The #1 Indie Next Pick for April! A Roxane Gay Audacious Book Club Selection (May) A For Colored Girls Book Club Selection (April) A Well-Read Black Girl Book Club Selection (May) “Kaitlyn Greenidge’s historical fiction unites the African diaspora. Libertie is a feat of monumental thematic imagination . . . Greenidge both mines history and transcends time, centering her post-Civil-War New York story around an enduring quest for freedom . . . The sheer force of Greenidge’s vision for [Libertie], for us all, gives us hope that it won’t be long now.”—Margaret Wilkerson Sexton, The New York Times Book Review “Stunning.”—Adrienne Gaffney, The New York Times “With Libertie . . . Greenidge is making a stylistic leap with an intricately researched and lushly imagined coming-of-age story set in 19th-century Brooklyn and Jacmel, Haiti . . . Both epic and intimate.”—Alexandra Alter, The New York Times “Spectacular . . . A revelatory and enchanting piece of historical fiction.”—BuzzFeed “This immersive story is a soaring exploration of what 'freedom' truly means. Libertie is an elegantly layered, beautifully rendered tour de force that is not to be missed.” —Roxane Gay “Motherhood offers [Libertie] the type of freedom that Toni Morrison spoke of—freedom from others’ control over her and from the expectations of who she should become. With its connections to a history that’s illuminated more and more each passing day, Libertie is a superb novel that informs the present and perhaps even the future.” —BookPage “Greenidge’s immersive story . . . heralds a blossoming literary career.” —Bethanne Patrick, Los Angeles Times “From the first page, Greenidge catapults us into a masterfully crafted story in which the possibilities, limitations and shifting contours of freedom for Black people take center stage. Inspired by the true story of Susan Smith McKinney Steward, the first Black woman to become a doctor in the state of New York, and her daughter, Greenidge breathes powerful life into this lesser-known history. She conjures a fiercely gorgeous, complex portrait of life for Black women during the Reconstruction era. It is a story that’s at once politically weighted and intimately resonant . . . Greenidge perfectly weds the precision of historical details and context with fantastical elements of myth and magic to illuminate the enduring questions: What does freedom mean for Black girls and women? What does it look, smell, feel, sound and taste like? Libertie is a beautifully written meditation on Black liberation and imagination. It is exquisite historical fiction that lovingly reminds us to reassess our own present-day commitments to fighting for, and practicing, freedom.”—Ms. magazine “Greenidge is a master of character building . . . Libertie is an easy page turner—its simple prose makes the plot digestible and the lyrical sentences sing louder. Libertie combines race, colorism, history, and sexism with the utter human pain of lostness. It’s a beautiful telling of gorgeously tragic characters who keep you rooting for them, even as they continue to stray and stray and stray.”—Natachi Onwuamaegbu, The Boston Globe “This is one of the most thoughtful and amazingly beautiful books I’ve read all year. Kaitlyn Greenidge is a master storyteller.”—Jacqueline Woodson, author of Red at the Bone “Pure brilliance. So much will be written about Kaitlyn Greenidge’s Libertie—how it blends history and magic into a new kind of telling, how it spins the past to draw deft circles around our present—but none of it will measure up to the singular joy of reading this book.”—Mira Jacob, author of Good Talk: A Memoir in Conversations “In this singular novel, Kaitlyn Greenidge confronts the anonymizing forces of history with her formidable gifts. Libertie is a glorious, piercing song for the ages—fierce, brilliant, and utterly free.”—Brandon Taylor, author of Real Life "I want to say that Kaitlyn Greenidge's Libertie is a glorious diasporic literary song, but the novel is so much more than that. A book so deeply invested in the politics and place of silence is one of the most melodious books I've read in decades. The ambition in Libertie is only exceeded by Greenidge's skill. This is it."—Kiese Laymon, author of Heavy “Kaitlyn Greenidge is one of my favorite contemporary minds, and I love her essays and newsletter, but WOW, it is such a pleasure to read this historical novel, which starts in Reconstruction-era Brooklyn, and which reminded me that Greenidge’s immense talent as a writer shines most brightly through her fiction.” —Emma Straub, author of All Adults Here “Reading Libertie can feel like reading Toni Morrison. Such a comparison, however, is a disservice to Kaitlyn Greenidge, who is an original light, a writer to emulate, a master of the craft, and a mind we’re fortunate to have living among us.”—Gabriel Bump, author of Everywhere You Don’t Belong “Wielding both her knowledge of our history and her incredible sense of story, Kaitlyn Greenidge further establishes herself as one of the sharpest minds working today. Libertie is a novel of epic power and endless grace.”—Nana Kwame Adjei-Brenyah, author of Friday Black “The voice that fuels this novel is rooted in the body and rises toward myth, forged of history, ocean salt, iron, and hope. With Libertie, Kaitlyn Greenidge adds an indelible new sound to American literature, and confirms her status as one of our most gifted young writers.” —Garth Greenwell, author of Cleanness and What Belongs to You “Kaitlyn Greenidge has built a lush, imaginative novel, as dark and beautiful as its namesake yet as relevant today as during its 19th-century setting. I didn’t want it to end, and I fear that any attempt to render its complexity with brevity equals a failure to capture the book’s vast depth and its conversation with so many other important historical and literary works. A page turner and a gorgeous winner.”—Nafissa Thompson-Spires, author of Heads of the Colored People “A must-read for everyone who adored Brit Bennett’s The Vanishing Half.”—BookPage “Greenidge explores the complexities of race seamlessly in her novel.” —Minneapolis Star-Tribune “Through the trials and tribulations of its young Black woman protagonist, [Libertie] reveals a commitment to Libertie’s coming-of-age journey that mirrors that of Zora Neale Hurston’s treatment of Janie Crawford in Their Eyes Were Watching God (1937). By bearing witness to Libertie’s efforts to make a world for herself and for future generations, readers are left to consider the nature of freedom itself and the cost of making space for yourself in a world intent on restricting you.” —Bitch Media “Sweeping, engrossing.”—Oprahmag.com “Kaitlyn Greenidge weaves together an intricate narrative about colorism, classism and community.”—TIME.com “Few novels have as strong a sense of place as this fascinating blend of magical realism and African American historical fiction by the author of We Love You, Charlie Freeman (2016) . . . Greenidge succeeds beautifully at presenting the complexities of an intense mother-daughter bond, with its blend of unrealistic expectations, disappointments, and betrayals. At the same time, the historical context of traumatized escaped slaves, race riots, colorism, and conflicting visions on how to achieve Black freedom (stay in the U.S. and fight, or build an all-Black civilization abroad?) weaves the story of one family into the larger tragedy of the African diaspora. Greenidge creates a richly layered tapestry of Black communal life, notably Black female life, and the inevitable contradictions and compromises of ‘freedom.’” —Booklist (starred review) “Greenidge delivers another genius work of radical historical fiction . . . This pièce de résistance is so immaculately orchestrated that each character, each setting, and each sentence sings.”—Publishers Weekly “The question of freedom in all its varied senses weave throughout this stunning historical novel . . . This engaging novel immerses readers in a world rich with historical detail that brings to life lesser-known aspects of post–Civil War American history, such as Black women in medicine and the relationship between Haiti and the United States. This will appeal to teenage fans of adult authors like Toni Morrison, Brit Bennett, and Yaa Gyasi.”—School Library Journal (starred review) “Powerful . . . Themes of colorism, identity, communities among women, and wrestling over life decisions result in an engaging portrait of growing up. In the memorable historical novel Libertie, a young woman struggles with her mother and questions what freedom means to her.”—Foreword Reviews (starred review) “A gorgeously affecting story.”—Shelf Awareness “Fiercely compelling, and told in a singular, lyrical voice, Libertie is a novel that lives in a specific historical time—the Reconstruction Era—but offers insight into the very modern struggles that still exist surrounding identity, family, love, and freedom . . . This is a novel of struggle and triumph, exhaustion and perseverance, rooted in history, but transcendent of it; another masterwork by Kaitlyn Greenidge.”—Refinery29 “Libertie is epic yet engaging, and gorgeously written.”—The Rumpus “Greenidge explores issues that are still real today while also inviting readers into historical moments that will be new to many. Just as colorism shapes Libertie’s relationships with Black people, classism does, too. There are fine distinctions between those who stole themselves away to freedom and those who were born to it, those who work for themselves and those who work for others . . . [She] shows us aspects of history we seldom see in contemporary fiction.”—Kirkus Reviews “I’m confident that everyone who picks up this book is going to gain a deeper understanding of why the world of 2021 is the way that it is.”—Chanda Prescod-Weinstein, The Lily “Greenidge is a brilliant writer, and I’ve been waiting for a year to read this book.”—Naima Coster, Belletrist “Libertie is a bildungsroman for America in the 21st century, providing us with a spiritual education we sorely need. What is care and what is poison? Where does life end? Where does liberty begin? By creating Libertie—a 19th century 'black gal,' a modern existential heroine—Greenidge has resurrected more than an ancestor—she has revived the anger and the love, the grief and the pride, and, above all, the fierce need for freedom that still drive our nation today.”—Morgan Babst, author of The Floating World “Greenidge’s writing is brilliant as she combines, historical fiction, magical realism and examination of self, love and family.”—SheReads.com “From icy Brooklyn brownstones to tropical Haiti, the book ties together histories in a way that renders them—especially in today’s world—both timeless and timely.”—New York Journal of Books “Beautifully written.”—Sisters from AARPNamed One of the Most-Anticipated Books of 2021 by:O, The Oprah Magazine, The New York Times, The Washington Post, Time, The Millions, Refinery29, Publishers Lunch, BuzzFeed, The Rumpus, BookPage, Harper's Bazaar, Ms., Goodreads, and more
A young Black woman travels from Brooklyn to Haiti in search of herself in this historical novel by the author of We Love You, Charlie Freeman (2016).
“I saw my mother raise a man from the dead.” This is the first line of Greenidge’s second novel and the first words we hear from the novel’s eponymous heroine. Libertie’s mother is a doctor, and the resurrection she has just witnessed is, in fact, an escape, the dead man merely drugged and smuggled North in a coffin. Libertie was born free, but she knows that freedom is complicated. Her mother overcame prejudice against both her gender and her race to become a doctor, and she expects her daughter to do exactly the same. But Dr. Sampson’s light complexion means that White patients trust her enough to seek her treatment. Libertie’s skin is dark, though, and the fact that Libertie has no desire to be a doctor means that her mother’s lofty dream for her is oppressive. When Libertie meets Emmanuel Chase, a young doctor from Haiti, she is overwhelmed both by his eager courtship and his depiction of Haiti as a Black utopia. It’s only when she’s married and far from home, trapped in a house with in-laws who despise her, that Libertie discovers Emmanuel’s egalitarian vision will only be reality for women at some indeterminate time in the future. Greenidge explores issues that are still real today while also inviting readers into historical moments that will be new to many. Just as colorism shapes Libertie’s relationships with Black people, classism does, too. There are fine distinctions between those who stole themselves away to freedom and those who were born to it, those who work for themselves and those who work for others. One particularly revelatory moment in the novel occurs when Libertie is helping organize a fundraiser for her school. A dean suggests that two vocalists who specialize in European art songs perform spirituals instead, and the young women balk at the idea of singing those songs in front of an audience of White people. Greenidge reminds us that music that has become so much a part of the American canon was born in the fields, a music made by enslaved Black people among enslaved Black people.
Greenidge shows us aspects of history we seldom see in contemporary fiction.