Burkitt argues, is an important aspect of the texts' postcoloniality as they locate themselves critically in relation to literary convention, and they are all concerned with matters of social, racial, and national identities in a world where these categories are inherently complicated. In addition, the awareness of epic tradition in these texts unites them as 'post-epics', in that as they reuse the myths and motifs of a variety of epics, they question the status of the form, demonstrate it to be inherently malleable, and regenerate its stories for the contemporary world. As she examines the ways in which postcolonial texts rewrite the traditions of classical epics for the twentieth and twenty-first centuries, Burkitt ties close textual analysis to a critical intervention in the politics of form.
|Publisher:||Taylor & Francis|
|Product dimensions:||6.00(w) x 9.30(h) x 0.70(d)|
About the Author
Katharine Burkitt is a Postdoctoral Researcher and teacher at the University of Liège, Belgium. Her research interests are postcolonial literature and literary form.
Table of Contents
Contents: Introduction; Narrative histories and postcolonial perspectives in Les Murray's Fredy Neptune; Post-epic national identities in Bernardine Evaristo's The Emperor's Babe; Hero versus monster: post-epic masculinity in Anne Carson's Autobiography of Red; Afterword: post-epics: literary form as postcolonial critique; Works cited; Index.