Lecture

by Mary Cappello

Overview

"[Cappello's] excellent new book-length essay, Lecture... at once defends the lecture and calls for holistic and creative improvements to the form."—The Atlantic

In twenty-first century America, there is so much that holds or demands our attention without requiring it. Imagine the lecture as a radical opening.

Mary Cappello's Lecture is a song for the forgotten art of the lecture. Brimming with energy and erudition, it is an attempt to restore the lecture's capacity to wander, question, and excite. Cappello draws on examples from Virginia Woolf to Mary Ruefle, Ralph Waldo Emerson to James Baldwin, blending rigorous cultural criticism with personal history to explore the lecture in its many forms—from the aphorism to the note—and give new life to knowledge’s dramatic form.

Product Details

ISBN-13:	9781945492426
Publisher:	Transit Books
Publication date:	09/08/2020
Series:	Undelivered Lectures
Pages:	136
Sales rank:	555,872
Product dimensions:	5.00(w) x 7.00(h) x (d)

About the Author

Mary Cappello’s six books of literary nonfiction include a detour on awkwardness; a breast-cancer anti-chronicle; a lyric biography; and the mood fantasia, Life Breaks In. A former Guggenheim and Berlin Prize Fellow, she is a professor of English and creative writing at the University of Rhode Island. She lives in Providence, Rhode Island, and Lucerne-in-Maine, Maine.

Editorial Reviews

05/25/2020

Cappello (Life Breaks In: A Mood), a University of Rhode Island English and creative writing professor, turns her attention to the untapped possibilities of the lecture in this eloquent first entry in Transit’s Undelivered Lectures series. Cappello opens with a defense of the lecture “as a form of art,” rather than as a dull classroom ritual, and moves on to the alternate forms it might take, in order to become more rewarding and engaging for both the lecturer and the lectured-to. What if it started with the question-and-answer portion, instead of ending with that? Or if it was understood as the performed version of nonfiction writing—specifically, the essay? Cappello suggests that lecturers should allow themselves to meander and investigate their subjects, just as essayists often do. In a gorgeous examination of poet Louise Bogan’s notes for a planned 1962 lecture at Bennington (with photographs included), Cappello explains that good lectures should show evidence of how to “think with rather than of” ideas. After reading this eloquent book, anyone will agree that, even with the ever-increasing rise of student-directed learning and online education, the lecture is not archaic, but rather waiting for a vital new mode. (Sept.)

Publishers Weekly

"[Cappello's] excellent new book-length essay, Lecture... at once defends the lecture and calls for holistic and creative improvements to the form."—The Atlantic

“With its fragments and digressions, its considerable self-reflection, and its significant moral and political heft—[Lecture] serves as its own well-earned justification.”—Los Angeles Review of Books

“After reading this eloquent book, anyone will agree that the lecture is not archaic, but rather waiting for a vital new mode.”—Publishers Weekly

"A lively and playful challenge to resuscitate a form that has been considered all but dead."—Kirkus Reviews

Praise for Mary Cappello

“In these captivating essays, which meld memoir, philosophical meditations, and reports from excursions, far, deeply interior and wide, Cappello explores the abstract, amorphous notion of mood…Cappello’s fresh inquisitiveness and surprising trains of thought may well remind readers of the ruminative writings of Adam Phillips or Alain de Botton. An illuminating celebration of enveloping moments of being.”—Kirkus Review, Starred Review

“I’m tempted to begin by comparing Mary Cappello to other contemporary literary nonfiction writers who meld memory and lyric impression with intellectual passion. Writers who come to mind—Rebecca Solnit, Maggie Nelson, Wayne Koestenbaum, bell hooks—certainly share borderlines and affinities, but none of their works really resemble the books that come of Cappello’s singular voice and lens. Cappello’s compositions are at once sonic memoir, embodied criticism, and narrative cultural observation, drawing the attentive reader into what we might call the queer corporeal idea… Cappello’s new book, Life Breaks In, is at once rhapsodic, sensate, and intellectually captivating… Reading Life Breaks In is, indeed, a kind of listening. It is time spent in a language-made listening room, a stroll into shifting human emotive time, a resounding of memory, imagination, story, and thought.”—Los Angeles Review of Books

“The infinite play of non-knowledge, of knowing that she doesn’t know, continues to write with her and for her, with a suspenseful, tumultuous virtuosity…I’m convinced that Montaigne would have liked it very much.”—The Yale Review

“Life Breaks In makes me think of the workings of big minds like Anne Carson’s, Carole Maso’s, or Susan Howe’s (e.g. My Emily Dickinson), all relentlessly curious and similarly fearless, all four writers irrepressible masters at their craft, creating full-immersion experiences for any reader willing to go on the journey. The pleasures for me were both aesthetic, in how original and fine the writing, and esoteric, in how much I learned. Mary Cappello is a brilliant and exuberant original.”—Catherine Reid, author of Falling into Place

From the Publisher