In The Little Bookroom, Eleanor Farjeon mischievously tilts our workaday world to reveal its wonders and follies. Her selection of her favorite stories describes powerful—and sometimes exceedingly silly—monarchs, and commoners who are every bit their match; musicians and dancers who live for aft rather than earthly reward; and a goldfish who wishes to "marry the Moon, surpass the Sun, and possess the World."
About the Author
Eleanor Farjeon (1881-1965) grew up in England in a house filled with books, and she and her brothers enjoyed reading stories to one another and writing their own. In America, Farjeon’s best-known work may be the hymn “Morning Has Broken,” later recorded by Cat Stevens, but in her native country she is beloved as the author of Elsie Piddock Skips in her Sleep, Martin Pippin in the Apple Orchard, and, of course, The Little Bookroom. Farjeon was pleased when The Little Bookroom won the prestigious Hans Christian Andersen Award and the Carnegie Medal, but she turned down another honor—Dame of the British Empire—explaining that she “did not wish to become different from the milkman.” At her death, the Children’s Book Circle established the Eleanor Farjeon Award in her honor.
Table of Contents
|The King and the Corn||1|
|The King's Daughter Cries for the Moon||7|
|The Flower Without a Name||36|
|The Clumber Pup||47|
|The Miracle of the Poor Island||74|
|The Girl Who Kissed the Peach-Tree||83|
|The Giant and the Mite||120|
|The Little Dressmaker||125|
|The Lady's Room||138|
|The Seventh Princess||142|
|The Little Lady's Roses||174|
|In Those Days||179|
|The Connemara Donkey||184|
|And I Dance Mine Own Child||216|
|San Fairy Ann||248|
|The Glass Peacock||263|
|The Kind Farmer||272|
|Old Surly and the Boy||289|
Most Helpful Customer Reviews
Little Bookroom based on 0 ratings. 2 reviews.
This is one of the books in the New York Review Children's Collection. This book contains 27 short stories most of which I would characterize as fairy tales or fables. Most of the stories contain some type of moral lesson. It would be a great book for bedtime stories, most of the stories are 4-6 pages long (a few are longer than 10 pages). Like a lot of children's literature there are too many princesses and princes, kings and queens in these stories. This book is suitable for both boys and girls.
This children's classic is a compilation of twenty-seven stories chosen by the author, Eleanor Farjeon, herself. The book was published by Oxford Univeristy Press in 1955. The illustrations are very detailed and exquisite, done by master artist Edward Ardizzone. The title of the book is derived from the preamble of the author: "In the home of my childhood there was a room we called 'The Bookroom.' True, every room in the house could have been called a bookroom. Our nurseries upstairs were full of books. Downstairs my father's study was full of them. They lined the dining-room walls, and overflowed into my mother's sitting-room, and into the bedrooms. It would have been more natural to live without clothes than without books. As unnatural not to read as not to eat." Each story is unique in itself and written in a fairy-tale style, including magic, monarchs and menial characters. Some of the titles include: "The King's Daughter Cries for the Moon," "The Little Dressmaker", and "The Giant and the Mite." "Of all the rooms in the house, the Little Bookroom was yielded up to books as an untended garden is left to its flowers and weeds, there was no selection or sense of order here. In the dining-room, study, and nursery there was choice and arrangement; but the Little Bookroom gathered to itself a motley crew of strays and vagabonds, outcasts from the ordered shelves below, the overflow of parcels bought wholesale by my father in the sales -rooms. Much trash, and more treasure. Riff-raff and gentlefolk and noblemen. A lottery, a lucky dip for a child who had never been forbidden to handle anything between covers." These delightful stories, ripe for storytelling, will be most welcomed when read aloud or by children themselves. This book was selected as one of 100 Must-Reads (Age 13) by Instructor magazine. Perfect to add to your classic children's book collection.