This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write ‘life itself.’ Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of ‘life itself,’ an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the ‘hospitable’ space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.
|Publisher:||Taylor & Francis|
|Series:||Routledge Studies in Twentieth-Century Literature Series|
|Product dimensions:||5.90(w) x 9.10(h) x 0.60(d)|
About the Author
Luke Thurston is Lecturer in Modern Literature at Aberystwyth University. He is the author of James Joyce and the Problem of Psychoanalysis (2004), the editor of Re-inventing the Symptom: Essays on the Final Lacan (2002), and the translator of works by Jean Laplanche and André Green.
Table of Contents
Introduction: Beyond My Notation Part I: Literary Hospitality 1. The Spark of Life 2. Zigzag: The Signalman Part II: Guests/Ghosts 3. Broken Lineage: M. R. James 4. Ineffaceable Life: Henry James Part III: Hosts Of The Living 5. A Loop in a Mesh: May Sinclair 6. Distant Music: Woolf, Joyce Conclusion: The Haunting Interval