Barnes's affectionate lampoon of the expatriate lesbian community in Paris was privately printed in 1928. Arranged by month, it records the life and loves of Dame Evangeline Musset (modeled after salon hostess Natalie Barney) in a robust style taken from Shakespeare and Robert Burton's Anatomy of Melancholy, and is illustrated throughout with Barnes's own drawings.
This new edition is a facsimile of the 1928 edition with the addition of an afterword providing details on the book's origins and a key to its real-life models.
"[I]f you are able to contain your cackling long enough to consider the truth underlying the jest, you will come away with an understanding of the dilemmas facing lesbians at the opening of the century. You'll find that they are not much different from the questions we grapple with today." (Lambda Book Report 12-91)
"As an 'Almanack,' the book celebrates the uniqueness of women . . . extolling their society with separatist sentiment not violent or radical so much as mirthful and delightful." (The Daily Helmsman 11-5-91)
|Publisher:||Martino Fine Books|
|Edition description:||New Edition|
|Product dimensions:||6.14(w) x 9.21(h) x 0.21(d)|
|Age Range:||18 Years|
About the Author
Djuna Barnes (1892-1982) was born in Cornwall-on-Hudson, NY, and worked as a journalist in New York before leaving the country to spend many years in Paris and London. She returned to New York in 1941, and lived in Greenwich Village until her death.
Steven Moore earned his Ph.D. at Rutgers University. He is a noted William Gaddis scholar and wrote "William Gaddis", the first comprehensive critical guide to his work, and "A Reader's Guide to William Gaddis's The Recognitions". Moore has edited a number of books, including "Beerspit Night and Cursing: The Correspondence of Charles Bukowski & Sheri Martinelli 1960-1967" and "In Recognition of William Gaddis". He has also contributed essays, articles, and reviews to a number of newspapers, journals, and magazines.