Le Corbusier (1887-1965) has been one of the dominant forces in twentieth-century architecture and a legendary pioneering figure. Many of the forms he created have become archetypes of modernism. Yet he was also a social visionary and a writer of powerful polemics whose ideas have generated intense and partisan controversy.
Now available for the first time in paperback, Le Corbusier: Ideas and Forms provides a comprehensive and objective survey that exposes Le Corbusier through a more balanced perspective than ever before.
Making full use of the 'Le Corbusier Archive', the author documents individual projects in detail, while linking the imaginative activities of the artist to his philosophy of life, his urban visions, his art and the cultural predicaments of his times. He analyses Le Corbusier's phenomenal powers of abstraction and synthesis, to illustrate how he created a potent architectural vocabulary based on a limited range of types and elements, and how he used it to generate architectural forms of compelling force.
This intimate and meticulous study of all Le Corbusier's major buildings - from first sketches to final achievement - reveals the artist's struggle to reconcile the ideal and the practical and to give institutions and ideologies a suitable symbolic form. It shows, in turn, how this most 'modern' of architects constantly found profound inspiration in both nature and architectural tradition.
|Product dimensions:||8.62(w) x 11.12(h) x 0.75(d)|
|Age Range:||13 - 18 Years|
About the Author
William J. R. Curtis is an award-winning historian, critic, writer, curator, painter and photographer. Educated at the Courtauld Institute of Art, London, and at Harvard University, he has taught the history of art, theories of design, and architecture at several universities worldwide: among others, Harvard University; the Architectural Association, London; UNAM, Mexico City; ETSAB, Barcelona; Helsinki Institute of Technology; the Accademia, Mendrisio, Switzerland; and the University of Cambridge where he was Slade Professor of Fine Art 2003-4.
In addition to teaching history and theory, Curtis has been directly involved in architectural education in the studio and in juries. He has written historical, critical and theoretical texts on subjects as varied as modern architecture, landscape design, the history of everyday objects, the process of design, historiography, visual education and criticism. His best known books include: the best-selling Modern Architecture Since 1900 (Phaidon 1982; second ed. 1987; fully revised third ed. 1996), and Le Corbusier: Ideas and Forms (Phaidon 1996). Unanimously well received and now considered essential classics of their genre, these books have been translated into several languages, including Spanish, German, Japanese, French, Italian, Portugese and Chinese. Curtis has produced over a dozen monographic studies on contemporary architects with El Croquis (Madrid). His writings on contemporary architecture have appeared in international journals such as Architectural Review, Architect's Journal, Architectural Record, L'Architecture d'aujourd'hui, ARK, D'Architectures, Plan Libre, Poïesis, Arkitektur DK, Arquitectura Viva, Il Giornale, dell 'architettura, Abitare, A+U, Architecture+Design etc. and in weekly and daily newspapers such as El Païs, Lavanguardia ,The Guardian, NZ Zeitung and Building Design.