Lethal Theater

Lethal Theater

by Susannah Nevison
Lethal Theater

Lethal Theater

by Susannah Nevison

Paperback(1)

$16.95 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview


In her new poetry collection, Lethal Theater, Susannah Nevison reckons with the rituals of violence that underpin the American prison system, both domestically and abroad. Exploring the multiple roles of medicine in incarceration, Nevison's poems expose the psychological and physical pain felt by the prison system's inhabitants. Nevison asks readers to consider the act and complications of looking-at the spectacle of punishment, isolation, and interrogation, as mapped onto incarcerated bodies-by those who participate in and enforce dangerous prison practices, those who benefit from the exploitation of incarcerated bodies, and those who bear witness to suffering. Unfolding in three sections, Nevison's poems fluidly move among themes of isolation and violence in prisons during period of war, the history of medical experimentation on domestic prisoners, and the intersection between anesthesia used in hospital settings and anesthesia used in cases of lethal injection. Lethal Theater is an attempt to articulate and make visible a grotesque and overlooked part of American pain.

Product Details

ISBN-13: 9780814255162
Publisher: Ohio State University Press
Publication date: 01/18/2019
Series: OSU JOURNAL AWARD POETRY
Edition description: 1
Pages: 84
Product dimensions: 5.40(w) x 8.30(h) x 0.30(d)

About the Author

Susannah Nevison is the author of the poetry collection Teratology. She teaches at Sweet Briar College and her work has been published in the New York TimesCrazyhorse, and Tin House.

Read an Excerpt

Fawn

Caught beneath a car but found alive,

the fawn screams but doesn’t kick,

and it’s too late. Her spine is crushed.

I try to hold her still. I didn’t know

how bright her spots would be,

her dappled coat, my shaking hand

across her flank as if to wipe her clean.

Her eyes so wide, so close to mine,

I see my entire face inside.

It’s years before a boy will throw me

to the ground, and years before I’ll dream

his face, so close to mine, and scream

myself awake. I’m still a girl. I still believe

in wild things, that the startled animal

in my chest is not the fawn I carry in a bag,

wrapped and tied, like a gift, or grief.

 

American Icon

Like a mother’s throw

blanket over his shoulders,

like a little piece of home.

Like a homemade costume

any child wears, standing on

his mother’s canned goods, striking

a pose and making a face, though

he can’t see. He can’t see. Witch

or monk or Jesus incarnate,

the wires are live. Like a real live

wire, he jumps. Like hopscotch

or rope. Like nothing a child

couldn’t name. Hasn’t seen.

Like nothing, like a game.

Table of Contents

Cell Watch: Strip Cell

Pastoral

Fitness Test

Tapetum Lucidum

[The bars lash light across his body, and he]

[Like a widening pupil, the dark touches]

[He becomes a stripped and weathered cross]

[The wall between your charge and you is thin]

[He imagines they’re calling him home]

[The winter field has forgotten what it knows]

[He begins to see the dark lift, sees you]

Fawn

American Icon

Barrel

All the Games We Know

Chamber

Playing Possum

Where We Are

Debridement

Interviews


General readers of poetry, readers interested in themes such as social justice, justice system reform, the American prison system, the role of medicine in the prison system

From the B&N Reads Blog

Customer Reviews