map there. Kent or an Attendant gives Lear a map
Know that we have divided
In three our kingdom, and 'tis our fast intent
To shake all cares and business from our age,
Conferring them on younger strengths while we
Unburdened crawl toward death. Our son of
And you our no less loving son of Albany,
We have this hour a constant will to publish
Our daughters' several dowers, that future strife
May be prevented now. The princes, France and
Great rivals in our youngest daughter's love,
Long in our court have made their amorous sojourn
And here are to be answered. Tell me, my
Since now we will divest us both of rule,
Interest of territory, cares of state -
Which of you shall we say doth love us most,
That we our largest bounty may extend
Where nature doth with merit challenge? Goneril,
Our eldest born, speak first.
GONERIL Sir, I love you more than word can wield the matter,
Dearer than eyesight, space and liberty,
Beyond what can be valued rich or rare,
No less than life, with grace, health, beauty, honour:
As much as child e'er loved or father found:
A love that makes breath poor and speech unable:
Beyond all manner of so much I love you.
CORDELIA What shall Cordelia speak? Love and be silent. Aside
LEAR Of all these bounds, even from this line to this, Points With shadowy forests and with champaigns riched, to the map
With plenteous rivers and wide-skirted meads,
We make thee lady. To thine and Albany's issues
Be this perpetual.- What says our second daughter?
Our dearest Regan, wife of Cornwall?
REGAN I am made of that self-mettle as my sister,
And prize me at her worth. In my true heart,
I find she names my very deed of love:
Only she comes too short, that I profess
Myself an enemy to all other joys
Which the most precious square of sense professes,
And find I am alone felicitate
In your dear highness' love.
CORDELIA Then poor Cordelia: Aside
And yet not so, since I am sure my love's
More ponderous than my tongue.
LEAR To thee and thine hereditary ever
Remain this ample third of our fair kingdom,
No less in space, validity and pleasure
Than that conferred on Goneril.- Now, our joy, To Cordelia
Although our last and least, to whose young love
The vines of France and milk of Burgundy
Strive to be interessed, what can you say to draw
A third more opulent than your sisters'? Speak.
CORDELIA Nothing, my lord.
LEAR Nothing will come of nothing: speak again.
CORDELIA Unhappy that I am, I cannot heave
My heart into my mouth: I love your majesty
According to my bond, no more nor less.
LEAR How, how, Cordelia? Mend your speech a little,
Lest you may mar your fortunes.
CORDELIA Good my lord,
You have begot me, bred me, loved me:
I return those duties back as are right fit,
Obey you, love you and most honour you.
Why have my sisters husbands if they say
They love you all? Happily when I shall wed,
That lord whose hand must take my plight shall
Half my love with him, half my care and duty:
Sure I shall never marry like my sisters.
LEAR But goes thy heart with this?
CORDELIA Ay, my good lord.
LEAR So young and so untender?
CORDELIA So young, my lord, and true.
LEAR Let it be so: thy truth then be thy dower,
For by the sacred radiance of the sun,
The mysteries of Hecate and the night,
By all the operation of the orbs
From whom we do exist and cease to be,
Here I disclaim all my paternal care,
Propinquity and property of blood,
And as a stranger to my heart and me
Hold thee from this for ever. The barbarous Scythian,
Or he that makes his generation messes
To gorge his appetite, shall to my bosom
Be as well neighboured, pitied and relieved
As thou my sometime daughter.
KENT Good my liege-
LEAR Peace, Kent:
Come not between the dragon and his wrath.
I loved her most, and thought to set my rest
On her kind nursery.- Hence, and avoid my sight!- To
So be my grave my peace, as here I give Cordelia
Her father's heart from her. Call France. Who stirs?
Call Burgundy.- Cornwall and Albany,
With my two daughters' dowers digest the third.
Let pride, which she calls plainness, marry her.
I do invest you jointly with my power,
Pre-eminence, and all the large effects
That troop with majesty. Ourself by monthly course,
With reservation of an hundred knights
By you to be sustained, shall our abode
Make with you by due turn: only we shall retain
The name and all th'addition to a king: the sway,
Revenue, execution of the rest,
Belovèd sons, be yours, which to confirm,
This coronet part between you. Gives them coronet to break in half
KENT Royal Lear,
Whom I have ever honoured as my king,
Loved as my father, as my master followed,
As my great patron thought on in my prayers-
LEAR The bow is bent and drawn, make from the shaft.
KENT Let it fall rather, though the fork invade
The region of my heart: be Kent unmannerly
When Lear is mad. What wouldst thou do, old man?
Think'st thou that duty shall have dread to speak
When power to flattery bows? To plainness honour's
When majesty falls to folly. Reserve thy state,
And in thy best consideration check
This hideous rashness. Answer my life my
Thy youngest daughter does not love thee least,
Nor are those empty-hearted whose low sounds
Reverb no hollowness.
LEAR Kent, on thy life, no more.
KENT My life I never held but as pawn
To wage against thine enemies, ne'er fear to lose it,
Thy safety being motive.
LEAR Out of my sight!
KENT See better, Lear, and let me still remain
The true blank of thine eye.
LEAR Now, by Apollo-
KENT Now, by Apollo, king,
Thou swear'st thy gods in vain.
LEAR O, vassal! Miscreant! Puts his hand on his sword or attacks Kent
ALBANY and CORDELIA Dear sir, forbear.
KENT Kill thy physician, and thy fee bestow
Upon the foul disease. Revoke thy gift,
Or whilst I can vent clamour from my throat,
I'll tell thee thou dost evil.
LEAR Hear me, recreant, on thine allegiance hear me!
That thou hast sought to make us break our vows,
Which we durst never yet, and with strained pride
To come betwixt our sentences and our power,
Which nor our nature nor our place can bear,
Our potency made good, take thy reward:
Five days we do allot thee for provision
To shield thee from disasters of the world,
And on the sixth to turn thy hated back
Upon our kingdom: if on the next day following
Thy banished trunk be found in our dominions,
The moment is thy death. Away! By Jupiter,
This shall not be revoked.
KENT Fare thee well, king: sith thus thou wilt appear,
Freedom lives hence and banishment is here.-
The gods to their dear shelter take thee, maid, To Cordelia
That justly think'st, and hast most rightly said.-
And your large speeches may your deeds approve, To Goneril
That good effects may spring from words of love. and Regan
Thus Kent, O princes, bids you all adieu.
He'll shape his old course in a country new. Exit
Flourish. Enter Gloucester with France and Burgundy, Attendants
CORDELIA Here's France and Burgundy, my noble lord.
LEAR My lord of Burgundy,
We first address toward you, who with this king
Hath rivalled for our daughter: what in the least
Will you require in present dower with her,
Or cease your quest of love?
BURGUNDY Most royal majesty,
I crave no more than hath your highness offered,
Nor will you tender less.
LEAR Right noble Burgundy,
When she was dear to us, we did hold her so,
But now her price is fallen. Sir, there she stands:
If aught within that little seeming substance,
Or all of it, with our displeasure pieced,
And nothing more, may fitly like your grace,
She's there, and she is yours.
BURGUNDY I know no answer.
LEAR Will you, with those infirmities she owes,
Unfriended, new-adopted to our hate,
Dowered with our curse and strangered with our
Take her or leave her?
BURGUNDY Pardon me, royal sir:
Election makes not up in such conditions.
LEAR Then leave her, sir, for by the power that made me,
I tell you all her wealth.- For you, great king, To France
I would not from your love make such a stray
To match you where I hate, therefore beseech you
T'avert your liking a more worthier way
Than on a wretch whom nature is ashamed
Almost t'acknowledge hers.
FRANCE This is most strange,
That she whom even but now was your object,
The argument of your praise, balm of your age,
The best, the dearest, should in this trice of time
Commit a thing so monstrous to dismantle
So many folds of favour. Sure her offence
Must be of such unnatural degree
That monsters it, or your fore-vouched affection
Fall into taint, which to believe of her
Must be a faith that reason without miracle
Should never plant in me.
CORDELIA I yet beseech your majesty -
If for I want that glib and oily art
To speak and purpose not, since what I will intend
I'll do't before I speak - that you make known
It is no vicious blot, murder, or foulness,
No unchaste action or dishonoured step
That hath deprived me of your grace and favour,
But even for want of that for which I am richer:
A still-soliciting eye and such a tongue
That I am glad I have not, though not to have it
Hath lost me in your liking.
LEAR Better thou hadst
Not been born than not t'have pleased me better.
FRANCE Is it but this? A tardiness in nature,
Which often leaves the history unspoke
That it intends to do? My lord of Burgundy,
What say you to the lady? Love's not love
When it is mingled with regards that stands
Aloof from th'entire point. Will you have her?
She is herself a dowry.
BURGUNDY Royal king, To Lear
Give but that portion which yourself proposed,
And here I take Cordelia by the hand,
Duchess of Burgundy.
LEAR Nothing: I have sworn: I am firm.
BURGUNDY I am sorry, then, you have so lost a father To Cordelia
That you must lose a husband.
CORDELIA Peace be with Burgundy.
Since that respect and fortunes are his love,
I shall not be his wife.
FRANCE Fairest Cordelia, that art most rich being poor,
Most choice forsaken, and most loved despised,
Thee and thy virtues here I seize upon:
Be it lawful, I take up what's cast away. Takes her hand
Gods, gods! 'Tis strange that from their cold'st neglect
My love should kindle to inflamed respect.-
Thy dowerless daughter, king, thrown to my chance,
Is queen of us, of ours and our fair France:
Not all the dukes of wat'rish Burgundy
Can buy this unprized precious maid of me.-
Bid them farewell, Cordelia, though unkind.
Thou losest here, a better where to find.
LEAR Thou hast her, France: let her be thine, for we
Have no such daughter, nor shall ever see
That face of hers again. Therefore be gone
Without our grace, our love, our benison.
Come, noble Burgundy.
Flourish. Exeunt. [France and the sisters remain]
FRANCE Bid farewell to your sisters.
CORDELIA The jewels of our father, with washèd eyes
Cordelia leaves you. I know you what you are,
And like a sister am most loath to call
Your faults as they are named. Love well our father:
To your professèd bosoms I commit him,
But yet, alas, stood I within his grace,
I would prefer him to a better place.
So farewell to you both.
REGAN Prescribe not us our duty.
GONERIL Let your study
Be to content your lord who hath received you
At fortune's alms. You have obedience scanted,
And well are worth the want that you have wanted.
CORDELIA Time shall unfold what plighted cunning hides:
Who covers faults, at last with shame derides.
Well may you prosper.
FRANCE Come, my fair Cordelia. Exit France and Cordelia
GONERIL Sister, it is not little I have to say of what most nearly appertains to us both. I think our father will hence tonight.
REGAN That's most certain, and with you: next month with us.
GONERIL You see how full of changes his age is: the observation we have made of it hath not been little. He always loved our sister most, and with what poor judgement he hath now cast her off appears too grossly.
REGAN 'Tis the infirmity of his age: yet he hath ever but slenderly known himself.
GONERIL The best and soundest of his time hath been but rash. Then must we look from his age to receive not alone the imperfections of long-engrafted condition, but therewithal the unruly waywardness that infirm and choleric years bring with them.
REGAN Such unconstant starts are we like to have from him as this of Kent's banishment.
GONERIL There is further compliment of leave-taking between France and him. Pray you let us sit together: if our father carry authority with such disposition as he bears, this last surrender of his will but offend us.
REGAN We shall further think of it.
GONERIL We must do something, and i'th'heat. Exeunt
Act 1 Scene 2 running scene 2
Enter Bastard [Edmund] With a letter
Most Helpful Customer Reviews
The Barnes and Noble team did a fantastic job here. The play - one of Shakespeare's best tragedies - is well-annotated and free from the crumminess inherent to the cheap Shakespeare editions that can be found on the Nook.
Great play, this edition has been the victiom of the google books project & so contains glaring typographical errors.
I loved the language! I loved how it all came together at the end. It was kind of suspenseful. I love Shakespeare.
The actual play Is much interesting but with the errors of the spelling it made it reaally boringgg no wonder its for free
This is one of my favorite Shakespearean plays. Its challenging but a great read!
king lear is awsome -- thought i didnt read the book -- i did hear an a audio tape -- i got it cuz i was interested in it after a 'just shoot me' eposide -- its been one of my meny favertiot books sence (excuse mey spelling please)
King Lear is William Shakespeare's most magnificent and deliciously diabolical plays of ingratitude, the intoxicating promise of power and position, and the ultimate sacrifice of love. Lear's two daughters Regan and Goneril are two monstrously malevolant women of Britain who perpetuate their father's decreasing sanity, in order to maintain power in Britain. Lear's youngest daughter Cordelia, a compassionate, loyal, kind, and wonderfully woman who is a trememdous contrast to her evil sisters Goneril and Regan. Cordelia is, an angel of goodness who is a spectacular influence and characterization of what a daughter should give and mention to her father, not out of appetite but out of conscience. The line between good and evil is faultlessly drawn in this spectacular play by one of the most ingenious writers of the human condition who ever lived.
Certainly the most powerful and profound of all Shakespeare's plays. This one has to do with the ungratefulness of Lear's three daughters. Gonreil, Regan, and Cordelia whom he has divided his kingdom amongst the three of them. Except, Cordelia who has estranged herself from his love. Little does he know the two daughters whom he thinks love's him most are actually wicekdly plotting against him. I thought this had to be the most triumphant play written by Shakespeare. A glorious, and overwhelming account of selfishness, ingraitude, madness, and evil amongst a family seperated by hatred.
So I'm not exactly a Shakespeare scholar, but I still loved this tragedy. I think it's one of the best one, and it's a pity so few are put on live action show (the recent Hamlet,Henry V,Richard III,Midsummer Night's Dream, and other movies were great!). Unfortunately, some complain that it is not an official 'tragedy' because, according to A.C. Bradley, who's supposed to be some real genius, requires that Fate have little to do with any good tragedy...Yet King Lear DOES include Fate (cf. Gloucester's laments about the gods playing with human lives). So much of it that I think it's one of the main themes of the play. Unlike Bradley, I think this inevitability only INTENSES the depressing mood of the play, and to people suffering from chronic depression (like myself), the play really speaks out. Generational gaps and treatment of seniors are very relevant to our society, yet the question of Fate and the great tragedy that life can sometimes end up to be cannot be ignored in this one of Shakespeare's greatest plays. I mean, it IS a tragedy right???
* holds his sword and coughs blood. He collapses bleeing from the chidori hole. The sword slides by Daisuke and blood pours around kai. *
What clan is this? If anyone reads this, join Darkclan at othello all results!!!
Her golden pelt stood out in the moonlight.
Done. Advertised at Erin Hunter.
She hugs her knees, the book propped up upon her thighs as she scans the pages, words from both the lyrics in her earbuds and from the page filtering through her brain.
*Appears in a small poof of blue smoke.* I'm here, dahlangs.
She crawled in.
18, male, white, blonde hair like Macklemore's, brown eyes, five foot seven, 117 lbs, leather trenchcoat, black boots, black jeans, grey tanktop, muscular, unknown personality, unknown powers.
Walks in and winks at draco and giggles
Age: 13/ height: 5'3"/ weight: 90 pounds/ clothes: wears her school uniform but outside of it, wears white sweatpants, a green tunic, a belt and boots and a green pointed cap. Her clothes are patched and not in the best condition. On principle she keeps her hood up./ appearance: shoulder length blond hair, sea blue eyes and a short slim build./ house: gryffindor/ anything else, ask.