Meg is the eldest and on the brink of love. Then there's tomboy Jo who longs to be a writer. Sweet-natured Beth always puts others first, and finally there's Amy, the youngest and most precocious. Together they are the March sisters. Even though money is short, times are tough and their father is away at war, their infectious sense of fun sweeps everyone up in their adventures - including Laurie, the boy next door. And through sisterly squabbles, their happy times and sad ones too, the sisters discover that growing up is sometimes very hard to do. Little Women by Louisa May Alcott is one of the twenty wonderful classic stories being reissued in Puffin Classics in March 2015.
|Product dimensions:||5.07(w) x 6.99(h) x 0.97(d)|
|Age Range:||10 - 14 Years|
About the Author
Louisa May Alcott (1832-88) was brought up in Pennsylvania, USA. She turned to writing in order to supplement the family income and had many short stories published in magazines and newspapers. Then, in 1862, during the height of the American Civil War, Louisa went to Georgetown to work as a nurse, but she contracted typhoid. Out of her experiences she wrote Hospital Sketches (1864) which won wide acclaim, followed by an adult novel, Moods. She was reluctant to write a children's book but then realized that in herself and her three sisters she had the perfect models. The result was Little Women (1868) which became the earliest American children's novel to become a classic
Read an Excerpt
CHRISTMAS WON'T BE Christmas without any presents," grumbled Jo, lying on the rug.
"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.
"I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.
"We've got Father and Mother and each other," said Beth contentedly from her corner.
The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, "We haven't got Father, and shall not have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of Father far away, where the fighting was.
Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason Mother proposed not having any presents this Christmas was because it is going to be a hard winter for everyone; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't." And Meg shook her head, as she thought regretfully of all the pretty things she wanted.
"But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from Mother or you, but I do want to buy Undine and Sintram for myself. I've wanted it so long," said Jo, who was a bookworm.
"I planned to spend mine in new music," said Beth, with a little sigh, which no one heard but the hearth brush and kettle holder.
"I shall get a nice box of Faber's drawing pencils. I really need them," said Amy decidedly.
"Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun. I'm sure we work hard enough to earn it," cried Jo, examining the heels of her shoes in a gentlemanly manner.
"I know I do - teaching those tiresome children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.
"You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you're ready to fly out of the window or cry?"
"It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross, and my hands get so stiff, I can't practice well at all." And Beth looked at her rough hands with a sigh that any one could hear that time.
"I don't believe any of you suffer as I do," cried Amy, "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."
"If you mean libel, I'd say so, and not talk about labels, as if Papa was a pickle bottle," advised Jo, laughing.
"I know what I mean, and you needn't be statirical about it. It's proper to use good words, and improve your vocabilary," returned Amy, with dignity.
"Don't peck at one another, children. Don't you wish we had the money Papa lost when we were little, Jo? Dear me! how happy and good we'd be, if we had no worries!" said Meg, who could remember better times.
"You said the other day you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money."
"So I did, Beth. Well, I think we are; for, though we do have to work, we make fun for ourselves, and are a pretty jolly set, as Jo would say."
"Jo does use such slang words!" observed Amy, with a reproving look at the long figure stretched on the rug. Jo immediately sat up, put her hands in her pockets, and began to whistle.
"Don't, Jo, it's so boyish!"
"That's why I do it."
"I detest rude, unladylike girls!"
"I hate affected, niminy-piminy chits!"
"'Birds in their little nests agree,'" sang Beth, the peacemaker, with such a funny face that both sharp voices softened to a laugh, and the "pecking" ended for that time.
"Really, girls, you are both to be blamed," said Meg, beginning to lecture in her elder-sisterly fashion. "You are old enough to leave off boyish tricks, and to behave better, Josephine. It didn't matter so much when you were a little girl; but now you are so tall, and turn up your hair, you should remember that you are a young lady."
"I'm not! And if turning up my hair makes me one, I'll wear it in two tails till I'm twenty," cried Jo, pulling off her net, and shaking down a chestnut mane. "I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl, anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman!" And Jo shook the blue army sock till the needles rattled like castanets, and her ball bounded across the room.
"Poor Jo! It's too bad, but it can't be helped. So you must try to be contented with making your name boyish, and playing brother to us girls," said Beth, stroking the rough head at her knee with a hand that all the dishwashing and dusting in the world could not make ungentle in its touch.
"As for you, Amy," continued Meg, "you are altogether too particular and prim. Your airs are funny now, but you'll grow up an affected little goose, if you don't take care. I like your nice manners and refined ways of speaking, when you don't try to be elegant. But your absurd words are as bad as Jo's slang."
"If Jo is a tomboy and Amy a goose, what am I, please?" asked Beth, ready to share the lecture.
"You're a dear, and nothing else," answered Meg warmly; and no one contradicted her, for the "Mouse" was the pet of the family.
As young readers like to know "how people look," we will take this moment to give them a little sketch of the four sisters, who sat knitting away in the twilight, while the December snow fell quietly without, and the fire crackled cheerfully within. It was a comfortable old room, though the carpet was faded and the furniture very plain; for a good picture or two hung on the walls, books filled the recesses, chrysanthemums and Christmas roses bloomed in the windows, and a pleasant atmosphere of home peace pervaded it.
Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft, brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth - or Beth, as everyone called her - was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her "Little Tranquillity," and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person - in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
Table of Contents
Little Women is an American classic, adored for Louisa May Alcott's lively and vivid portraits of the endearing March sisters: talented tomboy Jo, pretty Meg, shy Beth, temperamental Amy. Millions have shared in their joys, hardships, and adventures as they grow up in Civil War New England, separated by the war from their father and beloved mother, "Marmee," blossoming from "little women" into adults. Jo searches for her writer's voice and finds unexpected love...Meg prepares for marriage and a family...Beth reaches out to the less fortunate, tragically...and Amy travels to Europe to become a painter. Based on Louisa May Alcott's own Yankee childhood, Little Women is a treasure -- a story whose enduring values of patience, loyalty, and love have kept this extraordinary family close to the hearts of generation after generation of delighted readers.
Reading Group Guide
1. In the first two chapters, the girls use John Bunyan's The Pilgrim's Progress as a model for their own journey to becoming "little women." What was Alcott trying to say by using such a strongly philosophical piece of literature as the girls' model?
2. What purpose does Beth's death serve? Was Alcott simply making a sentimental novel even more so, or was this a play on morality and philosophy? Do you think Beth was intended to be a Christ figure?
3. Consider the fact that Beth will never reach sexual maturity or marry. What do you think this says about the institution of marriage and, more important, about womanhood?
4. Consider Jo's writing: While we are treated to citations from "The Pickwick Portfolio" and the family's letters to one another, we are never presented with an excerpt from Jo's many literary works, though the text tells us they are quite successful. Why is this?
5. Do you find it surprising that once Laurie is rejected by Jo, he falls in love with Amy? Do you feel his characterization is complete and he is acting within the "norm" of the personality Alcott has created for him, or does Alcott simply dispose of him once our heroine rejects him?
6. Some critics argue that the characters are masochistic. Meg is the perfect little wife, Amy is the social gold digger, and Beth is the eternally loving and patient woman. Do you believe these characterizations are masochistic? If so, do you think Alcott could have characterized them any other way while maintaining the realism of the society she lived in? And if this is true, what of Jo's character?
7. The last two chapters find Jo setting aside her buddingliterary career to run a school with her husband. Why do you think Alcott made her strongest feminine figure sacrifice her own life plans for her husband's?
8. Alcott was a student of transcendentalism. How and where does this philosophy affect Alcott's writing, plot, and characterization?
9. Do you believe this is a feminine or a feminist piece of work?
"I am not afraid of storms, for I am learning how to sail my ship."
Louisa May Alcott (quote from Little Women
Most Helpful Customer Reviews
Along with thousands of others, I believe this is the world's best book for young girls. Some now think it's much too syrupy, but it remains a great story of four sisters, trying hard to learn to be the "Little Women" of the title. Moving, funny, and a glimpse of a vanished world.
Enjoyable, well-written story overall, but characters could be a bit goody-goody. For the time period though, it is remarkably unpreachy.
From the very first sentences of Little Women we know the four daughters in the March family: the eldest, Meg, tomboy Jo, gentle Beth and vain Amy. Soon we meet their kind mother, Marmee and from those first moments the reader is part of the family. Set during the Civil War the March family is left with no men in their household when the father is sent off to war. The remaining house full of women is left to manage on their own. I first read this when I was in grade school and I was thrilled to discover the character of Jo. She was a stubborn tomboy who longed to be an author and on the very first page she's described as "Jo, who was a bookworm." It was me in every way. Jo was the antidote to every sugary sweet character tossed my way in other books. She wasn't a lady, but she was strong and loving and she was willing to sacrifice anything for the good of her family. The other characters, their neighbor Laurie, their selfish Aunt March, etc. are engraved in my mind forever. I longed to be there, in their world, acting out the Pickwick Portfolio with them in the attic. Alcott wrote about intimate family dynamics in a time when little was known about women's interaction in the privacy of their own homes. The book was published in 1869, shortly after the end of the war. She created a family full of women with very different personalities, who must struggle through some horrible trials, but survive because their love for each other holds them together. It's a beautiful story that everyone should read.
This book isn't written poorly, and the stories aren't bad, but I still find it really annoying and hard to read. The characters are just very unbelievable. You can tell it's a children's story because all the girls always burst out in unison "Yes Mother!!" and things like that. They're just way too goody-goody to be interesting.
In the book Little Woman there is a family with 4 sisters. The sister names are Margaret, who is very nice, and is the oldest at 16 years old, Jo who is 15 years old and is very stubborn, Beth who is 13 years old and is very peaceful, and Amy who is the youngest, and thinks she is all that. The family is living in New England through the Civil War. The family is very scarce on money. The children don’t really get much of anything because they don’t have all that money to spend on things they want. I would definitely recommend this book especially if you like books that involve topics of the Civil War, and sisters working together to help each other do things. This book is very good it was very well written. I couldn’t really relate to this book, but maybe you could depending on what your life is like. The book made a lot of sense, not like other books that don’t go in order, and gets everything all confusing. In general this was a very great book, and I think you should try it!
This is in the first of the "Little Women" series, I love this as a teen and I'm happy to say my daughter loves it too! A must read for any middle school age and up.